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Naomi Campbell Shows Us All How Sheer Is Done At New York Fashion Week

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Whether you like it or not, sheer clothing isn’t going anywhere anytime soon ― just ask Kim Kardashian. But, like many things in life, there is a wrong way and a right way to pull off such an adventurous look.


Please allow style goddess Naomi Campbell to demonstrate the right way. 


The 46-year-old attended Tom Ford’s New York Fashion Week show on Wednesday wearing a sheer, sparkly, strategically cut-out gown that just screams, “This is my sheer world, and you’re just living in it.”



If the gown looks familiar, perhaps it’s because Rihanna wore it on the April 2016 cover of Vogue:



Two badass women, one seriously badass dress: It’s a win-win. 

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Iman Opens Up About David Bowie For The First Time Since His Death

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Since legendary singer and fashion icon David Bowie’s death in January, his supermodel wife, Iman, has remained relatively quiet, with the exception of a few posts on social media. 


Iman made her first appearance since Bowie’s death on Wednesday at Tom Ford’s New York Fashion Week show. The 61-year-old opened up about losing her husband to cancer, what it’s been like taking care of their daughter, 16-year-old Alexandria Zahra Jones, and how she’s coped with the loss of her own mother, who died two months after Bowie


“I’m holding up, I’m holding up,” Iman said to Joe Zee during a segment for “Good Morning America.” “Today was [the] first day of school.” 


The supermodel then pointed to a delicate gold necklace she wore around her neck that read “David,” made by designer Hedi Slimane. 


“I’m wearing it until my death,” Iman said, adding that with her mother’s recent passing, “It’s been a tough year. But I’m holding up.” 





Shortly before Bowie’s death in January, Iman opened up on “Oprah: Where Are They Now?” about the pair’s 23 years of marriage. 


“I think the secret to a lasting marriage is timing, first of all,” the supermodel said. “You have to be at the right time in your life that you’re ready for an ever-lasting relationship, that it becomes first, a priority in your life.” 

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We Love These Body-Positive Social Media Trends

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-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Slaying The Red Carpet Is How Natalie Portman Announces She’s Pregnant

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Jonathan Safran Foer better check his inbox for an email from Natalie Portman, because some carefully worded congratulations are in order. The “Black Swan” actress is reportedly pregnant with her second child with husband Benjamin Millepied, according to Us Weekly. 


Rumors of Portman’s pregnancy started swirling on the red carpet on Thursday, when the actress made an appearance at the 73rd Venice Film Festival to promote the sci-fi flick “Planetarium.” Dressed in a one-shoulder floor-length cream gown, the 35-year-old and her growing baby bump stole the show. 





The couple, who met filming the psychological ballet thriller, welcomed their first child, Aleph Portman-Millepied, in June 2011. Portman famously accepted the award for “Black Swan” at the Academy Awards while pregnant with her son and gave a special shoutout. 


“So many people helped me prepare for this role,” she said in her acceptance speech. “My beautiful love, Benjamin Millepied, who choreographed the film and has now given me my most important role of my life.”


Watch her speech below: 





The Huffington Post has reached out to Portman’s representatives and will update the post accordingly. 

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Amazon’s Prices For Certain Clothing Differ By Size

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For Teen Vogue, by Marissa G. Muller. 



There is something very strange happening with Amazon's pricing strategy for clothing, Racked reports: One browse at the site's upscale selection reveals that there is no consistency for pricing.


Usually when retailers have a different pricing set for the same item, their reasoning can be traced back to size. Old Navy, for instance, received a lot of backlash when they started charging a premium for plus-size items. But Amazon's pricing seems to be independent of fabric cost or non-standard sizing. For instance, Racked points out that a size XL black Gypsy Sport hoodie is $132.33, but the large is $92 while the small is $131.


Related: Zara Is Being Sued for Overcharging Its Customers


Could availability be the issue instead of fabric cost? It would make sense that Amazon is playing a game of supply and demand. Just a handful of months ago, Forbes reported on how the retailer is looking to become a contender in the fashion world, but in the position of having to prove itself to brands who, like most Americans, associate Amazon with discounts. So Amazon could be charging more for popular sizes because it wants to win over more designers.


Related: The Top 10 Mistakes You’re Probably Making When You Straighten Your Hair


Another theory is that, by charging a spectrum of prices for different sizes, Amazon is dissuading customers from ordering a handful of sizes to find the right fit — which would be a pioneering move, if that's the case. Returns are a financial and logistical nightmare for brands and retailers and avoiding them could save a ton of money.


We've reached out to Amazon for a statement.


More from Teen Vogue:


27 Must-See Celebrity Prom Throwback Photos


7 Times Your Favorite Celebrities Got REAL About Their Periods


How Every Sign in the Zodiac Finds Love 


More Than Half of What You Eat Isn’t Even Real Food, Study Finds


-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Everything You Ever Wanted To Know About Laser Hair Removal

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For Teen Vogue, by Loni Venti. 



If you happen to be one of the people who spends what feels like hours a week shaving in the shower, you’ve probably often yearned for an easier — more permanent — solution to handling unwanted hair. Sure, there’s waxing, but that process is not totally a walk in the park either. Then, there’s laser. Zapping away hair, for good, is appealing, but the thought of light beams hitting your body can be daunting. Plus, it requires some serious time and money investing. To get to the bottom of what goes down during a laser hair removal appointment, and if you’re the right candidate, we went straight to the source. Christian Karavolas, owner of Romeo & Juliette Laser Hair Removal, breaks down exactly what you need to know.


It's not cheap.


According to Christian, prices range from around $75 (for your upper lip) to $700 (for full legs) per appointment. For most people it takes approximately six appointments spaced six to eight weeks apart. Many laser pros offer custom packages that are priced according to your individual needs which may help out with the cost a bit, but real talk: it's a lot of $$$.


You can shave before your treatment.


Unlike waxing (where your hair has to be as long as a grain of rice), it’s totally cool to shave pre-laser hair removal appointments. On the flip side, you can’t wax the area for 10 days prior to your treatment. Since lasers work by targeting the pigment inside your hair follicle, the follicle has to be intact (which is not the case after a wax).


Related: What You MUST Know Before Getting Your First Brazilian Wax


It's pretty quick.


Smaller areas can take as little as 5 minutes. Larger sections (like your legs) can take up to 40 — which is still quicker than an episode of The Get Down. Just keep in mind that you’ll need to complete a whole cycle (six appointments spaced six to eight weeks apart) to really nix that unwanted fuzz.


It doesn't hurt...that much.


“Most of our clients experience no more than a slight stinging sensation as the laser pulses are applied,” Christian explains. “It’s a little like feeling a rubber band snap. Some parts of the body tend to be more sensitive than others. You also have the option of using a topical numbing cream if you like.”


You may still see some stubble.


Sad but true: There is a chance that some hair will still grow back. THE STRUGGLE! “Hair can grow back but with successive, repetitive treatments, the hair follicle will be damaged resulting in minimal to no growth," Christian explains.


Do your homework.


“When visiting any spa, salon, or doctor for laser hair removal you want to ask about the lasers they use and the experience level of their technicians. Research the reputation of the facility (spend some time on Yelp) and find out whether laser hair removal is their main business or a side business,” says Christian. Getting lasered is totally safe and can leave you with an awesomely silky result, but only if you go somewhere legit.


Related: The Top 10 Mistakes You’re Probably Making When You Straighten Your Hair


Lasers work on pretty much any skin type... In the past, it was risky to use laser hair removal on deeper skin tones since the laser works by targeting the pigment in your hair follicle and older versions might have aimed for the skin instead of the hair for some complexions. But today that’s not the case. ”With the advancement of lasers, they now have technology that bypasses the epidermis so anyone can be treated safely and effectively,” Christian explains. “Just make sure to check with the center you’re getting treated at to make sure they have the right equipment for your skin type.”


...but they won't work on blondes or redheads. Unfortunately, anyone with very fair hair (like platinum or gray) or most shades of red hair are not good candidates because the laser won’t be able to locate and target your follicle. Set up a consultation first to see if your stubble is in the right range.


It's some pretty high-tech stuff!


“Laser hair removal zaps your hair with a monochromatic beam of light. That light travels through the hair shaft and creates a tiny explosion in the follicle, disabling the reproductive cycle of the hair to discourage it from growing back,” says Christian. “During the zap, a burst of cold water or air is applied to the skin to cool it off.”


More from Teen Vogue:


27 Must-See Celebrity Prom Throwback Photos


7 Times Your Favorite Celebrities Got REAL About Their Periods


How Every Sign in the Zodiac Finds Love 


More Than Half of What You Eat Isn’t Even Real Food, Study Finds


-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Hip-Hop Takes Center Stage In Sneakerhead Coming-Of-Age Film 'Kicks'

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Almost every dimension of Justin Tipping’s full-length directorial debut, “Kicks,” embodies hip-hop. From the themes of inner-city sneaker culture and the perils of hyper-masculinity to the undeniable Bay Area-influenced soundtrack, the hip-hop thread runs throughout the film and helps tell the gritty story with surprising authenticity. 


