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Relaxers Won't Be Around for Long

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I see the demise of relaxers. The caustic chemical treatments that straighten kinky hair will fall as natural hair solidifies its place as a staple and not a fad in the Black hair world. This will happen because this new wave of curls is happening in a different context than the hyper-political afro of the sixties, and also because of the simple fact that natural hair is healthy.

Healthy Inside and Out

Not chemically straightening your hair is a physically and emotionally healthy practice. Many women are returning their hair to its natural state out of concern of the health of their hair. Recently, my team at Un'ruly did a small search across the web, looking for women who had gone natural and had professed why. We found a convenience sample of 75 women, of which the vast majority of them went natural because they wanted healthier hair. Many of them cited hair loss and damage from using relaxers as a driving factor for their big chops or transitions, which makes sense, since over the past few years the dangers of relaxers have been widely communicated in articles, films and TV shows. A few months ago, Dr. Oz highlighted how corrosive relaxers can be. The active ingredient in many relaxers is sodium hydroxide (also known as lye), which is the active ingredient in drain cleaner. It has the ability to break down organic matter. While no-lye relaxers contain a modified version of lye, they can be just as caustic. The effects of relaxers, if used incorrectly or too frequently can include scalp irritation, chemical burns, hair damage, breakage and hair loss. For many women, the thought of thinning hair or having very little hair is not worth the regular use of chemical treatments. Consequently, according to market research firm, Mintel, relaxer sales have dipped by 15 percent since 2011.

While a desire for healthy hair can drive the abandonment of relaxers on a surface level, the switch quickly becomes something a little deeper whether intended or not. Going natural marks a departure from conventional beauty ideals. You're stripped of the characteristics that most people associate with beautiful, especially if you big chop -- cutting off all your relaxed hair at once. With a big chop, you become a woman with short hair in a world where so much sexuality and femininity lies in length. Stripped of adornment, your crutches are gone and you have to stand on your own. At this point, women begin asking questions: Why is silky bouncy hair considered pretty? Why is long hair feminine? How else might I express my identity? My femininity? My beauty? This consequential self-reflection and probing is a deconstruction of ideas unknowingly accepted as truth. What remains when the old blocks have been knocked down is the opportunity to define your own beauty and build your esteem, having taken control of your image. The result is a person not only void of chemical burns, but also more secure in her own skin.

A Different Context

But if natural hair can have such a positive impact on one's physical and psychological wellbeing, why did it lose prominence after its rise in the 1960s? Natural hair was healthy then too. Why didn't its moment last? The circumstances were very different in the sixties than they are now. At that time, the afro was tied to a large scale protest. It was a symbol against the overt discrimination present in the United States that stemmed from hundreds of years of Blacks being treated as sub-human and viewed as undesirable. Among the peaceful demonstrations against segregation and discrimination, was the afro demonstrating that Black wasn't inferior or unattractive; it was, in fact, beautiful. But as battles were won and as the Civil Rights Movement matured, the afro took on a different meaning. Against the backdrop of Black Power the texture of the afro changed, becoming strongly associated with Black militancy. "Both white and older black Americans viewed [the afro] as a threat to the prevailing social order," explained Ruth La Ferla in her New York Times piece, "The Afro as a Natural Expression of Self". Despite its prominence at the time, the Afro wasn't a symbol everyone could or wanted to identify with. So as Blacks and Whites integrated post-Civil Rights, and as a need to assimilate came packaged with that integration, assimilated hairstyles took the place of the 'fro.

Now, however, the hair movement that seems to be happening, is less of a political one and more of an aesthetic one. In addition to many women saying they went natural because they wanted healthy hair, several of the women we surveyed also stated they went natural because they liked they way it looks or because they were inspired by friends, family or people in the media. Natural hair is a look more and more women are aspiring to. So much so that some are even purchasing kinky extensions to create the look. What's great about women being inspired by other naturals is it creates a system that perpetuates and sustains the presence of natural hair. The more women go natural, the more women there are sharing their experiences publicly on the web, which leads to even more women being inspired to go natural. The more women go natural, the more big business sees the opportunities of creating products that cater to natural needs. The more products available to help women care for their hair, the more they find it easy to stay natural, the more they share their experiences. The more they inspire. The more they demonstrate that subjecting yourself to relaxers isn't necessary, the more they demonstrate that kinky hair is just as cool and attractive as straight hair.

