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Yes, You Can Be Black And Wear Sperrys

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I would like to think I'm black. And at first glance, it's apparent I am. My skin and hair say so. My musical tastes, ranging from Luther to Janet to Kanye, agree. My parents, aunts, uncles and cousins are all black. And if anything, I've got a birth certificate that solidifies my heritage. I would like to think I'm black. But sometimes, I'm not sure if others of my race agree.

I'll admit, I'm not the typical African American young man. Even though I grew up in and around Montgomery, AL, a city with an African American makeup of almost 60 percent, I rarely interacted with many. I attended a private school with only one other black kid in my class until sixth grade, and no black girls until freshman year of high school.

Being constantly surrounded by mainly white kids has never been anything but normal for me. As I grew up around the children of prominent lawyers and doctors, I became comfortable. We wore uniforms at school, but that didn't prevent the unfortunately stereotypical but accurate "prep style" from rubbing off me.

Everyone shopped at Kinnucan's, Ralph Lauren shirts were the standard, and why even bother showing up to school if you weren't equipped with Sperrys or Wallabees on your feet? And I, like any other indoctrinated private school kid, subscribed to these trends. To me, following this particular wardrobe made me no different than Richie Rich or Johnny Warbucks. I was a part of the crowd... until I wasn't, when comments like "Jared, you're the whitest black guy I know" or "You dress so white!" shattered my perceptions.

How do I dress "white"? Everyone dresses like this? What do they mean? I always downplayed the comments effortlessly, with laughter or a feigned "whatever". But the questions continued to plague me, especially "If I dress 'white,' am I still black?"

A couple weeks ago, I received an answer.

Summer had begun, and my friends and I were ready to ring in the late nights and good times with a teenage American classic: a house party. Out in the middle of the Alabama country, we pulled up to a trailer filled with kids. As the hours passed, some people left, others showed up.

After coming off the deck, where I had been taking pictures with my friends, I walked into the kitchen for a drink. I was greeted by three black guys, leaning against the countertop, listening to music. I gave "The Nod" when I made eye contact with one, but received a stifled smile in response. As I turned my head to extract a soda from the refrigerator, I saw the guy turn to his friends, all silently chuckling in my direction.

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It was my shorts. Through my eyes they were a regular pair of khaki shorts. But, they're short -- probably a 7' inseam, resting a measurable distance above my knee. Completed with a shirt embossed with a dog's head and green Chacos, and I must have been a sight for them to see. I coolly grabbed my drink and walked into the living room, trying to ignore the ensuing snickering as the distance between the kitchen and me grew.

And the next weekend it happened again.

Different house, different party, same scenario. This time I left the Chacos at home, substituting a pair of pizza socks I had received for Christmas and sneakers. In an attempt to grab the sole bathroom before someone else got the chance to occupy it, I hopped up from my seat. A group of black guys leaning against the wall across the room watched.

"Aye, aye, look at this nigga."

Though hushed, the words were audible across the living room.

Their whispered jeering scored my back, as I felt at least six pairs of eyes watch me leave the couch. Overcome immediately with self-consciousness, I grappled with my options. Should I ditch the socks? Wait, maybe they weren't talking about me? Why did I wear these damn socks?

The rest of the night went fine. I left the bathroom (still socked) and brushed off the whole thing. Other than occasional humor-filled glances when I walked into a room, I didn't hear anything else about me. And on one hand, I'm glad. I've never been physically bullied or felt threatened by anyone because of the way I looked. But after the party, when I had a chance to mentally revisit the incident, I realized how sad it is for it to be an "incident" at all.

And here we reach one of the great enigmas of black culture. We, as a people, seem to look for opportunities to divide ourselves. But, only when it's us. The moment a member of a different race (especially a white person) comments on black style or dress, it seems almost all 37 million of us are jumping up in defense. If this is so, why is it then okay to chastise members of our own community for expressing individuality? Because I wasn't wearing chains, oversized pants, and basketball shoes, I was made to seem like something other than a man, something other than black.

Unlike in other cultures, where masculinity can be seen in a farmer, a long-haired metrosexual, a surfer, or a scholar, African Americans tend to have a very linear idea of what is the Black Man. Think imposing, hardened and sometimes even angry. How did we become a culture where men are expected to exude the persona of Lil Wayne or T.I. solely, while the Jaden Smiths are mocked and demeaned?

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And unfortunately, this cultural rejection of identity individuality doesn't just find its home with men. Women are equally subjected to negative commentary when their dress breaks stereotypical cultural norms. One of my good friends has, like me, dealt with this problem constantly. As one of the few African American women in the University of Alabama's Greek system, she grew up dressing with a more "preppy" style, and was raised in a household where textbook English was the rule:

When I was younger, my dad did a lot of work for Nigerian churches in the Atlanta area. He would film the seminars and do tech work and everything, so the whole family went. Everyone there was pretty much from the inner city of Atlanta, and they would always make fun of me for "talking and dressing white." I was a complete outcast.


Being an outcast in your own race and community is sad. At my age, my parents couldn't attend school with other races, let alone live with them. Today, we are free to own a home (or five) in any neighborhood, complete with a white picket fence and a Golden Retriever in the backyard. Our children rub shoulders with those of CEOs and royalty in Ivy League institutions. But in 2015, with a black man in the White House, our race is virtually resegregating ourselves -- not physically, but socially.

Speaking differently is interpreted as "acting uppity." Dressing in an non-urban style results in shunning or laughter. It's time for us, as a community, to eradicate this pattern of ridiculous behavior. In a culture where "you do you, I'll do me" and blatant individuality are heralded in music and film, we do a poor job of actively following these ideas in real life interactions.

Weeks have passed since the Kitchen Clash and the Pizza Sock Party. I've had time to contemplate the situation more deeply, and my mom recently raised an interesting question: "If you were with your friends, and only one guy walked in, neck hanging with chains and boxers showing, would you comment similarly?"

That's a scenario I had never considered. And honestly, I can't answer it, because of my numerous personal experiences having my appearance critiqued. However, I have no doubt it happens: preppy or traditionally dressed young men (and women) scoffing or belittling others because of their more urban style.

I don't know what can be done or said to eliminate this hardly discussed, yet definitely prevalent problem. I do know, however, that until something is done and our attitudes change, we are doing nothing but further separating and fragmenting our race. And in a world where so many negative stereotypes about African Americans still abound, we owe it to not only those who came before us, but also future generations, to continue working to build a more equal (and tolerant) America.