In “Kicks,” a young curly-haired teen’s pride takes the form of retro red and black Air Jordans, which he scrapes to buy from a neighborhood hustler. A day later, his prized possessions slip away when an envious thug and his goons jump him and snatch the shoes. The brutal beatdown sets teenage Brandon on a dangerous journey from one rough Bay Area neighborhood to another, all in hopes of getting back the shoes and self-respect he so badly desires.


That scene encompasses several themes of the film ― the value of status symbols like shoes, for example ― all of which are displayed over a meticulously produced soundtrack that pulls from classic hip-hop anthems and lesser-known Bay Area tracks. While the film has garnered solid reviews for its stunning camerawork and “commitment to detail,” viewers can find yet another layer of meaning in its music, which takes many forms throughout the movie.


During the film, Brandon oftentimes retreats to his personal thoughts, which he communicates through hushed, poetic rap lyrics that spoken word artist Donté Clark specifically penned for the film.


“Brandon’s character, I think internalizes a lot of his fear of the world though rapping in his head,” Tipping told The Huffington Post. “And for me, it was an interesting way and true to the world to have someone have internal voiceover, but it be rap lyrics because I know I definitely did that when I was a kid, I still do it. And so I was trying to use that as almost his security blanket.”



After speaking with the budding filmmaker, it’s clear that Brandon, played by Jahking Guillory, is an extension of Tipping in more ways than one. Tipping co-wrote the script with Joshua Beirne-Golden and drew the film’s concept from his own experience getting jumped for his Nike Prestos in a dimly-lit parking lot at 16 years old. Tipping walked away from the fight barefoot with two black eyes and said the “defining moment” that occurred afterward taught him a lot about society’s understanding of manhood and its association with violence.


“I remember specifically my older brother saying, ‘It’s OK, you’re a man now,’” the El Cerrito native recalled. That moment instilled a sense of pride in the then high schooler, but was followed with a pang of pain and confusion.


“Why the hell is violence synonymous with becoming a man?” he asked. “Why is anger the only emotion we’re allowed to feel? ... It’s a harsh reality that I think all the kids in ‘Kicks’ and where I grew up, we were born into that.”


That concept of masculinity repeatedly ties back into the film’s soundtrack. Tipping remembered specifically selecting Trill Youngins’ song “I Look Fly” for its brash, yet playful lyrics about ― to put it simply ― looking fresh to impress the ladies.


“Their song plays in the background of the shoe store, where it’s like, ‘I look fly, don’t I? I look fly, don’t I?’ And it’s literally a song about where the character is emotionally in that moment, where the song is just about buying fresh clothes and shoes to get girls,” Tipping said.



Why the hell is violence synonymous with becoming a man?



While the music in that scene took on a pointedly literal (and arguably contrived) meaning, Tipping’s other references are more multifaceted. Chapter titles drawn from the lyrics of Nas, Mac Dre, Tupac and others punctuate the film and have the dexterity to continue the overarching hip-hop themes while providing context for an upcoming scene.


“Greek choruses and Greek plays would come out and state the themes and, to me, that was like the hip-hop Greek chorus,” he said. Tipping added that he chose lyrics that were both “universal” and “timeless” to help even the most novice hip-hop listener understand the next chapter of the story. For example the double entendre in the chapter title “Fresh To Death” was very deliberately ominous.


“Everyone knows that something is going to happen,” he said. “I wanted people to start to feel the omniscient foreshadowing.”





The chapter titles showcase lyrics from some of the biggest names in hip-hop, but the film’s soundtrack is filled with delectable tracks for those who prefer their music a little less mainstream. Aside from “C.R.E.A.M.,” which Tipping specifically wrote into the script, and “Party and Bullshit,” the soundtrack is comprised almost entirely of hip-hop gems from Bay Area stalwarts. Dave Steezy, Iamsu!, Roach Gigz and Oakland icon Mac Dre are all included, with a vibe-y Marc E. Bassy song that’s reminiscent of Dr. Dre’s G-Funk sound thrown in for good measure. 


Tipping worked closely with composer Brian Reiztell in threading the tracks with the film’s original score. The director said he crowdsourced potential songs from “friends of friends on Instagram” and his DJ buddies. Ultimately, Tipping hand-picked virtually every song that made it into the movie, so the heavy-hitting soundtrack ended up reflecting his own personal music taste.


“I grew up a hip-hop head … It’s just part of who I am,” he said. “I didn’t think, ‘I should make a hip-hop movie.’ I was just like, ‘I want to tell the story and this feels like it’s coming from my personal experiences.’ I think maybe for selfish reasons too, where I think this is cool. And if I can make it work, why not?”


“Kicks” hits theaters on Sept. 9.

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5 Beauty Products That Swedish Girls Can't Live Without

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For W magazine, by Mia Adorante.



Swedish women are known for their impeccable style (just examine the models and editors at Stockholm Fashion Week, for proof). The look can be described as simultaneously polished and effortless, chic and comfortable. The same applies to the beauty look, as well.


Here, a collection of Sweden's beauty gurus share their favorite products that Americans need to know about.


1. Kristin Cederholm, the co-founder of Fox & Sparrow, can't live without this lip salve from Försvarets Hudsalva. It's so nourishing, that mountaineers depend on it for protecting their lips.


Försvarets Hudsalva, $12, bestmadeco.com.


Related: In Bed with TV’s Hottest Stars: Tom Hiddleston, Sarah Paulson & More



2. Makeup artist Gucci Westman's sister-in-law Maria Nyman is obsessed with this birch leaf and vitamin-charged fruit waters face mist, which refreshes and rehydrates dry skin.


Björk and Berries Deep Forest Face Mist, $33, bjorkandberries.com.



3. Estelle and Thild is another must-try brand in Kristin Cederholm's arsenal. This organic anti-aging oil boots radiance and packs a potent blend of antioxidants, vitamins and essential fatty acids.


Estelle and Thild BioDefense Multi-Nutrient Youth Oil, $68, net-a-porter.com.



4. Singer and actress Kayo Shekoni recommends this vegan super fruit concentrate that packs goji , acai and sea buckthorn berries to perk up tired skin.


AnneMarie Börlind Vitamin Energizer, $50, boerlind.com.



5. Maria Åkerberg's cosmetics are a favorite of beauty consultant Catherine Dicky. The line is made exclusively of vegetable oils, and its colors are derived essential oils and plant extracts.


Maria Åkerberg Rouge, $21, skincity.com.


See even more Beauty Products that Swedish Girls Can't Live Without on Wmagazine.com


More from W Magazine:


Kendall Jenner’s Most Jaw-Dropping Looks


Throwback: Brad Pitt and Angelina Jolie in Domestic Bliss


Kim Kardashian Goes Fully Nude in W Magazine


Gigi Hadid Is REALLY Well Connected


-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.


Is Kylie Jenner Targeting Black Women With Her New Lip Kit?

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By Abi Ishola


When it comes to the Kardashians the first word that usually pops in my head is appropriation. I'm sure I'm not alone in that regard. From Kim's curvaceous figure, Khloe rocking Bantu Knots, everything about Kylie Jenner's Puma ad, and Kylie Jenner's Faux Locs and braids that had fashion magazines singing her praises, the Kardashians have become notorious for adopting black style without properly giving credit where it's due. Just ask Amandla Stenberg.

Enter Kylie Jenner's lip kit. Since she's launched the popular product, to her credit, she's made it a mission to show how her color range looks on light and dark skin tones. Yet the whole idea of her having plump lips in the first place is yet another form of appropriating the natural features of black women, which have proven to only be celebrated by the masses when unnaturally adopted by a white woman. #PrettyLipsPeriod anyone?





This month she expanded on her popular lip kit by introducing a nude shade called Brown Sugar, specifically for women with darker skin. Jenner tapped her friend/singer Justine Skye to be one of faces for this new effort. I understand that she has a brand and she's entitled to expand it and tap into various markets, but the idea of Kylie Jenner selling a black woman a product to enhance her pout is like Rachael Dolezal creating a full line of natural hair care. (Considering what we know about Ms. Dolezal, it's probably already in the works).

When it comes to cosmetics, we welcome brands who keep black women in mind since we've been so undeserved in the beauty world. But what happens when you know you're being targeted by a celebrity who has profited off of appropriating black culture without showing the slightest bit of concern? Has Jenner made an effort to educate herself on the origins of black beauty traditions? Has she even shown her admiration for black women as a whole with sincerity? We get it, we're pretty amazing. Kylie, please figure out how to express that when profits for your brand aren't involved. Hell, Tina Marie dedicated almost an entire verse to outstanding black female poets, so it shouldn't be that hard. It's #SquareBiz.




Visit BeyondClassicallyBeautiful.com to read more content that celebrates the diverse beauty of black women.

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A Little Boy Was Murdered, But This Columnist Decided The REAL Story Was Pants

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The largest newspaper in Minnesota is trying to distance itself from a disastrously tone-deaf column that scolded a female news anchor for her outfit amid one of the state’s biggest and most tragic stories of the past 30 years. 


KARE11 news anchor Jana Shortal dedicated her program on Tuesday to the case of Jacob Wetterling, whose killer had just confessed to the 1989 murder and revealed the location of the 11-year-old’s remains. 





Wetterling’s disappearance was a long-standing mystery in Minnesota, and the killer’s confession is a major story, to say the least. But to Cheryl Johnson, a Star Tribune columnist who writes for the Minnesota newspaper under the name C.J., the real headline was Shortal’s supposedly inappropriate choice of pants.