The downfall of relaxers, however, doesn't necessarily mean, the replacement of straight hair. Women will still wear weaves and straighten their hair because they'll still have the choice to do so, and there are safer alternatives. Women enjoy varying their appearance and being natural doesn't limit that. If anything it opens one up to more possibilities. The natural hair movement isn't about replacing one standard of beauty with another. It's about creating room on the pedestal of good looks for different versions of beauty to stand, so that whether you're adorned or unadorned you feel just as good and just as worthy.


If you'd like to read more articles like this, check out Un-ruly.com.

Conan Is The Creepiest Mary Kay Beauty Consultant Ever

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During this week's series of shows in Dallas, TX, Conan decided to finally make one of his dreams a reality: becoming a Mary Kay beauty consultant.

Watch above and judge for yourself if this particular dream should have ever been realized.

Lyndsey Scott Brings Brains And Beauty To ASOS Magazine

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What is it like to live as a model AND a computer programmer? Lyndsey Scott knows, and she tells all in the May issue of ASOS Magazine.

The Victoria's Secret model radiates in spring pastels with edgy cuts and layers, making us wish it was warm already. And if you think Scott is just all looks, you have the wrong idea.

Scott carries two very different jobs on her plate, but she loves the balance between them. She tells ASOS:

I have trouble endorsing modelling as a career… I love it so much but you basically have to be a genetic freak in order to do it and most people aren’t. Some of the most beautiful girls I’ve ever seen in my life don’t get lucky. It’s the sort of career where you have absolutely no control, whereas you have complete control with programming, which I really appreciate it.


Although she embraces her job in computer programming, she doesn't appreciate the way people view the profession, especially when it comes to women. "I’m fine with being called a geek or a nerd if that means I’m smart," she begins, "but there is a negative connotation to that sort of word and there’s an assumption about who you are as a person if you like technology. Perhaps if there wasn’t, we’d get more women interested." So you might want to reconsider who you're calling a nerd...

And as if she wasn't the coolest already, Scott has worked with one of our idols. "I did a play with Lupita Nyong’o at college. She’s so great, it’s kind of funny seeing her in all these magazines! She’s such a nice girl and really cool." To be honest, we couldn't even handle both of these lovely ladies in the same room.

Check out the spread from the May issue of ASOS Magazine, shot by Ben Sullivan.

lyndsey scott cover

spread one lyndsey asos

head down lyndsey asos

arms crossed lyndsey asos

stop sign lyndsey asos

mural lyndsey asos

Kate Moss Lands Her First British Vogue Cover.. As Fashion Editor

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This has got to break some kind of world record or something.

Kate Moss is back on the cover of Vogue UK this month for their May issue, marking the 35th time (!) the supermodel has graced the glossy. This time, though, she's more than just the model.

Moss debuted some pieces from her upcoming Topshop collection not only on herself but on Freja Beha Erichsen, the model she styled inside the issue, as well.

The 40-year-old was brought on as a contributing editor back in October, and this marks her second shoot for the mag. While the look is a bit more conservative than some of her recent covers, we have to admit, we are digging that sparkly fringe number.

What do you think of the new look?

kate moss

Actors Look Strangely Different With Facial Hair

Jennifer Love Hewitt Wants To Teach Her Daughter To Have Good Body Image

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Jennifer Love Hewitt became a first-time mom this past November when she and new husband Brian Hallisay welcomed daughter Autumn James Hallisay into their lives.

Like many new moms, Hewitt has found that shedding the baby weight is far from quick or easy, but says she's not obsessing over losing the pounds since she wants to set a good example for her daughter.

"It's hard, it's really hard," the 35-year-old told E! News at the launch party for her new A Pea in the Pod maternity line, L by Jennifer Love Hewitt, when asked about her efforts to drop the weight.

"It just feels great to sort of be honest about the fact that it is tough and these clothes make it a little easier, make me feel beautiful," she said adding that she's still wearing a lot of the maternity clothes she wore while she was pregnant. "Everything hasn't returned back to where I want it to be and [I want to] put on my other clothes and feel good about that."

The former "Client List" star emphasized that she's not trying any crazy diets and has made the new addition to her family her biggest priority.