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Kim Kardashian To Speak On The 'Objectification Of Women In Media' In Oakland

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Kim Kardashian is joining a prestigious list that includes Teddy Roosevelt, Martin Luther King Jr., Dwight D. Eisenhower, Bill Clinton and Bill Gates.


The 34-year-old reality star is set to speak to San Francisco's venerable Commonwealth Club next week to discuss her new book of selfies and her famous family. Also on the agenda, according to the Commonwealth website, is "the business of millennial culture" and "the objectification of women in media."


Tickets for the June 30 event — described only as "a book signing" by Kardashian's publicist — range from $40 for general admission to $300 for the VIP Party Package.


Kardashian's appearance is sponsored by Glu Mobile Inc., the San Francisco-based video game company that made her megahit mobile game, "Kim Kardashian: Hollywood."


A spokeswoman for the Commonwealth Club said Wednesday that the event was originally set to be held at the Paramount Theatre in Oakland, California, but it will probably be moved to San Francisco's Castro Theatre.


Founded in 1903, the Commonwealth Club bills itself as the nation's oldest and largest public affairs forum, dedicated to impartial discussion of public issues.

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Kylie Jenner Slays In Crop Top And Sheer Skirt At Cannes Lions Festival

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Kylie Jenner is killing it in Cannes.

The 17-year-old again channeled her older sister Kim Kardashian -- this time in a white crop top and sheer skirt that's somewhat reminiscent of a dress the reality star wore to the Met Gala this year, for a yacht party at the Cannes Lions Festival on Wednesday.

The teen hit up the bash alongside her 25-year-old boyfriend Tyga, mother Kris Jenner and her mother's boyfriend Corey Gamble, who posed for photographers before the the festivities began.

And though she's apparently been training Kylie well, Kardashian would never be outdone. The pregnant reality star was also in attendance, arriving in a sheer black dress.

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kylie jenner

CANNES

A photo posted by King Kylie (@kyliejenner) on




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No Sweat! 5 Tips For Flawless Makeup In Hot Weather

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Whether it's for an everyday look or a special occasion, keep your makeup looking fresh and pretty in the summer heat with these tips from MAC Cosmetics pro team senior makeup artist Caroline Donnelly.

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Trendy Wendy: What's Up With TTH Via TMI?

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Gone viral is the news story of a woman, who, clad in skinny jeans helped a friend move, and who in bending and squatting for several hours wound up hospitalized due to injuries suffered from circulatory and nerve damage, brought on by the trifecta of vices that comprise the legs, waist and crotch construction of a garment that was and is

1) Constructed to be snug to begin with
2) Made of elasticized fabric that clings/hugs/squeezes
3) Was very possibly worn one or more sizes smaller than realistically ideal

We'll never know for sure just how tight or too tight the actual garment fit was for this fashionista's ill-gotten fame, for that question is not politically correct enough to ask and make an issue of -- or is it? Personal taste is the private business of the wearer, including if one opts to wrangle self into a too small garment for, say, purposes of boasting of being a smaller size or in false hope of appearing slimmed down by way of wearing one's clothes tighter than a wetsuit. But garment construction and fit being what they are in the world of so-called skinny garments, the notion of achieving a good of snug fit is completely in the realm of possibility, as is doing it with a decent measure of practical comfort and tasteful non-delineation of that which should remain non-delineated. TMI, Too Much Information, is IMO also the resulting visual mishap when any garment is worn too tight, when too many body parts are exposed and too little is left to the imagination -- and launched into the realm of bad taste. And, btw, leggings are not pants. Let me repeat: leggings are not pants.

When one's garments land one in the hospital for the better part of a week, I think it is also time to ask the obvious as regards the obvious. Why in the name of fashion and style do we perpetrate injustices to ourselves?

Disablement in the name of style has existed from the beginning of recorded fashion history: from foot-long finger nails to the baked-on talons of today, from breath-stealing, rib-crunching corsets to the oft questionable shapewear industry of today (Why get fit n slim when one can pack it in?), from waxed and powered wigs and coiffures of long ago or the lavender-tinted mini permed up-dos our grannies sported to the high dollar, high maintenance chem-laden blowouts, weaves and extensions of today, which overtake life on many levels and leave proverbial kitchen cupboards bare in the name of tress financing, to high heeled and platform shoes that leave one cramped, hobbling and broke, we did it centuries ago and boy oh boy, we do it now. In the name of standing out, in this day and age when we could or should know better, we fail and fall on even more levels than ever before.

The skinny pant crisis story points to what I have long called the Brat Effect. This look is achieved when too-tight garments, most especially pants or leggings, have been squeezed into so that appendages appear to nearly burst from the garment, like meat forced into its casing. A bratwurst, FYI, is a sausage, generously sized and spiced, a German classic. Try one with some curry ketchup.

The Brat Effect is part n parcel of what I also call TTH: Trying Too Hard. Trying Too Hard is over exposure of self in the name of attention garnering. This is generally accomplished with mixed results. In the case of too-tight pants, it is the corporeal landscape of lines, creases and bulges created when the stretch fabric of a tight garment digs into its dressed body parts. TTH in haute couture is best represented in the beaded, transparent gowns sported by performers and "reality" celebs seeking viralized notoriety. Dubbed "naked dresses" and recently lamented by designer Carolina Herrera (Thank you), naked dresses are prime examples of the "LOOK AT ME" trend in high fashion. TTH remains, no matter how high the cost or how choice red carpet event, low on the ladder of fashion aesthetics, for it garners attention by force of knee-jerk distractibility. Even if one concludes the look is unattractive and tantamount to TMI, the moment in which jaws drop and eyes pop is easily accomplished time and again. Seen so often now as to be rather old hat, it is a look Cher, thanks to Bob Mackie, nailed many years ago. Somehow simply different and tricky to pinpoint as to just why (I suspect it has to do both with the wearer and the gown itself and just how often we have now seen this), the shimmering, sleek seductiveness of Cher's earlier ensembles is a distant precursor to the bedazzled TMI and TMI of today.

The fascinating irony is the choir preaching in this fashion lament, for the perpetrators of Brat Effect and TTH are, of course, also the last ones to see it that way. One fashionista's TMI is another's triumph. If surveyed and analyzed, and even if construed from a sociological or even biological point of view, I think many would be surprised and many others quite amused by what looks are best appreciated by whom. Not only should we consider aesthetic success a result of smart fit and a savvy suitability, we should consider it a form of applied intelligence - fashion wisdom. With the ills of fashion foolishness have been recently documented anew, with nerve endings, veins and arteries medically substantiating what the eyes have been noticing all along, I think it is time to once again look into the mirror and challenge our convoluted notions of on-trend style.