In Johnson’s column Wednesday night, she slammed Shortal for wearing skinny jeans and accused her of prioritizing “hipness” over “one of the biggest, saddest stories in Minnesota history.”


“She looked great from the waist up in a polka-dot shirt and cool blazer, but the skinny jeans did not work,” Johnson wrote. “I was among a number of media types who found them inappropriate and, given the gravity of the day’s subject matter, downright jarring.”


Media outlets, and even Star Tribune employees, called Johnson’s piece inappropriate and deeply ironic, given that she was accusing Shortal of disrespecting an important story by caring too much about fashion. 


In a statement, Shortal called the columnist ― who has a history of obsessing over women’s appearances in media ― a “bully with the keyboard who took this night, this story, and made [it] into gossip about my pants.” 


The Star Tribune several hours later apologized for the op-end (and to Shortal) and has since scrubbed the offending entry from its website.



Shortal accepted the paper’s apology, but explained in her statement the pain of having Johnson’s column divert attention from a story Shortal has cared about for years.


“I went on the air,” she wrote. “I did my best. I gave that newscast every single shred of hope and love I had for Jacob. For his family. And for every single one of you who was hurting. I left everything I had on that newsroom floor.”


Johnson did not immediately respond to a request for comment.


The column was particularly offensive given the the importance of the Wetterling case to an entire generation of Minnesotans. 


“This case was the most talked-about cold case in Minnesota history,” Shortal told The Huffington Post on Thursday. “It’s the one case everyone wanted to see solved in their lifetime. And after 27 years, a lot of people were wondering if that would ever happen.” 


“That case robbed small-town Minnesota of its innocence in a way I’ve never seen,” she went on. “People kept their porch lights on for 27 years, because that was the universal symbol to Jacob that he could come home.”



The columnist is a "bully with the keyboard who took this night, this story, and made [it] into gossip about my pants.”
Jana Shortal, KARE11 News


University of Maryland Professor Jo Paoletti, who studies the history of fashion, said Johnson’s now-deleted column showed a stubborn adherence to gender and fashion norms that haven’t been relevant since the 1960s.


“Has anyone ever complained about a male anchor wearing too bright a tie when he’s reporting sad news?” Paoletti said. “For women, it’s always ‘They’re too dowdy, they’re too masculine, they’re too sexy.’ They’re always ‘too’ something.” 


Paoletti said the “enforcers” of these expectations are often other women, and that “women really dress to please other women, to avoid that critique.”


But the fact that “anchorpeople tend to be kind of generic-looking” is no justification for criticizing someone with a more unique style, she noted.  


“The irony of the op-ed is that [Johnson] said ‘The way she looks is trivializing the story,’” Paoletti said. “But no. The way you’re writing is trivializing it.”

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Why Are School Uniforms And Dress Codes Still Around?

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School uniforms are a daily reality for many students at countless institutions around the world. So are dutifully enforced dress codes, which dictate what is and isn't kosher to wear to class without prescribing specific items. Uniforms and dress codes certainly aren't new aspects of the scholarly experience, but the value of policing kids' and teens' wardrobe choices has come under fire a lot in the past year. Considering all this controversy over "appropriate" attire in academia, is it really necessary or worthwhile for schools to continue calling the shots fashion-wise in 2016?

Some schools have mandated longer skirts for female students, while others have even sent students home for having supposedly too-short skirts and overly snug pants. Then, there are students who've fought back against uniform mandates, whether by bending gender norms and creating petitions to affect change or wearing scarlet letters in protest.

Not all news about fashion's role in academia is bad news, though. Some institutions have progressively adopted gender-neutral uniform rules. Schools in traditionally conservative cultures are even are moving away from policies that rigidly adhere to the gender binary to ensure LGBT students are more comfortable in the classroom.

It's a really polarizing topic, to put it lightly. We scoured around for a range of perspectives about the joys and frustrations that result from having a uniform or dress code. Ahead, 15 people sound off on being told what you can and can't wear to class, whether they spent their formative years attired according to a uniform, grappled with adhering to a nebulous dress code -- or, in some cases, actually wish they'd had guidelines for getting dressed each morning.

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"I wore a uniform starting in kindergarten through when I went to college -- and I absolutely loved it. I definitely see both sides of the argument. During adolescence, there's so much for teenagers to think about and so much that they're experiencing. It's really nice to have an equalizer.

"I don't think I always had this opinion, but looking back, I think having a uniform was actually the impetus for why I love getting dressed now...when I got to college, I started experimenting with my own style and understanding the value of dressing for my body, rather than dressing for other people." -- Athena Chen

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"A school uniform can be very different things to different people, ergo the endless controversy. For me, it was a blessing for three reasons: as a socioeconomic equalizer, a reprieve from all of the effort and judgment and menial mental exhaustion usually spent on clothing, and a way to, at least superficially, fit in when it was painfully clear to me that I did not.

"I spent 12 years at a private, all-girls school where the tuition costs as much as most universities, and as far as I can tell, only a third of my classmates' mothers were employed. It was rarely spoken of directly, but money (and more importantly to girls too young to have real direct experience with it, its trappings) was paramount to the culture of the place. There are many ways to communicate wealth: the cars your parents drive, the gifts you show off the day after your birthday, the destinations of your summer vacations -- but the easiest and most omnipresent is your clothing.

"To give you a taste of it, there was a notorious Lilly Pulitzer sale each year on the Main Line in which a whole store-load of discounted crocodile-print sundresses would be made available for 40% of original price, which never failed to generate astonishing stories of block-long lines, stampeding moms, and dressing-room thievery. Money played an oversized role in the culture of the school; I can only imagine the arms race had we been allowed to dress as we (or our parents) saw fit.

"Middle and high school is emotionally difficult, full stop. For me, with about five of those years spent plunging publicly into, and then slogging out, of life-threatening clinical depression, it was also agonizing and exhausting and nearly impossible. Being able to wake up every day and allow muscle memory to handle the donning of an ugly, starched kilt allowed me reprieve from yet another source of decision fatigue.

"It was also a chance to blend in with the normal kids. To a young teenager with the unfortunate combination of rampant insecurity and debilitating depressive fatigue, having a mandatory way to fake normal and direct attention away from me was a beautiful thing. I felt like human skin stretched too tight over a supermassive black hole, but when I walked the halls of the Agnes Irwin school, superficially at least, I was just another blue-and-white-garbed girl, blissfully indistinguishable from all the others." -- Anonymous

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"I went to Noble and Greenough School, which is a small, private co-ed high school school outside of Boston. We didn't have uniforms, but we had a strict dress code. Essentially, it was no jeans, no leggings, all skirts and shorts down to the top of the kneecap, no sweatshirts, no writing on any clothing, no open-toed shoes or flip-flops, guys couldn't have anything pullover, and certain colors weren't permitted.

"Over the years, I found that the items we could wear to school were so much more expensive than the items that were forbidden. Finding corduroys or nice khaki pants is more expensive than getting a pair of jeans from T.J. Maxx! Sweaters are more expensive than sweatshirts; leather shoes more expensive than other materials.

"When a friend would found a basic pair of corduroys for the fall, we'd all ask where she got them. Then, we'd all go and get the same pairs, anyways. So essentially, my close girlfriends and I ended up in our own expensive uniform looks of our own. When I went to college, I didn't want to wear those clothes anymore. I only had one pair of jeans, since I could never wear them to school, so I had to go out and basically buy a new wardrobe.

"I so wish we had just had a uniform. A strict dress code was a huge waste of money." -- Mariah Pongor

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"I grew up going to one of many all-girls Catholic schools in the Philippines, a country that is over 85% Catholic. Some of the rules on our uniforms didn't ever make sense to me -- our plain, white socks, for example, had to fully cover our ankle bones at all times. For P.E., we were required to wear knee-length grey skorts -- not shorts! -- through the seventh grade, when we could finally don black sweatpants, instead.

"I remember sitting and squirming in my scratchy plaid skirt, which had to fall to my shins, despite Manila's 90° weather. I remember getting ready in the morning, looking in the mirror, and feeling awkward, shapeless, and downright ugly every day I went to school. I thought I'd grow up, look back, and think, that wasn't so bad...still not the case." -- Isabel Francisco

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"I wore uniforms from preschool through high school and I LOVED it. Granted, I went to an all-girls Catholic high school, so I didn't experience any of the sexism associated with co-ed clothing standards. But I still believe uniforms are the best way to keep the focus on learning, as opposed to status.

"I would've found it overwhelming to plan my outfit every day and I would've compared myself to the wealthier girl. I would've felt inferior if I didn't have the cool new Frankie B. jeans, Tory Burch flats, or Juicy bags. That shit matters to 15-year-old girls, unfortunately.

"Being able to wake up at the last minute, throw on the same thing as the day before, and skip hair and makeup was the best. Granted, when it came time to go out on the weekends or pack my suitcases for college, I had about 10 non-uniform clothing items to choose from.

"To this day, I would love to have a uniform -- I'd wear jeans, a T-shirt, and Converses every single day if it was acceptable." -- Alix Tunell

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"I always had a uniform. My uniforms varied from complex (tights, pleated skirt, button-down, tie, sweater, blazer, specified shoes, and even a hat) to very simple (polo shirt, khaki pants, and my choice of any closed-toe shoes). However, regardless of how complex or lax my uniform regulations were, I always loved having a uniform; they just simplified my life. To note, I'm cis-gender woman, which made it far easier for me in terms of certain regulations, like wearing skirts.