"If your priorities are right, the baby's most important. You have to eat to feed to your baby," she explained. "And I have a girl so I want her to see some day why her mom has good self-esteem and good body issues. It gets you down sometimes, I'm not going to lie. I've had days where I'm like, ‘Ugh, I wish this was easier.' But it's not, and that's OK."

Of course, Hewitt has long been on the track to setting a positive example. The former "Party of Five" star spoke out after photos of her in a bikini were mercilessly mocked in the media back in 2007.

"I know what I look like, and so do my friends and family. And like all women out there should, I love my body. To all girls with butts, boobs, hips and a waist, put on a bikini -- put it on and stay strong," she wrote on her personal blog at the time.

Harper's Bazaar's Latest Spread Is Stunning And Diverse, So Of Course We Love It (PHOTOS)

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Ironically, diversity comes in different packages.

While we often see diversity as a representation of race or body type, it's also refreshing to see different styles highlighted in one shoot ... without explicitly calling it a plus-sized or ethnicity-focused piece. That's where visionary Carine Roitfeld comes in, as she showcased models with vastly unique looks in her first beauty spread, featured in the May "Beauty" issue of Harper's Bazaar.

Although we love Roitfeld's work in her own CR Fashion Book, we cannot get over the beautiful collection of these photos. From brightly hued makeup (especially those orange lips and pastel eyeliners) to hairstyles of all lengths, colors and cuts, take a look at this stunning editorial shot by Johnny Dufort.

Chiharu Okunugi
chiharu okunugi hbz


Ashley Graham
ashley graham hbz


Ashleigh Good
ashleigh good hbz


Riley Montana
riley montana hbz


Carolyn Murphy
carolyn murphy hbz

Go to Harpersbazaar.com to see the full feature and a behind-the-scenes video.

Emma Watson Opens Up About Why She Won't Date Anyone Famous

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Have you (like the rest of us) been pining over Emma Watson since she stepped on the screen as Hermione Granger? You may be in luck. As long as you haven't been making it into the tabloids recently, you're just her type.

The 23–year–old spoke with Elle Australia for their April issue about the woes of dating a celebrity and why she won't be signing up anytime soon.

"I don’t date people who are famous," Watson admitted. "I don’t think it’s fair that, all of a sudden, intimate details of their personal life are public as a direct result of me. I wish I could protect them."

Watson's theory could explain her relationship with current boyfriend Matthew Janney, a rugby player at Oxford University.

Stop Making the Thin Girl Ugly

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I stumbled across a petition on Change.org started by a fellow blogger whom I happen to adore. I've met her. I've laughed with her. I've slept in the same hotel room with her. I find her intelligent and quite glorious.

I don't like her petition... though I may be in the minority.

The petition is to Francesca Bellettini, the CEO of Yves Saint Laurent with this request: "Do not use anorexic models in your advertisements anymore." She also wrote a blog post about it here.

My problem is that the petition was inspired by a photo of a thin model in an ad, and we don't know that this young woman is actually anorexic. Perhaps the genes she inherited, combined with her youth, keeps her rail thin. Isn't assuming all skinny girls are anorexic just as bad as assuming all bigger girls are lazy?

What really bothered me were some of the comments that I read on the petition page:

Too many in the world are truly starving. This picture is disgusting and absolutely not something that should be advertised as beautiful!!


...sickly, weak, image that makes a female appear to be an unhealthy pre-pubescent boy...


grotesque


That is not what normal people look like, I guess you guys do not go outside alot, also it sends the wrong message to young girls about what is beautiful


I do not know who in the YSL organization picked such a model or this photo as representative of beauty. It looks like a concentration camp victim.


No twigs; curves are beautiful.


The comments go on and on and on...

Here's a picture stolen from my senior year yearbook of me stringing lights on a reindeer.

2014-04-01-ReindeerDecorating.jpg.jpg

I was a thin girl.

I was called anorexic. I was called "toothpick." I was called "boob-less" and "stick figure."

I was an active teenager who was training in dance and had thin parents.

I also ate four large meals a day, numerous snacks and spent several months on weight gain shakes so the name-calling would stop. It didn't.

I know that "Aw, poor skinny girl" is not the majority sentiment, but body issues and self esteem have never been beholden to body type.