If we are going to continue to make things more difficult in the name of fashion, can we at least quit injuring ourselves? And if we must continue to expose ourselves, can we hold back just a smidge in the name of allure?

As photographer Richard Avedon once mused on Jackie Kennedy Onassis
She knows when to hold herself back while everyone else you know gives too much of themselves at one time. So when she comes out, it's a great tour-de-force.

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'Miss Muslimah' Photos Show Just How Outdated Western Views Of The Muslim World Really Are

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Yes, there are a lot of differences separating Miss Muslimah, a Muslim beauty pageant in Yogakarta, Indonesia, from those broadcast across the Western world. Instead of bathing suits there are headscarfs, competitors pray five times a day, and the winner is chosen by a jury of orphaned children. However, after attending and documenting the competition in 2014, photojournalist Monique Jaques realized that the young women weren't that different from their Western counterparts.

"I believe that this idea that the West has that the lives Muslim women lead are so different from ours is outdated and naive," Jaques explained to The Huffington Post. "The girls had as much in common with any other young girl in America. They talked about makeup, television shows and friends just like [many] young women do."

Jaques discovered the competition online and was intrigued to see what shape the competition would take. "I thought the contradiction of a Muslim beauty pageant was so interesting and unique," she said. "In my work I'm always looking for ways to communicate the experience of young Muslim women to Western audiences. Much of the competition is similar to a pageant in America or anywhere in the West, just with headscarves."

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Many competitors themselves seem to agree. "I think the only difference it has from a regular beauty pageant is the name," Dina Torkia told Al Jazeera during the 2014 competition. "And the fact that we are all wearing scarves on our head."

And yet this sole difference is hugely important, especially for the many young women whose careers and relationships are threatened by their decision to wear a hijab. "When you wear the headscarf in France, people have their own way of looking at you," competitor Fatma Ben Guefrache told Al Jazeera. "It’s a problem across Europe. People don’t distinguish between an ordinary Muslim and a terrorist."

The World Muslimah Award was established by Eka Shanty in 2011, after the former television reporter was removed from her position following a refusal to remove her hijab on screen. The competition, which enlists 18 young Muslim women from around the world, requires that participants don the symbol of modesty and faith. The event celebrates style and elegance along with religious piety, development of humanitarian intelligence and strength of character. Prizes include everything from pilgrimage trips to scholarships.

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The process is grueling, with participants getting as little as three hours of sleep a night. A typical day consists of visiting impoverished slums and elderly homes, and speaking with corporate sponsors, all while praying five times a day -- and wearing heels. "We’re trying to find an excellent personality that can be a role model, an ideal figure to stand on behalf of millions of Muslim women in the world," Shanty explained. "Of course this is very challenging and stressful, but I think it’s worth it for them."

Throughout the pageant, challenges include reciting Quran passages, volunteering in nursing homes, debating Muslim values and touring impoverished communities. Although parts of the competition are controversial, including its sponsorship by skin-lightening products, Jaques has faith in the heart of the pageant. "I think it brings light to strong educated women who have goals and issues, and the hijab won’t deter them," she explained to Feature Shoot. "Many have faced prejudice for their religious beliefs; one was even denied admittance to a university in France. Together, they stand up for the rights of Muslim women around the world."

From Jaques' images and descriptions, the ambitious and dedicated participants of Miss Muslimah seem to be aspirational role models for women of any faith. "I absolutely fell in love with the girls in the competition," the photographer said. "It was such a wonderful collection of strong women with clear ideas about who they were and what they wanted to achieve."





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14 Women Artists Who've Changed The Way We Think About Design

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Much like today, the design world of 1950s and '60s America buzzed with big names. Crack open a history book on the era and you'll find chapters devoted to them -- Buckminster Fuller, Frank Lloyd Wright, Isamu Noguchi, Donald Judd, Richard Serra. Except, unlike today, there was a discernible, if not disturbing, pattern to the list of VIPs working in painting, sculpture and architecture: they were mostly men.

Today, more than a few art history books and exhibitions have attempted to correct the slant by recognizing the many, many midcentury women artists and designers whose work was either underappreciated or underrecognized at the time. It wasn't that women of this period weren't creating exceptional pieces of art and design -- think of Louise Bourgeois or Ruth Asawa -- but rather, as a new show at New York's Museum of Arts and Design asserts, major surveys simply overlooked these figures. MAD argues, in particular, that this was due to the artists' respective gender or choice of "traditional" medium.

"Pathmakers: Women in Art, Craft and Design, Midcentury and Today" surveys over 100 works by designers, artists, and teachers who fell for media off the beaten path. The exhibition spans Toshiko Takaezu's ceramics, Sheila Hicks's weaving, Eva Zeisel's plateware, Lenore Tawney's fiber art and a whole lot more. It reminds us that while Josef Albers was puttering around with paint and color studies, his wife Anni Albers was breaking ground in textiles and graphic design -- Josef just happened to garner a bit more attention.

Organized by guest curators Jennifer Scanlan and Ezra Shales, along with MAD Curatorial Assistant and Project Manager Barbara Paris Gifford, "Pathmakers" not only reflects on the midcentury women who broke barriers over 50 years ago, it also highlights the women working today, who've picked up their predecessors' mantle and pushed the limits even further in the 21st century. In honor of the show, on view at MAD until Sept. 30, here is a roundup of the 14 women artists who've changed the way we think about design.

1. Lenore Tawney: Lenore Tawney, who lived from 1907 to 2007, was an American artist who worked primarily with fiber, but also in drawings, collages and assemblages. She is often credited with transforming the beauty of weaving into the contemporary medium known as fiber art, incorporating Zen philosophies and spiritual questions along the way. “In all Tawney’s work, the past confronts the present, the East the West, the mundane the visionary; but more often it is the visionary that predominates," Katharine Kuh wrote of her art.

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Lenore Tawney in her Coenties Slip studio, New York, 1958, Photo by David Attie, Courtesy of Lenore G. Tawney Foundation.


2. Mariska Karasz A fashion designer and embroidery artist who died in 1960, Hungary-born, New York-based Mariska Karasz is know for combining elements of Hungarian folk with 20th century American design to create wall hangings and fiber art that stood out for their stunning use of color. She's often credited with helping to revive needlework in midcentury design when she worked as a guest needlework editor for House Beautiful magazine.

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Transcendence, 1958, Mariska Karasz, Wool, cotton, silk, DMC cotton floss, Lurex fibers, mercerized cotton thread, 59 x 61 1/2 in. (149.9 x 156.2 cm), Museum of Arts and Design; gift of Rosamond Berg Bassett and Solveig Cox, 1992, Photo by Eva Heyd.