"Uniforms granted me the ability to not care at all about my presentation at school; I never had to think about what to wear in the morning. I could just wake up, roll out of bed, and throw on a pre-designated outfit. I adored the simplicity and I wish I still had a uniform. When I was younger, I was more self-conscious; I never had to be concerned with whether I was as stylish as my fellow classmates.

"While I had a great experience, I do feel that many of the motivations behind uniforms are insanely problematic. Oftentimes, schools over-penalize young women and girls for dress-code violations, or implement uniforms due to outdated sexist notions that female students are a distraction to their male counterparts. It's disgusting and it sends a message that females are sexual objects and males are idiots who are incapable of controlling their sexual desires. It's offensive to everyone.

"Uniforms are best when gender-neutral. My high school uniform was a polo shirt and khaki pants for everyone. It was simple, comfortable, and gender-neutral, while also allowing for individual expression. The school allowed you to wear any closed-toe shoes you felt comfortable in, allowed for jewelry, and dyed hair. It was a great intersection of uniformity and individual expression." -- Lidiana Economou

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"Growing up in NYC, I attended public school and never had the opportunity to wear a school uniform. My cousins went to Catholic school and I was always present when their new school uniforms arrived towards the end of the summer. The collared shirts, pleated skirts, knee-socks intrigued me. My public-school friends and I sometimes entertained the idea of uniforms; discussing the ease and femininity of the preplanned outfits.

"Now, considering school uniforms as an educator, I would never fathom making such a requirement of my students. I teach preschool and I realize, even at such a young and tender age, how important it is for children to be able to express themselves. Building autonomy is so imperative in children's lives; allowing them to outwardly self express through fashion is one way for children to build a sense of self, as well as their own sense of style. "-- Alexandra Mikhailoff

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"Critics of uniforms today have myriad reasons to dislike them. It's argued that uniforms are passé -- relics of a more conservative past that we can't seem to do away with. Or that uniforms are direct examples of church and/or state policing young bodies or sartorial sins that continue to stymie creativity and self-expression. These observations are not far from the truth.

"Yet after spending literally half of my life wearing a uniform to attend school every day, I can think of at least two powerful reasons to keep them around for the time being.

"First, practicality. You wake up in the morning and you know exactly what you'll wear that day. (And the next one. And the next...) Yes, the monotony can be devastating. But think about the time and the mental energy that you saved by not stressing out over what to wear today. You'll automatically focus on more important matters, such as school.

"Second, egalitarianism -- or the illusion of it. More and more, our consumerist culture intrudes upon the classroom, filling young children's heads with status symbols that they absolutely must own and display for all their peers to admire. In a media-driven, materialistic environment, uniforms are perhaps the one terrain in which the latest Yeezys are denied admission.

"Uniforms ensure that, regardless of family income or class, students are met on an equal playing field. In a world in which the gap between the have and the have-nots is alarmingly widening, it might be necessary to have one space, however superficial, where students are encouraged to zoom in on what really matters: their own academic promise." -- L. Seda

For more uniform stories, visit Refinery29.

By: Alexandra Ilyashov

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Meet The First Openly Gay Miss America Contestant In History

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In June 2016, Erin O’Flaherty made history as the first openly gay Miss America contestant after being crowned Miss Missouri.


O’Flaherty is now preparing to take the stage on Sept. 11 to compete in the Miss America pageant against the other individual state winners.


O’Flaherty’s presence in the pageant is particularly meaningful to femme lesbians who are often invisible in the larger context of queer community, simply because they don’t look like mainstream America’s typical idea of a lesbian.


In this interview with The Huffington Post, O’Flaherty reflects on the public reception of her historic win, why she thinks it has taken this long for there to be an openly gay Miss America contestant and what she wants queer kids to take away from her platform.



The Huffington Post: Being the first openly gay Miss America Pageant contestant is both a huge accomplishment and a legacy title. What does it mean to you?


Erin O’Flaherty: Thank you! It means a great deal to me. I feel a great deal of responsibility that comes along with being the “first” of anything, and especially a responsibility to the Miss America Organization and the LGBT community to represent well. I have the opportunity to serve as a reference point for LGBT youth where none other exists. When I was coming into my own and identifying as a feminine lesbian, I struggled to find role models who I perceived to be “like me.” I hope that I can serve as that reference point for other LGBT youth who are struggling with their identity. This is not just an issue of diversity, but saving lives. LGBT youth are up to eight times more likely to attempt suicide as compared to their heterosexual peers if they come from an unaccepting environment. I hope that my presence can give others hope.


With a platform of suicide prevention, I will continue to speak on a national level about the lifesaving resources offered by The Trevor Project and The American Foundation for Suicide Prevention, two organizations that I love deeply. I take the responsibility of being Miss Missouri very seriously, and it is because of the Miss America Organization that I have been afforded this incredible opportunity.


What has the reception been like?


Overall, the reception has been great. I think the general population perceives my title as a “first” to be a long time coming, and I agree. We are not only ready for an openly gay state titleholder, but a Miss America, too! Of course with any “first,” you can’t please everyone. I have seen negative comments, but the positivity and encouragement that has poured into my social media accounts has far surpassed the negative. I have received several hundred messages from people in all walks of life and I continue to receive new messages on a daily basis. Often, they range from simple sentiments of encouragement and thanks to “You are my inspiration.” Nearly all of the messages have mentioned how meaningful my work in suicide prevention has been. It is very validating to comprehend that this is not about personal attention for me ― it is about changing the lives and social perceptions of others. I owe so many thanks to the Miss America Organization for simply existing to give me and all titleholders this outlet to develop our leadership skills and do our part to change the world for the better.


Why do you think it has taken this long for there to be an openly gay Miss America contestant? Do you think this will open more doors for more women in the future?


The Miss America Organization has always been open and accepting of women of all backgrounds. I think it is a reflection of our times, with acceptance of the LGBTQ community making strides forward in every setting ― politics, sports, entertainment ― that a gay woman now feels comfortable enough in her own skin to be open in a public way. I recognize that as a lesbian, I have the opportunity to set an example for others using the unique platform that I am grateful to have. I can show young girls that no matter what their identity, they can represent their state, and hopefully their country, in a strong, positive way.  This message and idea is exactly what I hope to spread throughout my year as Miss Missouri.


Some people don’t think that lesbians can look like you. What would you say to those who are shocked or don't believe that a Miss America contestant can be a lesbian?


Part of what is so great about being Miss Missouri is that I get to challenge the culture of stereotypes on multiple levels. I look like a lesbian because I am one, but that’s my only qualifier! I’m also an optimist, an entrepreneur, and a middle child; many things that truly define who I am. Once people get to know me, any “shock” tends to fade away. I’m just a normal 23-year-old trying to accomplish my goals. Miss America can come from any walk of life, and that’s what’s so great about being involved in the Miss America Organization. I’ve met some of my best friends through MAO, and we couldn’t be any more different. The diversity of the organization may be something that seems surprising from the outside, but it is something that’s certainly celebrated within. I think the era of the “pageant girl” stereotype is on its way out. 


By coming out and sharing your story, you’ve instantly become a role model ― especially for queer youth. If you could send a message to today’s queer youth, what would it be?


My message is simple: Your life will change greatly. At times, you will question your strength and courage. You might question if it’s all worth it. Please know that it IS, and there are SO many people who love you, support you, and believe in you. One day, you will know exactly what freedom feels like. And you may even have a shot at becoming Miss America. 


The Miss America Competition will air on Sunday, Sept. 11, 2016 at 9:00 PM ET on ABC.

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I Am The Most Ignored Woman In Fashion

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Photos courtesy of Katie Sturino.

Tall. Growing up in Whitefish Bay, WI, that was the word most used to describe me. It wasn't until I left the Midwest after college with my Fashion Dreams securely tucked into my Juicy jumpsuit and landed in NYC that I realized there would be a new word to describe my body: fat. My height no longer set me apart, as 5-foot-11 models stood eye level with me -- and suddenly it was also no excuse for not fitting into the tiny clothing that surrounded me. I worked for a high-end clothing company that I really admired (and still love to this day!), but the boundaries were set immediately. While the other people in my department used the samples closet as their second wardrobes, I struggled to find a single piece I could squeeze into, and had to pretend that accessories were my thing (handbags always fit!). My coworkers swapped stories about celebrities who claimed they were a size 2 and who had to be greased into a 4...whales! So, what did those gossipers think of my size 12 body? I could only imagine. I began a nearly constant struggle with weight loss. I took up running. I ran a marathon. I recruited my roommate with me to start (and fall off) a dozen no-carb diets. 

So began my hate-hate relationship with fashion: Every time I complimented someone's outfit and asked where it was from, I would later find out that it didn't come in my size. High-end stores always thought it was best to throw a blanket-style top over me and tell me to maybe belt it? I tried plus-size stores, but the clothing felt cheap, and the styles often targeted a much older customer. I realized that I was caught in a limbo where I was a smidge too big for the fashion brands I loved, and too small for the plus-size brands available at the time.