3. Ruth Asawa Born in 1926 in Norwalk, California, the late Ruth Asawa garnered the nickname "fountain lady" due to her penchant for designing unusual public fountains, particularly in San Francisco. Early in her career, she learned to crochet wire sculptures while visiting a village in Toluca, Mexico, creating works that oozed both geometric order and natural abstraction. Most notably, she helped to form the San Francisco School of the Arts in the 1980s, which was later renamed the Ruth Asawa San Francisco School of the Arts in 2010.

asawa
Ruth Asawa Holding a Form-Within-Form Sculpture, 1952, © 2015 Imogen Cunningham Trust, Photo by Imogen Cunningham.


4. Polly Apfelbaum New York-based Polly Apfelbaum is best known for her "fallen paintings," composed of hundreds of hand-dyed fabric swatches that often appear across floors rather than walls, as if the vibrant palette of a painting had tragically fallen to the ground, releasing a serendipitously beautiful world of color.

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Polly Apfelbaum, Handweavers Pattern Book installation, 2014, Textiles: marker on rayon silk velvet, Ceramic beads on embroidery thread, Courtesy of the artist and Clifton Benevento, Photo by Andres Ramirez.


5. Anne Wilson: Anne Wilson is a Chicago-based artist who creates sculpture, drawings, performances and video animations. She often uses everyday materials like linen, human hair, wire, lace and thread to explore themes of time, loss and privacy. As she states on her website: "My work evolves in a conceptual space where social and political ideas encounter the material processes of handwork and industry, where the organization of fields and the objects they help generate is constantly subverted by the swarming, anarchic energy of the objects themselves."

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Wind-Up: Walking the Warp Houston, 2010, Anne Wilson, Performance and sculpture, Photo by Simon Gentry.


6. Vivianna Torun Vivianna Torun is frequently cited as one of Sweden's most well known silversmiths, a master jeweler with a beat-meets-chic personal style. During her lifetime, she rubbed elbows with artists like Picasso and Matisse in the Parisian salons and famously created an eponymous watch. Of the "Vivianna" design, the late artist proclaimed: “I didn’t want to be trapped by time, so I made the watch open, made it shiny and took away everything that was watch-like, so when you looked at the watch you saw yourself and the second hand which reminded you that life is now, now, now, now.”

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Vivianna Torun, Silver necklet and earrings with turquoise blue ceramic beads of Ancient Egyptian origin, 1954, Courtesy of Georg Jensen, Photographer unknown.


7. Dorothy Liebes American textile designer Dorothy Liebes, who lived from 1897 to 1972, was primarily a weaver who collaborated with architects and interior designers. Her boldly hued textiles often incorporated some surprising media: feathers, metals, ticker tape, leather, bamboo. Frank Lloyd Wright commissioned work from her, and she consulted with major companies like DuPont and Dow, helping to develop mass machinery that mimicked the effects of hand-looming.

liebes dorothy
Prototype Theatre Curtain for DuPont Pavillion, New York World's Fair, 1964, Dorothy Liebes, DuPont Orlon and Fairtex metallic yarn, 99 1/2 x 46 3/4 in. (252.7 x 118.7 cm), Museum of Arts and Design; gift of Dorothy Liebes Design, through the American Craft Council, 1973, Photo by Eva Heyd.


8. Olga de Amaral Olga de Amaral was a Colombian textile artist who created massive tapestries lace with gold and silver leaf, metallic paint and gesso, largely inspired by pre-Hispanic art. "A large part of Olga's production has been concerned with gold," Edward-Lucie-Smith wrote, "but there are in fact no equivalents for what she makes in Pre-Columbian archaeology. Nevertheless one feels that such objects ought in logic to exist -- that she has supplied a lack."

amaral olga
Hanging #57, ca. 1957, Olga de Amaral, Hand spun wool, 87 x 43 in. (221 x 109.2 cm), Museum of Arts and Design; gift of the Dreyfus Foundation, through the American Craft Council, 1989, Photo by Eva Heyd.


9. Toshiko Takaezu A Japanese-American ceramist, Toshiko Takaezu was known for her small- and large-scale stoneware and porcelain works, pieces that channeled bits of Abstract Expressionism, as well as traditional motifs from classic Japanese pottery. Before her death in 2011, the artist concentrated on ceramics that were meant to be seen and not necessarily used, often creating permanent lids for her pieces, such as in her memorable "closed forms."

toshiko takaezu
Toshiko Takaezu, ca. 1960, Photo by John Paul Miller, Courtesy American Craft Council.


10. Eva Zeisel Hungarian-born industrial designer Eva Zeisel began a prestigious career in Germany and Russia before moving to the United States in the late 1930s, teaching for Pratt Institute in New York and headlining the first one-woman show at the Museum of Modern Art. Her works often mimicked the curves of a human body, but every piece she made was intended for utility, with bits of Hungarian folk flair mixed in.

zeisel
Resilient Chair Frame, ca. 1948-1949, Eva Zeisel, designer, Hudson Fixtures USA, manufacturer, Chrome-plated tubular steel, 28 1/2 x 26 x 26 1/2 in. (72.4 x 66 x 67.3 cm), Courtesy of Jean Richards.


11. Anni Albers Anni Albers was a textile designer, draughtsman and printmaker who was steeped in Bauhaus traditions, creating works based on color relationships and abstractions. Like other women on this list, Albers wasn't afraid to incorporate unusual materials -- paper and cellophane -- into her weavings to create a distinct aesthetic that explored art's ability to provide "stability and order" in life.

albers
Tikal, 1958, Anni Albers, Cotton, 30 X 23 (76.2 x 58.4 cm), Museum of Arts and Design; gift of Johnson Wax Company, through the American Craft Council, 1979, Photo by Eva Heyd.


12. Karen Karnes New York City-born Karen Karnes is most famous for her stoneware ceramics, influenced by her training in both Italy and at Black Mountain College in North Carolina. Her earth-colored clay pieces are created using older practices like wood and salt firing. Of her work, she notes: "When I started working, I thought, well, I'm a potter. I want to make pots. I'm making pots. And then when I moved from doing that to more sculptured things, it wasn't a planned thing. It just happened in a natural way. And I never thought I would be famous, which I am now."

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Karen Karnes, 1958, Photo courtesy of the American Craft Council.