I have worked in public relations for 10 years, and nothing feels worse than having to represent a client whose product you cannot experience. Years ago, I worked with a small brand that made adorable dresses...just not in my size. They special-ordered one for me to wear to meetings at my encouragement, and it was still too small. It was humiliating. One thing straight-sized fashion people might not know is that most contemporary brands end their sizing at a 10 and sometimes even an 8. This completely eliminates any woman my size or bigger from the conversation.



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I was tired of feeling left out, and decided that I was going to just be over it all. But, as I attempted to extricate myself from feeling marginalized by fashion at large, a funny thing started happening. Because I wasn't competing in the size Olympics that my skinnier friends were in, I actually started to feel liberated to wear what I liked, even if it wasn't "flattering." I first found my groove in the form of riding pants from Ralph Lauren in every color of the rainbow. They were preppy and stretchy and came in a size 14. I had them in eight colors. My pants were a conversation piece, and I felt a bit like I had found a loophole. Tiny friends would say that they would never rock yellow pants that tight, and I found the seed of confidence in my boldness. At my size, what did I have to lose? I might as well wear what I liked. Skinny friends would wonder if a dress looked too much like a muumuu, but I didn't have those fears. Because I wasn't invited to the skinny girls' style club, I had to create my own. My preference for primary colors and bold prints has never been ideal for someone trying to appear smaller. The more I was ignored by the fashion industry, the more I refused to be invisible. Subconsciously, I was determined to take up visual space. Stella McCartney leopard leggings? No problem. Tented Pucci dress? Sure! These are items that thinner women might stand in front of the mirror dissecting, but because no one was counting on me to look thin, I could wear what I liked. 

When I appeared on Man Repeller last spring in a story about dressing for my body type, I realized that other women had my same size and frame, shared my shopping struggles, had to deal with thigh chafe, and had an equal aversion to cap sleeves! Not only was I not alone, but I realized something that I had forgotten since starting my journey in the fashion industry: My size is the average size in the United States. My day-to-day life may have been serving up women in sizes 2, 4, or 6, but all I had to do was look up and realize that's not the norm. The feeling of realizing I wasn't alone inspired me to tap into my latent confidence. Boob sweat? Let's talk about it! Chub rub? I can help! It was that feeling of not hiding anymore and really putting it out there had helped me accept myself 100% of the time. Of course I have struggles, everyone does, but that is the point. The journey of self love does not end with your jeans size, and I've made it a point to call out when things are not fair.

Tall was the word I used to describe myself growing up. Now I don't shy away from size talk or body talk. I love to help women find their own brand of confidence. We put too much value in our physical appearance, anyway. The word I would use to describe myself now would simply be: boss.

By: Katie Sturino

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This Photo Says Everything About Being A Ballerina Of Color Today

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Today is paint day. #keepingbusyformysanity

A photo posted by Chyrstyn Mariah Fentroy (@chyrstynmariah) on




In a scene from the ballet documentary “First Position,” the camera focuses for a moment on the mother of Sierra-Leone-born dancer Michaela DePrince. Tutu in hand, Elaine DePrince performs a seemingly innocuous task ― the painting of her black daughter’s tutus and straps. She carefully applies brown dye to every inch of the formerly pale costumery, making sure to touch up the remaining white bits with a dark Sharpie.


In a world where ballerinas are expected to know how to pull their hair back in pristine buns, sew their pointe shoes into perfection, and otherwise manipulate their bodies and accessories to adapt to predetermined ideals, painting tutus might read to outsiders as but another dance ritual. If everyone had to do it. But in a world simultaneously dominated by white bodies, a world that has only recently witnessed the rise of American Ballet Theater’s first female African-American principal dancer (Misty Copeland) and harbors a history of subtle racism within its institutions, the act of painting a “neutral” tutu becomes a reminder to those inside and outside studio halls of the specific obstacles ballerinas of color face today.


Last week, Chyrstyn Fentroy, a member of the Dance Theatre of Harlem, posted a photo to Instagram (featured above) ― an in-process shot of her painting a pair of “nude” pointe shoes to match her skin tone. It was reminiscent of a video Eric Underwood, a soloist at The Royal Ballet, posted to his Instagram last year, showing him applying powder pigment to his own shoes.




In a caption accompanying his video, Underwood pleaded for dancewear companies to introduce more than one flesh tone into their ballet shoe inventories. When he posted the photo, he was not able to buy anything but that traditional “ballet slipper” pink. “Not being able to buy shoes is a reminder that you are an anomaly and that you aren’t given the same consideration as other dancers,” fellow dancer Brooklyn Mack explained to the BBC after Underwood’s post. 


Fentroy, who is currently nursing an injury, wrote in her photo’s caption: “Today is paint day,” including the hashtag #keepingbusyformysanity. When asked why she posted the image, she explained to The Huffington Post over email that she wanted to give fans a glimpse of her process as a professional dancer. A part of that process, she noted, involves applying a flesh-colored acrylic paint ― created specifically for her by the Dance Theatre of Harlem’s wardrobe team ― to her pointe shoes.


“Currently, to my knowledge, there are not any pointe shoe companies that create shoes in flesh tones,” she added. “I have seen pointe shoes made in red and black before, but those are the only pre-made colors that I have come across. Sometimes certain companies will have different shades of pink, but none that I have seen are far off from the normal color.”



@henryleutwyler

A photo posted by Misty Copeland (@mistyonpointe) on




The “normal color,” of course, is a shade similar to the Essie nail polish titled “ballet slippers.” Like the beauty and fashion industries, dancewear companies tend to use the term “nude” to refer only to pale tones. 


Those pale or pink tones pose an obvious problem for dancers of color. While white dancers can wear the default “nude” tights, leotards and shoes to maintain consistent lines as they bend their torsos and limbs into standard ballet configurations, dancers of color are forced to turn to paints that dull the shine of their shoes, or other imperfect solutions like shoe polish and makeup, to achieve the same results.


“If I wear pink shoes, because my skin is not anywhere near the same color, the image I see seems choppy and isn’t as appealing to look at,” Fentroy explained. “I love having flesh tone shoes and I really do think that no matter what your skin color is, having shoes that create one continuous line from the top of your leg to the tip of your toe allows the audience to focus on all of the beautiful things your body has as a ballet dancer and not focus on what you are wearing.”



Pointe Prep. Get well soon @chyrstynmariah! We adore you! #pointeshoes #chyrstynfentroy #dth #dancersareathletes

A photo posted by Brown Girls Do Ballet® (@browngirlsdoballet) on




Still, for some dancers of color, abandoning the historic pink outfit in favor of other “unconventional” flesh tones can be difficult. In a blog post for Brown Girls Do Ballet, ballerina Selena Robinson weighed her options between the brown tights that match her skin tone or the pink ones most other ballerinas don. Wearing the pink, many dancers point out, is a part of maintaining uniformity among the corps de ballet dancers meant to perform in sync.


“Whether I stick to tradition and wear pink or channel Dance Theatre of Harlem and wear brown,” she wrote, “I just want to be comfortable in my beautiful brown skin and dance for myself.”


The Dance Theatre of Harlem, a company historically comprised of African-American and other racially diverse artists, is known for encouraging various flesh-colored tights, leotards and shoes, and as Fentroy’s photo shows, the company provides unique paints that match each dancer’s skin. Fentroy ― who grew up with the understanding that pointe shoes are pink and “that’s how it was” ― says she’s never been criticized for wearing pink shoes today, though. 


“Every school and company has a different practice for what their dancers do with their pointe shoes,” she said. “I think that many schools that are predominantly [comprised of] dancers of color are beginning to practice the idea of having flesh-colored shoes, but not all. At Dance Theatre of Harlem, it is standard for the company members to always have flesh-colored shoes and tights, and it is a part of the dress code for students.” 



Congratulations to our Summer Intensive students who performed with our company members!!! We are so proud of you! #DanceTheatreofHarlem

A photo posted by Dance Theatre of Harlem (@dancetheatreofharlem) on




While Fentroy has noticed an increased interest in flesh-colored shoes among dancers of color, she’s yet to find a company that’s officially capitalized on the demand. Earlier this year, ballet shoe manufacturer Bloch announced that it was working on a series of slippers for non-white dancers, but they have yet to hit the market. (For the record, Misty Copeland wears Bloch Axiom shoes and uses pancake makeup to match them to her skin, her publicist explained in a statement to HuffPost.)


Leotards and tights are available through speciality manufacturers, but Fentroy and other dancers of color continue to paint their shoes ― on top of sewing their ribbons and elastics into place, cutting their shanks to size, gluing their pointe tips and dousing their pairs in water until they reflect the unique arcs of their feet. Ultimately, every ballerina is beholden to the rituals of keeping pointe shoes. But only dancers of color are required to go an extra step.


When megastars like Misty Copeland, “a little brown-skinned girl in a sea of whiteness,” are still regarded as “unlikely” ballerinas, the simple act of painting a shoe to make convention conform to you becomes something more potent. It becomes a reminder that ballet has a long way to go.


“I am greatly looking forward to the day when pointe shoes are created in multiple skin tones,” Fentroy concluded, “and I do think that day will come soon.”


This piece has been updated to include a statement from Misty Copeland’s publicist. We have reached out to Bloch for a comment on whether or not they are still planning on producing a line of flesh-toned shoes but have yet to hear back.


CLARIFICATION: Language above has been amended to make clear that Misty Copeland was the first female African-American principal dancer at the American Ballet Theater. In case you were wondering, Lauren Anderson became the first ever African-American principal dancer for a major dance company ― the Houston Ballet ― in 1990.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Celebrity Stylist, Neil Weisberg's 5 Secrets For Great Hair Everyday

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Celebrity stylist Neil Weisberg, co-owner of Mèche Salon in Beverly Hills wants you to have a love affair with your hair, as he does with his famous clients' hair. This London-born coif master really cares about his clients and likens a well-done cut to a good red wine. The sophistication, balance and polish that come with his $375 haircut and blow out, are appreciated by those with discriminating taste and high hair standards.

But, Neil is no hair snob. Even though he is one of Hollywood's most sought after stylists (Neil gives Charlize Theron her stylish locks), he is extremely kind and humble. If Mèche Salon is not in your area or budget, Neil still wants you to feel like a starlet.

When I sat down with him at his uber-cool salon (his partner is celebrity colorist, Tracey Cunningham), to talk hair, here's what secrets he revealed to rock great hair every day.

1. Hair vitamins, they're great for overall health including length retention, protecting against split ends and improving shine. My favorite is Viviscal. It's clinically tested.

2. Shampoo, my new favorite shampoo is Your Hair Assistant by Davines. It smells great and adds a layer of sexy easiness to any hair type.

3. My new obsession is the Dyson Hair Dryer, it's super strong and lightweight. The build is incredible, there's no suction from the back of the dryer means no accidental tangling.

4. Regular trimming is always the key, split ends tend to travel up the hair strand and create more damage. Every other color service is a good reminder.

5. Hair oil, a drop on the scalp and on the ends every night will help with dryness. It's great when brushed through with a Mason Pearson brush to help distribution. My favorite, Uma Hair Oil, an organic restorative nourishing hair oil that doubles as a deep treatment. http://21tulips.com/

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The Surprising Ways Your Makeup Is Harming The Planet

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When you get a pimple, what do you use? Pimple cream, perhaps. What about when your skin gets unbearably dry? Lotion. 


Whether it’s covering up a blemish or keeping your hairdo in check, everyone uses beauty products ― but they’re likely causing some serious damage to the planet. 


In our most recent episode of “Sustainable Self,” a HuffPost Original series that suggests ways to minimize your impact on the planet, we address the toll that makeup takes on the environment.


Many of your favorite shampoos, lotions and concealers may contain toxic chemicals that the environment can’t break down. So when you wash your body at the end of a long day at work, all that gunk is going down the drain, ending up in our water systems and harming aquatic life. 


It’s not just oceans, lakes and rivers that are affected. Our bodies are, too. Women use an average of 12 products that contain nearly 170 different types of chemicals each day, while men use an average of six products a day and 85 unique chemicals, according to the Environmental Working Group, a consumer health nonprofit. The group says the vast majority of ingredients in our cosmetics have not been assessed for safety.


It’s time to stop turning a blind eye to what we’re using to lather up.


We’re here to help you curb the mess your makeup is leaving behind. Familiarize yourself with harmful toxins found in cosmetics and read the ingredients of what you’re buying. Choose eco-friendly alternatives. You can also rely on apps and websites to inform you about what you’re using. 


In the video above, we share more ways to keep yourself and the planet beautiful for years to come. 

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Kendall And Kylie Jenner Just Faced A New Yorker's Worst Nightmare

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Dorothy, we’re not in Calabasas anymore. 


Kendall Jenner, sister Kylie and crew faced a New Yorker’s worst nightmare Thursday night when they got stuck in the elevator of an apartment building. The ladies are in town for New York Fashion Week and got a serious scare when the elevator they were in stopped. 


Luckily, they had their phones to contact 911 and to Snapchat the 45-minute ordeal. 



@kendalljenner vía Snapchat #kendalljenner #kendalljennersnapchat

A video posted by Kendall Jenner Snapchat (@kendalljenner.snap) on




Hailey Baldwin found the humor in it, saying: “This is crazy! I’m dying! This is the funniest shit of my life.”


But Kylie was not loving it. 




@kendalljenner vía @kyliejenner Snapchat #kendalljenner #kendalljennersnapchat

A video posted by Kendall Jenner Snapchat (@kendalljenner.snap) on




Thankfully, the FDNY came to the rescue. 



@kendalljenner vía Snapchat #kendalljenner #kendalljennersnapchat

A video posted by Kendall Jenner Snapchat (@kendalljenner.snap) on






And, like the pros they are, they were right back at it. 



-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Boys In Lipstick, Just Because

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Photos via M Studio.

This story was originally published on Feb. 14, 2015.

When I dreamed up the concept of this shoot, inspired partially by all the men-wearing-makeup think pieces and that genius Tom Ford Lips & Boys collection, I was repeatedly met with one question by women all over R29 HQ: "Why?"

My answer: Why the hell not? I am a man who has worn makeup every single day since I can remember, and I know how much joy it gives me. I also know, though, that a lot of women don't see makeup as a joy -- rather, they see it as an obligation or a chore. That's probably because society has told us that women need to wear makeup, and that's a damn shame. Nobody needs to wear anything they don't want to. (Except maybe underwear. Please wear underwear.)

I've had boyfriends who have come to me in times of dire need, begging for makeup, even though they began our relationship insisting it wasn't necessary. I have brothers who have needed concealer before big events. There's a lot of delight in introducing someone to makeup for the first time, and showing them what they can do with their face -- something they see in the mirror every day and think they know so well. That delight, or, rather, awe, is contagious, almost palpable.

So, when thinking about how to best showcase some of the season's most exciting new lip shades, I was envisioning plenty of things: kisses on cocktail napkins, close-ups of pouts, animated GIFs of mouths moving, talking, kissing, eating, etc. But, then I thought, Why not let boys show us the lipsticks? Women constantly appear in beauty editorials -- why would it be weird to let boys do the same?

Men wearing lipstick is not a novelty for me: In my world, as a beauty editor and a gay man, it's a regular occurrence. But, I appreciate the men here taking time out from their jobs to sit down, pick out lipsticks that spoke to them, and try something new for the day. The lipsticks ended up enhancing their looks; making them cooler.

Ahead, 15 stunning new shades we think you should consider for spring -- plus, a little more about the men who tried them on.

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Keenan, commercial real estate sales, wearing Tatcha Lipstick in Kyoto Red

Do you wear makeup, or have you ever worn makeup before?
"No, never."

What did you think about the color you chose?
"I think it matched my skin tone well and brought out my beauty. I trusted the expert, which is how I decided on this color."

How did wearing lipstick feel?
"It felt interesting because physically it felt restrictive, but emotionally it felt expressive and really garnered a sense of childish freedom. It was almost like -- it took me back to a place where you had a carefree attitude about life and nothing mattered. So, that probably felt empowering in a way. It made me feel I were being made stage-ready, as if I were about to perform. It made me feel special because of the attention and the time it took, but most importantly, it made me feel energetic, and I relate that to running a marathon, being tired, and someone giving you a high five, and it giving you a crazy boost."

How did it feel looking at your photo for the first time?
"Surprisingly amazing! One, it forced me to look at myself through a different lens. Two, through that lens, I saw an expressive side of myself that I rarely see. I think, also, it was so uncomfortable that it forced me to be comfortable."

Can you remember a time you felt particularly beautiful?
"When I put on my favorite tailored suit -- that's when I feel it. I have my dress shoes shined to the nines and, most importantly, I have on my favorite pair of crazy socks."

Can you remember a time you felt particularly self-conscious about your appearance?
"Anytime I walk into a room full of people...any casual environment where I see people I don't know. When it's business, I'm on because I'm wearing my suit, but when it's casual, I don't have as diverse of a casual closet."

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Glenn, hairstylist, wearing Maybelline ColorSensational Rebel Bloom Lipstick in Orchid Ecstasy


Do you wear makeup, or have you ever worn makeup before?
"I don't wear makeup daily, but I've worn it before for Halloween or going out to house parties in downtown L.A. when I was 17. I used to wear checkered lipstick, actually, just to do something fun."

What did you think about the color you chose?
"I like the color I chose -- I definitely think it will define someone's personal style. It's a good added extra touch. Purple is also my favorite color."

How did wearing lipstick feel?
"The lipstick felt just like ChapStick, to be honest. It felt good!"

How did it feel looking at your photo for the first time?
"I actually was surprised at how good I looked! I thought it was interesting to look at -- to see myself in a way I've never seen myself before... I normally don't range myself outside of doing something very feminine, because I never felt comfortable doing that...but I felt comfortable wearing lipstick."

Can you remember a time you felt particularly beautiful?
"I wouldn't say beautiful -- I'd say particularly handsome. I'm a hairstylist and I'm behind the scenes, and I've never gotten my photo taken before, so it was interesting to be on the other side and be the model. I felt really good about seeing my photo. I felt really confident and good in myself."

Can you remember a time you felt particularly self-conscious about your appearance?
"At the White Party in Palm Springs! There are so many hot men there, and I felt like I needed to hit up the gym more."