13. Vuokko Eskolin Nurmesniemi Vuokko Eskolin Nurmesniemi is a Finnish textile designer known for imagining the simple red-and-white striped fabric that would become the Jokapoika shirt, the first piece of menswear for Marimekko. Her work is on permanent display at the Metropolitan Museum of Art in New York.

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Untitled (circle dress), ca. 1964, Vuokko Eskolin Nurmesniemi, Screen printed cotton, 46 x 46 in. (116.8 x 116.8 cm), Museum of Arts and Design; gift of the American Craft Council, 1990, Photo by Eva Heyd.


14. Mary Kretsinger Kansas-born Mary Kretsinger, who died in 2001, is known for her experimental metalwork and enameling. In her own words: “I work in precious metals, enamels, and precious stones to create unique pieces of jewelry. I do not mass produce. I am interested in the sculptural approach to jewelry and hope eventually to produce sculpture using, silver, gold, and enamel.” She also notably created interchangeable ear pendants that could be attached to a number of different earrings.

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Sketch in Metal, 1969, Mary Kretsinger, Silver, brass, opal; forged, cast, assembled, 2 5/8 x 2 1/4 x 3/4 in. (6.7 x 5.7 x 1.9 cm), Museum of Arts and Design; gift of the Johnson Wax Company, through the American Craft Council, 1977, Photo by John Bigelow Taylor.




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Chrissy Teigen Eats Spaghetti While Topless In Bed After A Night Of Partying In Cannes

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Chrissy Teigen knows how to end a good night of partying.

The 29-year-old supermodel posted a photo on Instagram Wednesday night in which she's seen bundled up in bed, sans pajamas, eating a hearty plate of spaghetti. (Is there any better way to wind down after a fancy soiree?)

A photo posted by @chrissyteigen on




The Sports Illustrated cover girl and foodie (she has her own cooking website!) captioned the pic, "Eating some spaghetti after the @Dailymail and @Mailonline yacht party #seriouslypopular #goodnight." (We can always count on her to keep it real.)

The Daily Mail/MailOnline yacht party took place in Cannes, France and Teigen was there to act as hostess for the event. For her duties, the model donned a chic ensemble of silky orange trousers, a tiny white crop top and a tailored white blazer.

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John Legend's wife is in the south of France for the Cannes Lions along with plenty of other stars, including Kim Kardashian, Kylie and Kris Jenner and Sting.

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Ruby Rose and What Makes Gender Non-Conforming 'Sexy' (Or Not)

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Ruby Rose is the girl of the moment. She's fearless, she's eloquent and she is, undoubtedly, very good-looking. If Orange is the New Black is loved for diversifying TV and celebrating difference, then Ruby Rose is the perfect casting. Androgyny is not something often considered beautiful, so for her to redefine beauty and still have mass appeal is very exciting. But it does raise questions over why some gender non-conformity is celebrated while other forms are ridiculed or ignored.

A photo posted by Ruby Rose (@rubyrose) on





Laverne Cox raised a really interesting point recently about Caitlyn Jenner, or more accurately the reaction to her 'unveiling.' In a blog post, Cox notes that Caitlyn was hugely commended for being beautiful, and indeed Cox herself has been heralded many times as beautiful, but actually that can become a problem for women who are less easily able to conform to cisnormative beauty standards.

While Jenner, Cox and Ruby Rose represent different expressions of femininity, they do all share one common trait: they are beautiful by standards widely upheld within western society. Ruby Rose has an exquisite face and a slim body, but would the tattoos and spiky hair be so beloved on a gender non-conformist woman born without traits we consider traditionally beautiful?

Laverne Cox also has a lovely face, as well as long, blonde hair and by her own admission, is in the fortunate position where she can buy the things she needs to conform to beauty standards. Equally, Caitlyn Jenner has been able to spend a lot of money working on her look to make it acceptable for the masses. What about women who aren't so fortunate, or who decide against conformity?

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I didn't intend this blog to be about trans women, but with the incredible trans movement happening in mainstream culture, it does feel relevant to think about how we are defining 'beautiful' and critique the boundaries we have in place for what is and isn't to be celebrated. To keep it even (or as even as a beauty discussion can ever be when thinking male vs. female), consider men who do not conform to physical gender roles, or express themselves in a way not considered masculine. Boy George was huge in the '80s, Adam Lambert is huge now and yes, male androgyny is as old as time, but I'm not sure it's ever been widely considered attractive or celebrated outside of the non-conformist community it is built from.

There was a time when I was relatively androgynous in the way I chose to present myself to the world, and while I think my eyeliner emo days are something to celebrate now, it didn't come without issues at the time. Even within the gay male community, there is a celebration of butch and a shun of fem. I'm physically fairly gender conformist in my 20s -- although lord knows I'll rock glitter at a festival -- but I do think it's a shame that we can't celebrate those who don't, by choice or design, look like Chris Pratt, Beyoncé, Ryan Gosling or Taylor Swift.

Beyoncé is incredible, Ryan Gosling is handsome, and I couldn't be more of a Laverne Cox fan, but wouldn't it be amazing if we all lost our collective minds for somebody who doesn't fit that mould? I'm as guilty of that narrow mind as anyone, but I can't wait for a time when somebody who doesn't look the way we think they should breaks through to mass attention and praise -- or "slays" as the kids say. Ruby Rose is great, but where is the Big Boo love?

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An L.A. Model in New York

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Courtney McCullough wearing Negative Underwear, Soho, New York City;
photo by Jill Shomer


I recently had the opportunity to photograph Courtney McCullough, a model and actress visiting NYC from her native Los Angeles. We wound up doing three shoots together over two days, and as a result, became friends.

Our first shoot took place in a NYC fantasy space, the gorgeous Soho loft- headquarters of Negative Underwear. The co-creator of the lingerie company, Marissa Vosper, styled Courtney in pieces from their new and existing lines, we put on Lana Del Ray to set a luxe mood, and then talked as we shot. I asked her what she thought about the differences between New York and LA. "I like the honesty of the people in NYC," she said, "I love the laid-back vibe we have in L.A., but in NYC when people say they want to work with you, they really follow through and make it happen."

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Courtney McCullough wearing Negative Underwear, Soho, New York City;
photos by Jill Shomer



After we left the loft we wandered around Little Italy and Chinatown, and Courtney talked about her family. "What I love about both L.A. and NYC is the vast ethnic diversity," she said. "I am very proud of my multicultural background; being a Chinese/Mexican-American feels very "L.A." in that both cultures represent a huge portion of the population and have contributed so much richness to that culture."