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Matt, designer, wearing Chanel Rouge Coco in Insoumise


Do you wear makeup, or have you ever worn makeup before?
"I don't wear makeup every day, but I've worn it for photo shoots."

What did you think about the color you chose?
"The people on set drew me towards it. I was not at all intimidated by it."

How did wearing lipstick feel?
"It felt just like ChapStick -- I didn't really notice it, to be honest."

How did it feel looking at your photo for the first time?
"I look like my mom. I thought it looked good, but there was...a lot of mom."

Can you remember a time you felt particularly beautiful?
"There were times when I felt more confident, but I don't really pay too much attention to beauty. I don't wash my hair and I don't wash my face, but I guess...it's just when I feel super-confident."

Can you remember a time you felt particularly self-conscious about your appearance?
"Yeah, just when I notice when it's like cold, dark, or gloomy, and I haven't worked out in a while. Or, I haven't gone for a run or been active."

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Darien, student, wearing Make Lipstick in Magma

Do you wear makeup, or have you ever worn makeup before?
"No, never ever."

What did you think about the color you chose?
"I thought it was fun! I thought it would brighten anyone's gloomy day."

How did wearing lipstick feel?
"My lips have never felt so moisturized -- they felt like butter. Now that I've taken it off, they feel dry."

How did it feel looking at your photo for the first time?
"Uncomfortable. It's hard to look at the photos because, for me as a person with large lips, I feel like highlighting them is slightly terrifying. I think that naturally, the color of my lips doesn't make them so obvious, but when they're highlighted, you can see how large they are."

Can you remember a time you felt particularly beautiful?
"At the beginning of every day, because I think that the feeling of a fresh shower and the start of a new day wakes me up. By 4 p.m., I feel the worst."

Can you remember a time you felt particularly self-conscious about your appearance?
"I spent a large part of my life being overweight, so for me, that was a big deal up until the 10th grade... I think it was part biological -- growing -- and part increasing activity in changing myself."

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Kevin, model, wearing Marc Jacobs Le Marc Lip Crème in the color Scandal 226

Do you wear makeup, or have you ever worn makeup before?
"I do not currently wear makeup, but I have in the past."

What did you think about the color you chose?
"I really liked the color I chose; I think it works well with tanner complexions and dark clothes."

How did wearing lipstick feel?
"I was surprised how beautiful I thought the lipstick looked."

How did it feel looking at your photo for the first time?
"I was confused. I didn't know if I was sexy or handsome, but it felt cool!"

Can you remember a time you felt particularly beautiful?
"I feel beautiful when I'm being myself -- or getting a massage, for some reason."

Can you remember a time you felt particularly self-conscious about your appearance?
"I feel self-conscious a lot! Pick a day, I probably felt self-conscious then."

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Logan, artist, wearing NARS Lipstick in Liguria

Do you wear makeup, or have you ever worn makeup before?
"I don't on a regular basis. Actually, sometimes I wear POREfessional from Benefit if I'm having a particularly porous day. But, I have definitely worn makeup before, for various photo shoots from being a model -- but that's a secret. Modeling is a secret."

What did you think about the color you chose?
"I liked it because of my new blonde hair color -- I like it because it feels really current, the '90s are coming back, and beige is pretty '90s."

How did wearing lipstick feel?
"My lips are dryer than they were when I came in."

How did it feel looking at your photo for the first time?
"I looked good! It ended up being [almost] identical to my hair color, so it was cool. It was like a more editorial kind of look for my everyday style."

Can you remember a time you felt particularly beautiful?
"There was a shoot I did once in Miami, and it was all Dior. My hair was slicked back, and I thought I looked great at that point in time -- it was sunny outside and we were at a pool. I felt pretty gorg. But, on an everyday basis, I feel my best-looking when I'm in the clothes I feel most comfortable in and when my hair decides to lay flat."

Can you remember a time you felt particularly self-conscious about your appearance?
"When I lived in Arkansas, in high school. I'm tall and skinny, and I was treated as really weird. It was somehow linked to being gay if you were tall and skinny and didn't play sports, so I was most self-conscious until 10th grade, until I discovered the Internet and realized I wasn't alone. Then, I moved here and people started telling me I was beautiful."

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Derek, student, wearing Clé de Peau in De la Maitre de L'ecole


Do you wear makeup, or have you ever worn makeup before?
"I do not wear makeup, but I did on Halloween in '98. Cleaning it off was such a nightmare that I swore I would never do it again. I guess I lied."

What did you think about the color you chose?

"The makeup artist did a three-shade blend; I was surprised how natural it looked."

How did wearing lipstick feel?
"I tried not to move my lips too much, because I didn't want to mess it up. I know that's not really how it works, but I felt a little out of my element."

How did it feel looking at your photo for the first time?

"It was unfamiliar seeing this particular transformation of myself, but I like living in a world where you can be whatever you want with a little effort."

Can you remember a time you felt particularly beautiful?
"My 185-millionth great-grandfather was a fish; I feel beautiful every day."

Can you remember a time you felt particularly self-conscious about your appearance?
"Probably, every day between fifth grade and 8th grade. Humans believe there is some universal meaning to things like beauty, but it differs every day depending on who you ask and what time period you find yourself in. Beauty is nothing more than being comfortable with who and what you are."

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Peter, celebrity hairstylist, wearing Sephora Collection Cream Lip Stain in 08 Whipped Blush

Do you wear makeup, or have you ever worn makeup before?
"I have worn makeup before for TV appearances."

What did you think about the color you chose?
"The HOT-pink Miley Cyrus lipstick was a laugh! Why not choose the boldest and brightest if you're going to do it?"

How did wearing lipstick feel?
"I felt like a bearded man wearing lipstick -- it was a laugh for me. I enjoyed the experience."

How did it feel looking at your photo for the first time?
"Looking at the monitor was a bit awkward, but it wasn't like I was at the DMV." (laughs)

Can you remember a time you felt particularly beautiful?
"I feel really beautiful [and] most attractive now. Right now in my life."

Can you remember a time you felt particularly self-conscious about your appearance?
"Phillip, I've never had an awkward phase...ever."

For more, visit Refinery29.

By: Phillip Picardi.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

How I Moved On From My What Not To Wear Style

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Photo via Nick Onken.

At my age, if you aren't Oprah or a man, the stigma of getting older starts to take shape. I'm 47. I am seriously and officially middle-aged. Like, deep into it. I'm here, but heck if I know how I got here so fast. I certainly don't feel it. In a sense, I've grown up without becoming a conventional grown-up. Meaning, I'm not married. I don't have kids, a second home, or a mortgage. I don't run an office full of employees. I don't go to the same job every day. And because of this, sometimes people (myself included) find it hard to measure my value without the traditional milestones of a life lived or a collection of identifiable CliffsNotes at the ready.

There are moments when this unconventional approach to aging feels freeing, and I can romanticize it. Not being able to be labeled so easily has its advantages. I'm a curiosity of sorts. I'm a mystery. An enigma. People seemingly want to know more about me, because I haven't played by conventional social rules. I don't "act" my age. That was cute when I was the precocious youngest woman in the room. It can be equally as enticing as the oldest. But my point is that I am usually the oldest in the room these days. Almost all my friends are younger than I am. I simply don't have as much in common with friends my age who got married and had kids. My younger friends haven't had to make these life choices yet. They enjoy the kind of freedom that I do. But for all my freedom, as I age, I'm not always sure where or with whom I belong. I'm a new classification of person, really. And like anything new, the unknown can feel a bit scary.

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Photographed by Winnie Au.

Don't get me wrong. I'm happy with where I'm at. I am very proud of my career and all that I've accomplished. I get joy from work, and that probably keeps me somewhat youthful in disposition. But there seemed to be so much time back when I was 32. It wasn't this "decision" written in stone that I wouldn't get married or have kids. Maybe I still will. What has happened is I've had to let go of the age when all things were possible (32) and started to look at what is (47). I am part of the first generation of women not truly dependent on anyone. My feminist mom was married, had kids, got divorced, and made a career for herself. Does only being able to check the last box make me a pariah or a pioneer? Because in my opinion, they dress differently, I can tell you that. 

One thing I am sure of: I didn't really start to think about my age until I started to feel that all clothes were not appropriate for me. Now, of course, not all clothes and not all trends are appropriate for everyone. I spent years and years telling everybody yes to this, no to that. But when I started to ask myself if a dress was too short or showed too much skin or the eyeshadow I wanted was a little too bright, I realized my style wasn't in Kansas anymore. (Or maybe it wasonly allowed in Kansas. Hard to say. Not sure where I was going with this metaphor.) I've been dying to wear that LoveShackFancy pink cotton tiered halter minidress that I got at the sample sale. But every time I put it on I laugh, proof positive that my brain has NOT caught up to my age. She (my young girl brain) still loves too much sparkle and skirts that twirl. But at 47, I really don't want to go for a Suicide Squad-Harley Quinn-looking pouf skirt. (I know, she wears underwear most of the movie, but you get my point.) For me, that dress simply reinforces that I may not act my age, but I can't avoid aging. I can make choices that allow me connections with people younger than myself, but I am no longer young.

It reminds me of a scene in the movie Knocked Up, which I recently saw for the kabillionth time. Leslie Mann tries to get into a club in her sexy blue dress and is told she can't come in. She explains that her outfit is totally appropriate for the occasion, and the bouncer tells her it's because she's too old. TOO OLD. If you don't know who Leslie Mann is, please Google her now. She's stunning -- for a woman her age and for a woman of any age. How is it that I never remembered this scene? Watching it, I cried more than Leslie Mann does in the movie. She looked so pretty in that dress. She was feeling herself in that dress. But she was also taking on the style of a younger woman, dressing in a way that no longer aligned with the person she had become.

When I look back, I realize the style I had while I was on What Not to Wear -- the pencil skirts and sheath dresses, the floral and ruffled tops -- does not reflect who I am now. It reflects the television persona I gave up a long time ago. It no longer "fits." (Pun intended.) I dress much more androgynously than I did when I was younger. Frilly, girly clothes don't have enough gravitas for me. I like suits and leather and jumpsuits, and I almost exclusively wear pants. I am pretty sure this change in my style happened quite naturally. But there have been times when I've worried this change won't sit well with fans of my old look, that I've ostracized them, that I am no longer playing by the rules I prescribed to countless women over the course of the show. More than anything, I don't want people who have believed in my advice over the years to feel I've betrayed them by no longer "looking the part." The fact is, my public persona was only ever "part" of who I was to begin with. The Stacy I was in 2002 cannot possibly be the Stacy of 2016. Age is part of time, and does in fact change things.

It isn't simply that I no longer play by the gender rulebook, it's that the rules suddenly feel stacked against me. We still live in a culture where men grow more handsome, distinguished, and even trustworthy with age. Women are not afforded the same. Sociobiologically speaking, in caveman days, if we could no longer bear children our use-value dropped sharply and inevitably. And it was rather convenient that our lifespans were short enough that we would generally die soon after childbearing age anyway. So what's a modern-day woman, who could live to be 120, going to do with all this extra time in the middle? In the middle of the middle? Current culture leads me to believe I'm supposed to attempt to look 25 for the next 50 years. Even if we're past bearing children, are we meant to look as if we still can? Is that what Botox and fillers and peels and exercising 11 times a week are meant to do for us? Hang on. What?

What's so bad about growing older when it's revered in almost every society except ours? (All of you who hate my gray streak because you say it makes me look "old"? I don't see why that can't be a compliment.) Of course we want to stay strong and healthy as long as possible, but young? Why don't we embrace age for all of its positive attributes? Because to value those things above youth and a particular kind of beauty requires a change in thinking (and seeing) much like changing the way we perceive a woman like me. You don't need to ask me about my feelings on marriage or children. You can invite me over to dinner parties, even when it's just married couples. (I have a boyfriend, but even if I didn't!) Really! It's okay! You can ask me about politics, the stock market, the best movies of the 1970s, what I think of this election, and of course whether or not you should keep the dress you wore once three years ago. (The answer to that is OF COURSE NOT.) I don't want to be defined by my age. But I consider it to be a great asset. You can ask me about heartbreak and disappointment, about triumph and fear and courage. I've had more experience with it because I've had more TIME to have experience. And I want my style to reflect that experience.

There's that Alice in Wonderland quote: "I'm not the same girl I was yesterday." In some ways, the woman I've become didn't even exist yesterday. I am the first generation of this kind of woman: the kind of woman whose traditions and values are being written right now. The way I dress has become a symbol of that evolution for me. The traditional colors and styles and actual "femininity" associated with a woman's wardrobe feel as antiquated as the ideas that you can't be an accomplished woman without marriage or children.

It's one thing to blaze your own path. (I thank my mom dearly for showing me how.) It's quite another to blaze a path that few even see, let alone walk, just yet. But truth be told, there's never been a better time to be an "evolutionary woman." We are more accepting of self-expression than ever before. It's not my gender I'm questioning, though that's a perfectly valid identifier that many people do question. Rather, it's the demands society tends to put on the way I (and perhaps even some of the women who appeared on What Not to Wear) look. I have no intention of sliding back into the pin-striped, shoulder-padded pantsuits of the '80s to be and feel empowered. I have no interest in emulating a purely masculine style to have a seat at the table. In fact, the suits I'm starting to wear are bespoke, fit for a woman's figure, and co-designed with Emily Meyer, a designer who specializes in just that: suits for women only. They are bright and plaid and shiny but tailored to perfection -- exquisite, chic, and most of all feel like me now.

In my late 40s, I'm ready for the kind of uniform that empowers and emboldens. Not the me people may know from TV and not the me from 20 years ago. My style doesn't have to have a context yet, just like my value in society doesn't. It is all evolving. And it all remains to be seen. But I own who I am when I walk into a room, and it is only age that has given me the privilege to feel that. What 32-year-old me could never have known is that growing older is such a gift. Age has mellowed many of my insecurities because the pressure is no longer on me. At 47, I'm finding that my trouser pockets are filled with fewer and fewer fucks.

I'm not saying all women my age should dress the way I do. But my style is helping me to understand the kind of woman I am now. The point is, no matter HOW you dress, many women my age don't always own the exciting possibilities afforded them because they don't feel valued by our current culture. In fashion advertising, the end of 2014 and most of 2015 all of a sudden became the Age of Age. Julia Roberts for Givenchy. Cher for Marc Jacobs. Joan Didion for Céline. Charlotte Rampling for Nars. Iris Apfel for Alexis Bittar. Seeing older women incorporated into the fashion world should feel like progress. But the Age of Age came and went in less than a year. It may as well have been called the Shock of Age. To sensationalize age for the sake of attention isn't the same as reverence or acceptance. It merely made age a momentary trend. Trends can be escaped. Age can't.

So what's this article about? An aging woman who wants to wear suits and not poufy dresses? No. It's about taking a hard look at the traditional ideas that are associated with women's inalienable rights, be they wearing skin-baring dresses or having children, and that "having it all" no longer means those rights need to be exercised. As our freedoms change, so too will cultural expectations. It's hard to think about being 47 when you're 27. Not that you should feel compelled to. I know I didn't. I didn't know what my future would look like or how I would dress for it. I didn't know I would wind up on TV, helping people develop a style that made them each feel like their best self. I didn't know I wouldn't get married or have kids. I didn't know I would feel caught between the age that I am and the accomplishments that normally define that age. What I did know was that I wouldn't know. What I know now is that it feels both strange and entirely okay.

I want to embrace my age for the importance that it holds. I don't need anti-aging products to feel young or to know we are all going to live longer. And with time, we can form a new sense of our identities as useful and productive. I will have more to say and experience and share and love and do. Age is a gift, not simply because we aren't dead. It's the gift of time that allows us to change our prejudices and perceptions. We'll be here longer to preserve history and make history. I want to celebrate that. I want to respect it. And if I'm going to live to be 120, then I'm practically a teenager.

Pariah or pioneer, I'll be the one in the suit.

By: Stacy London

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Kanye Only Wants "Multiracial" Models In His NYFW Show

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Over the weekend, Kanye West caused a social-media storm when he tweeted the casting call for his upcoming Yeezy Season 4 show, taking place this Wednesday during New York Fashion Week. The ceaselessly controversial star stated that he was looking for "multiracial women only" in his model call. Understandably, people weren't pleased.






In an industry that is infamously non-representative, more inclusivity and racial diversity is undoubtedly necessary on the catwalk, but judging from the incensed reactions, West has gone about it in entirely the wrong way.

Twitter was ablaze with users angered by the ambiguous term "multiracial." What does multiracial even mean? Aren't we all, to some degree, multiracial? Doesn't a term, which we can only assume is akin to "mixed race," exclude those with darker or lighter skin tones? Was West calling for no white or Black people, just those somewhere in-between? And how, pray tell, did West plan to assess models' ethnic mix?










In March of this year, Demna Gvasalia, fashion's most lauded designer-of-the-moment was condemned for casting only white models in both the Vetements and Balenciaga fall/winter '16 shows during Paris Fashion Week. When he was asked about his discriminatory casting in May by The Telegraph, Gvaslia answered, "Our criteria for choosing models was purely based on the idea of diversity of character. We had very different types of girls but Lotta [Volkova, stylist and model] who works with me, we come from this cultural background where [race] is not even an issue. We don't even have that thing to think we have to be politically correct. I guess the criticism is justified, but from my point of view it was the attitude of those girls that was important for me not the shade of their skin or their origin."

The half-hearted answer left most critics unimpressed. But it seemed Gvasalia learned from his mistakes -- or was disgruntled by the bad press -- and included non-white models in his Vetements couture show in July. Isn't Kanye's call for "multiracial" models only as insulting as Demna's denial of ethnic minorities in the fall '16 shows?

Last season, The Fashion Spot analyzed all of the models who hit the A/W '16 catwalks in New York, London, Paris, and Milan. Results showed that about 75% of all models cast were white. When will the fashion world wake up and become the accepting, celebratory, and ethnically rich place that it ought to be in 2016? As the spring/summer '17 season looms, we can only hope that the catwalks will be more representative than ever and that brands will be inspired to be more inclusive in response to West's ill-conceived casting call.

Despite the controversy, the Yeezy casting was attended by a large number of eager hopefuls who lined in droves at Jack Studios in New York. We'll have to wait until Wednesday to understand exactly what West means by "multiracial," but let's hope he decides to cast a diverse range of models.

By: Alice Casely-Hayford

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

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