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Courtney McCullough in Soho, Little Italy, and the Manhattan Bridge,
photos by Jill Shomer



We eventually reached the Manhattan Bridge, and also the inevitable beef when discussing L.A.--the driving. I had been in that city recently and the parking and traffic made me nuts. But Courtney defended her hometown: "I actually like that L.A. is very spread out. We've got a lot of space here! I love that I can drive an hour or two in any direction and be at the ocean, the desert, the forest, or the mountains." But she did give props to NYC public transportation!

The following day, Courtney and I shot with Kara Neko, the mutual friend who had connected us. It was the first time I photographed two people together; it was a real privilege to capture the bond between two good friends who live on opposite coasts.

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Courtney McCullough and Kara Neko in New York City;
photos by Jill Shomer



To see more of Courtney McCullough, check out her work in Halsey's new music video "Ghost,"




and on Buzzfeed:

http://www.buzzfeed.com/skarlan/such-beauty-much-handsome#.bgkYnrmA5b


Follow us on Instagram:
@jillshomer @courtneymccullough6 @negativeunderwear @indianpython

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Zayn Malik Is The Latest Celeb To Go Platinum Blonde For Paris Fashion Week

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Umm, excuse us. Did we miss a memo? There seems to be an unofficial rule for high-profile celebrities attending Paris Fashion Week to show up with new platinum blonde hair.

First, Jared Leto went all Karl Lagerfeld on us back in March with a platinum undercut. And then, Kim Kardashian jetted off to the City of Light to sit front row sporting a bright blonde lob. Now Zayn Malik has gone all out with the bleach.

Malik was photographed outside of the Valentino Menswear Spring/Summer 2016 show on Wednesday rocking a new blonde buzz cut. The stark contrast between his bright hair color and dark, bushy brows made for quite the fashion-forward look. Not to mention he was outfitted in a well-tailored navy Valentino coat.

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This isn't the first time the former One Direction member has experimented with eye-catching hair colors. Remember this neon green moment?

We certainly think Malik looks better as a blonde but then again, what doesn't he look good in? Tell us your thoughts the comments section!




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Kaitlyn Bristowe Hopes Her 'Intimate' Moment Will Lead To A Larger Discussion About Sex On 'The Bachelor'

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Kaitlyn Bristowe changed the "Bachelor" game this week after having sex with a suitor before the fantasy suite dates, and admitting to it -- gasp! The "Bachelorette" star got freaky "intimate" with contestant Nick Viall on Monday night's episode following a romantic, and steamy, one-on-one date in Dublin, Ireland. "Nick makes me feel like a woman, a desired woman," she said in her confessional.



Yes, there was a lot of whiskey involved and, yes, making out was much more important to them than small talk, but who are we to judge how Kaitlyn goes about finding "the one"? Sex is a part of any romantic relationship, and believe it or not, she's not the only "Bachelor" or "Bachelorette" star to do the nasty on live TV -- ummm, Ben and Courtney's skinny-dipping sesh, anyone?!

"It makes me SO angry that there is such a double standard in this world when it comes to men and women having sex," former "Bachelorette" star Ali Fedotowsky wrote on her blog following this week's episode. "I can assure you that Kaitlyn is NOT the first person to have sex with someone on the show. In fact, I would argue that 95% of the Bachelors and Bachelorette[s] DO have sex on the show. Sure, Kaitlyn did it before the infamous fantasy suite, but does that really matter? I’ve heard Mike Fleiss (the creator of the show) say that one of the Bachelors had sex with something like 6 of his 25 women!!! I’m not going to say who that Bachelor is, but people didn’t slut shame him. So stop judging Kaitlyn for following her heart annnnnnd her vagina ;)."

"Everything happens for a reason," Kaitlyn told The Huffington Post in a sit-down interview on Wednesday. "Maybe this happened to me and now we can speak out about it and other Bachelors or Bachelorettes can come forward and we can address the issue. I like that people have my back, especially people like Ali," she added.

As for how she's handling the backlash following the controversial episode, Kaitlyn admits that she feels a little guilty about doing the deed with Nick, but only because she should have considered how it would affect her relationships with the other guys.

"Obviously, I’m a real person, so yes, I feel guilty after something like that because there are other people involved," she told HuffPost. "I don’t know what people are mad at -- whether it’s the act of sex in a relationship or if it’s like the other guys’ feelings -- but at the same time, I’m like, well, I’m dating all of them, so?"

Frontrunner Shawn Booth, whom Kaitlyn had an automatic connection with, seems to be the one who is most concerned about her clear bond with Nick, and her relationships with some of the other men, as well. As the owner of the first impression rose, Shawn seems to have this idea implanted in his head that Kaitlyn is his girlfriend, and only his girlfriend. (It could also have something to do with the fact that she apparently told him he was "it" and "the one" in an off-camera moment.)

"Do you not know what we have? It's insane ... I f--king love the girl," Shawn told a crew member during a behind-the-scenes conversation on the most recent episode.

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But although Kaitlyn has confessed that she's falling for Shawn, she's still the Bachelorette, which means she still has to date other men until the end of the season. (C'mon, Shawn, you know this, right?!)

"I think I somewhat understand where he’s coming from just because it’s been so strong between us since the get-go," she explained. "How do you deal with that when it feels like it’s so right? But I also, at the same time, was like, ‘Oooh, how do I explain this?’ I can’t even wrap my head around it so I don't expect the guys to, especially Shawn."

Something else she can't seem to wrap her head around is being on a reality TV show. At times, Kaitlyn forgets she's on camera, admitting in a confessional during her date with Nick this week: "I forget there's cameras. I forget there's people involved in this. It's just him and me. I'm ready to just be like, 'Hey, you want to go back to my suite and whatever happens, happens?'" And what happened was a lot of kissing, a lot of touching and a lot of behind-closed-doors dirty talk, that was, of course, recorded without them knowing because THIS. IS. A. DATING. SHOW.

When asked if she and Nick's microphones were on when they went into her bedroom, Kaitlyn paused before saying, "I’m always aware that the mics could be on. We didn’t have mics on, but I’m aware that the door is shut and that there’s a mic somewhere. So, it’s hard."

So yeah, Kaitlyn's goal wasn't for you to hear her sensual moans on Monday night, but hey, secret mics are sneaky bitches, amirite?

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Let's get to the question on everyone's mind, though: Do the guys find out about Kaitlyn's "intimate" night with Nick? "That you will have to watch for," she told HuffPost. But, to be honest, she's sick and tired of talking about it. On Tuesday night in New York City, Kaitlyn met up with former "Bachelorette" star Andi Dorfman, who coincidentally also slept with Nick -- the runner-up on her season -- and was called out on national television after she chose Josh Murray instead of him. “If you weren’t in love with me, I don’t know why you made love with me,” Nick told Andi during the "After the Final Rose" special last year. She didn't take that comment well, so it's no surprise that Kaitlyn didn't mention her own sexual escapades with Nick on their recent dinner date with fellow former "Bachelor" contestant, Sharleen Joynt.

"I don’t think [Andi and Nick] speak, but I’m friends with Andi and Sharleen and we just kind of separate our friendships from what happened," she told HuffPost. "We didn’t talk about Nick [the other night] because I didn’t want to. I was like, can we just have a normal dinner?"

Speaking of normal, can we just have a NORMAL rose ceremony this season? Anyone else over the start-of-the-episode elimination rather than the standard end-of-the-episode one?

"It’s throwing me off too," Kaitlyn insisted. "I’m like, ‘No! Another cliffhanger? Dammit!’ I think there’s just so much buildup on so many of these episodes that the beginning of the episode rose ceremony just kind of works."

And the buildup is brewing as the final few episodes of "The Bachelorette" approach. J.J. Lane and Joe Bailey are headed on that dreaded two-on-one date, Kaitlyn and Shawn finally have that discussion and Jared Haibon will slowly steal that frontrunner title -- as Shawn and Nick continue to whine and mooooaaann in Ireland. (Got to hand it to Jared: guy knows how to keep his eye on the prize and away from the drama.)

Also, will Ben Zorn or Ben Higgins win over Kaitlyn's heart or will one of them become the next Bachelor? According to Kaitlyn, there are some other men who want to nab the coveted role.

"Tony [Harris] and Ian [Thomson] tweet about it sometimes being like, ‘Yeah, I would be a great Bachelor' ... so I just find it hilarious," she told HuffPost of the least-liked men of the season, while letting out her signature booming laugh. "Oh, they’ll learn quickly it won’t happen."




"The Bachelorette" airs Mondays at 8 p.m. EST on ABC.

FYI: Listen to HuffPost Entertainment's Here To Make Friends podcast on this week's episode:



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Disney Princesses' Eyes Are Literally Bigger Than Their Stomachs

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Ugh, the world.

In recent years, both celebrity culture and the fashion industry have come under fire for promoting unrealistic beauty standards. But in case you hadn't heard, that same messaging also runs rampant in even the most wholesome programming.

The folks over at Above Average highlighted this reality in a photo collection of Disney princesses whose eyes are bigger than their stomachs. (Yes, actually.) Don't you feel just blessed to live in a world that teaches young girls to idolize waists hardly larger than a pencil point?

Scroll through the first six photos, and head over to Above Average to see the rest of the 11-part series.

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19 City Hall Weddings That Are Low-Key And Oh-So Lovely

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Not every couple dreams of having some big, expensive blowout wedding with hundreds of guests. And planning an event of that scale is no easy (or affordable) feat, either.

That's why many brides and grooms opt for intimate, low-key ceremonies at City Hall -- effectively avoiding the hassle without sacrificing any of the love. Below, we've rounded up 19 City Hall wedding photos that prove that understated celebrations can be just as wonderful.



Keep in touch! Check out HuffPost Weddings on Facebook, Instagram and Pinterest.

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The Most Popular Lipstick Shades Are (Literally) All Over The Map

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Airports aren't necessarily considered the most glamorous places on earth, but one is really keeping up with beauty trends.

Thanks to its in-terminal retail shops, London Heathrow Airport boasts the largest range of beauty lines in Europe under one roof. The airport released a "Lipstick Colours Of The Year" report Thursday, using global sales data to determine the preferred shade of cities all over the world, like New York (classic red), Dubai (rose pink), and more. The report also provides tips to master the perfect lip and a brief history of lipstick.

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To celebrate its first such report, Heathrow commissioned micro-artist Hedley Wiggan to carve five famous landmarks -- Paris’s Eiffel Tower, Dubai’s Burj Khalifa, Shanghai’s Tower and New York City’s Statue of Liberty -- into tubes of lipstick in each city's favorite shade, of course.



See if your city made the list below, and excuse us while we book a trip to London ASAP.

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H/T Mashable




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Vlogger Jackie Aina Takes On World Standards Of Beauty, One Makeup Look At A Time

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Beauty vlogger Jackie Aina is taking us around the world on her face. At least that's the aim of her latest video, "The Worldwide Standard of Beauty."

Aina asked her followers to tell her about their ethnicity, culture and what the ideal standard of beauty is where they're from. She then used that information along with a bit of research to recreate makeup looks from six different countries: Australia, United Arab Emirates, Nigeria, France, South Korea and the U.S.

The looks aren't as drastically different as you might expect, but it was refreshing to read the comments from her followers about beauty standards in other countries. While some of the responses Aina received touched on actual makeup application, the majority discussed skin color and how fairer or darker hues play into standards of beauty.

One commenter from Australia wrote, "...the culture I live in values tanned skin, being pale is not seen as beautiful..." On the other hand, an Indonesian commenter said, "In Southeast Asia having dark skin is considered unattractive. So whitening products are very popular there."

Check out the video and let us know what you think in the comments section below.

H/T PopSugar




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Dear Vogue, Cara Delevingne's Bisexuality Is Not A 'Phase'

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Vogue is being criticized -- and rightly so -- for the way bisexuality was framed in a July cover story about Cara Delevingne.

Rob Haskell's interview with Delevingne delved into the model and actress' romantic relationships with both men and women -- specifically her current relationship with singer Annie Clark, a.k.a. St. Vincent. “I think that being in love with my girlfriend is a big part of why I’m feeling so happy with who I am these days," Delevingne told Haskell. "And for those words to come out of my mouth is actually a miracle.”

She also opened up about being confused by her sexuality as a child "until [she] first fell in love with a girl at 20 and recognized that [she] had to accept it.” The model told Haskell that while "women are what completely inspire" her, it's men who she tends to have sexy dreams about. Delevingne's comments come off as open and honest, painting a complicated picture of sexuality that feels authentic. After all, sexuality can be a messy, confusing thing and it's refreshing to hear public figures acknowledge that.

Instead of applauding Delevingne's honesty, Haskell surmised that, "Her parents seem to think girls are just a phase for Cara, and they may be correct."

He also tied her checkered relationship with her mother to her attraction to women, and later offers her unsolicited (and deeply condescending) advice: “When I suggest to Cara that to trust a man, she might have to revise an old and stubborn idea of hers -- that women are perennially troubled and therefore only women will accept her -- her smile says she concedes the point.”





"I'd wager that her smile more likely meant, 'You're a homophobic moron. F**k off,'" wrote Cosmopolitan.com's Lane Moore. We'd have to agree.

In the wake of the tone-deaf piece, Julie Rodriguez launched a Care2 petition which currently has over 13,200 signatures, telling Vogue that "Being LGBT Isn't A 'Phase!'" Rodriguez writes:
The idea that queer women only form relationships with other women as a result of childhood trauma is a harmful (and false) stereotype that lesbian and bisexual women have been combating for decades...As a bisexual woman myself, I’ve experienced hurtful comments like this many times. People are quick to assume queer women’s identities are a “phase” and to refuse to recognize the important relationships in their lives -- an attitude which can cause depression, result in families rejecting their daughters (or forcing them into abusive conversion “therapy”), and even put young women at risk of suicide. Vogue should have taken this opportunity to combat negative stereotypes, not reinforce them.


The idea that bisexuality is just a "phase" one goes through -- either on the way to being gay, or as a rebellious period before settling down into a heterosexual relationship -- is a misconception that many bisexual people feel acutely in their daily lives. We asked our female readers who identify as bisexual to weigh in on Haskell's comments, and they echoed deep frustration because their sexual identity is often not taken seriously.

"With bisexual women in particular, the orientation is fetishized and treated as a joke," wrote Emily Clemons. "Bisexual women are treated as if their sexuality fits more into the subplot of a summer flick or a porno, a tool of heterosexual men to become aroused... As a bisexual woman, I crave positive representations of bisexuals in the media because we are struggling for acceptance in both the gay and straight communities."

Bisexual women don't need the Vogues of the world doing more to marginalize and delegitimize their identities. Attraction and sexuality are complicated, and it is imperative that people who write about these subjects be responsible to the communities they are covering.

So here's some free advice for Haskell and anyone else writing words about a group he or she is not a part of: Before you dismiss an entire sexual identity as a "phase," pause for a minute, look at your keyboard, and then hit the delete button.

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Five Spa Tips Every Twenty-Something Should Know

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My niece graduated from Howard University last year. She seems to be doing well financially. I recently received an e-mail from her informing me that she was thinking of having one or two spa treatments. She wanted to know which ones she should try and as an African-American which were safest for her skin. As a former esthetician and a very protective aunt, I was inclined to tell her that none of them were safe unless I performed them! I realized though that I was being a bit "extra," so I calmed down and provided recommendations on who, what and where she should go.

If you are among the other twenty-somethings around the globe also venturing into the world of spa goers, here are five things that you should know:

1. Do your research, use that technology!

Put Google to work. Type in the search word "best" plus the spa service and your town. Yelp, Insider, Bing, City Search or some other social media review site should pop up with information on a variety of therapists and spa professionals. You can drill down further from that point to gauge the perspective of the people providing the critique. Folks who give everyone a poor rating may be worth passing over.

2. You don't always get what you pay for!

I've received good massage and wonderful customer service from low cost massage franchises. I've had very luxurious treatments and great service at Five-Star facilities. Unfortunately, price is not always commensurate with a great customer service experience. As a newbie you might want to begin your journey at one of the smaller companies or franchises which offer premium treatments at a deeply discounted price. Again check social media for the best therapist at that location.

3. Choose waxers wisely -- avoid injury

Overseas many therapists have dual licenses which allows them to work in multiple disciplines. But this is not the case in the U.S.. Waxing services should never be done in a nail salon unless a cosmetology or aesthetic license is held by the technician performing the service.

If you decide to get a waxing service at a spa, whether here or abroad, ask for their most popular or senior wax specialist. Here's why; like playing the piano, waxing proficiency takes time. Even the schools that teach waxing do not provide sufficient practice time for a therapist to build a level of expertise. The learning curve is developed from hands on experience, not theory.

Once you are in the waxers room, look for her to test the wax temperature on herself before placing it on your body. That will be a good sign. If she doesn't and the wax feels too hot, speak up. If she ignores you, get up, let the front desk know what occurred and leave.

4. Intake forms are important

At many spas you will be given an "intake" form prior to a massage or facial service. This form will ask you to provide your contact information, medical issues and primary reason that you have come to the spa. Your therapist should review this information with you to ensure that she (1) doesn't cause you physical harm (2)understands your needs fully to provide you with the best service. If she does not discuss your form with you, that is a major fail. Inform the spa manager. If you are told that the form was purely for government compliance, post your experience on social media. By the way, even if a form is not used the therapist should conduct an interview with you before starting your treatment.

5. Good facialists are hard to find

Before trusting your face to anyone, first schedule a consultation with the esthetician. This will allow you to see if;

1. She listens to you.

2. She knows what she's talking about.

3. You feel gut comfortable with her.

Select a facialist who prefers to err on the side of caution. Facials should never cause pain and the skin can only be pushed to a certain point before trauma occurs. Avoid estheticians who recommend extractions or aggressive upgrades the first time around. A facial treatment should leave you glowing, refreshed and looking beautiful.

If you are of African, Asian, Latin or Middle Eastern descent, look for someone who has experience working with ethnic skin. Darker skin types in particular are often more sensitive and prone to irritation. Unfortunately most skin care schools are still not adjusting their curriculum to address this growing market.

With the international community of spa goers growing rapidly, information on the past experiences of others is easy to find. Social media can be used to share your own spa experiences, good and bad. That's what the sites are there for.

If you encounter a serious service problem try to resolve it with the spa manager first or allow the organization to correct the situation. One on one customer feedback should make a good company better.

Ultimately though, remember that your opinion has power and could be heard around the world.

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Your Old Suit Can Help Someone In Need Ace A Job Interview

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When it comes to job interviews, part of the battle is figuring out what to wear — that can be a big problem for millions of Americans who don't own a suit or any professional clothes. Men's Wearhouse aims to change that with its annual suit drive, which started this week.

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Mila Kunis' Matte Red Lips, And More Celebrity Beauty Looks We Loved This Week

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Accessories can really make an inexpensive outfit look luxurious. And we're just not talking about jewelry or handbags -- the right makeup also helps to elevate your style. Case in point: the perfect red lipstick.

Mila Kunis was a vision in white at a Gemfields event in London. While her ruby dangle earrings, side-swept curls and taupe eyeshadow complemented her neutral look, the red lipstick made the actress stand out. The rich shade accentuated her olive skin tone, and the matte texture created an old Hollywood feel.

See how red lipstick made Mila Kunis' white dress even better below, and check out more celebrities wearing red lipstick on this week's best beauty list.






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