I'm not going to lie, being thin did open doors for me and I was able to walk through those doors and enjoy a short career in the fashion industry.

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I made a good bit of money in a short amount of time, and well into my 20s, I would still walk down the street and hear other women throw over their shoulder, "Eat a sandwich."

In Shannon's post that I linked to above, she calls the use of very thin models cruel, and even "cruel for the girl in this photo, as booking this job has affirmed for her that if she's skinny enough, she'll work. She'll think twice about eating even one healthy meal a day fearing if she gains an ounce she'll be unemployed." The assumption is perpetuated that very thin girls don't eat a single healthy meal in a given day. Assumptions based on what people look like is not the message I think we should be sending.

I'm not saying the industry doesn't dangerously favor a certain body type -- it certainly does. The professional dance world does as well. However, I do believe it's changing, and there are companies out there like Dove that have been on the forefront of that change.

But banning thin models and calling them anorexic isn't the answer. Plus, it will never happen. Thin-ness isn't the enemy -- exclusivity is. Instead of banning one body type, we should instead be demanding all body types.

I know that the knee-jerk tendency is to put down one to uplift another and that often, the pendulum swings high toward both extremes before settling in the middle. But I would caution against this particular fight being one of those times.

I worry.

I worry for the girls out there who are like I was -- who are suffering from the same self-esteem issues that most teenagers do, and are being told they are ugly not only by their teasing peers, but by adults around them who are crusading for change.

Ceasing to use one type of model isn't the answer. Starting to use other types might be. Because in gym classes all over the world, the really thin girl exists... and she may be standing next to the thick girl, who is standing next to the short girl, who is standing next to the average-built girl... and they may all have inferiority complexes. They may all feel a little weird in their own skin. But they all want to be represented, and in the end, they all probably want to buy clothes.

I'd like to note here that I no longer have to worry about being called "toothpick". Birthing two children, a sedentary lifestyle and a middle-aged metabolism has taken care of that. Also, the original version of this post was first run on MommyNaniBooboo.com.

Cameron Diaz Is On A Little Black Dress Streak

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Leave it to Cameron Diaz to make a little black dress look anything but ordinary.

Leslie Mann and Kate Upton joined Diaz at the Dutch premiere of their film "The Other Woman" Tuesday night, April 1. In a formfitting, three-quarter sleeve mini dress paired with embellished black heels and a red lip, Diaz looked simply sensational -- which is likely why she replicated the look the next day. On April 2, Diaz rocked a little, skintight black leather dress with nude pumps for the U.K. premiere.

Sure, the 41-year-old has long been lauded (and cast) for her enviable figure, but managing to steal the spotlight from a swimsuit model half her age? To that we say: Kudos.

Diaz, Upton and Mann's comedy about three women who come together to avenge a cheating man opens in theaters nationwide April 25.

At the Dutch premiere:

diaz

cameron diaz

And at the U.K. premiere:

cameron diaz

other woman

Boho Chic Jewelry Bridges Amazonian and Urban Jungles

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"Yumi Necklace" -- Model Anna Maria Panici wears ORG by vio Yumi Necklace. Photo by Jeff Byrnes


Peruvian-born clothing designer Violeta Villacorta has been focusing on sustainable design since 1993. National and international magazines and the MOCA Geffen Museum in Los Angeles have showcased her signature bohemian eco-clothing collection, and she has dressed luminaries in the music and film industries. With ORG by vio, she combines her love for design, fine handcrafted adornment, the environment and indigenous culture by working in collaboration with Amazonian rainforest artisans.

Villacorta started paying attention to global issues as a student at the United Nations International School (UNIS) in New York, which she describes as "pro-creativity, pro-multiculturalism, pro-higher consciousness, pro-alternative thinking." This background inspired her to create a sustainable handcrafted clothing line in 1993.

Villacorta became involved with Amazon Watch in 2000 because she wanted to work with communities that had been affected by extractive industries such as gas, oil, timber, and gold mining. Amazon Watch, a leading nonprofit, has been working to protect the Amazon Basin and indigenous rights for more than two decades. Executive director Atossa Soltani is a "primary inspiration," and Villacorta continued to contribute financially to the organization when she accepted a coveted role as senior designer at Patagonia, a position she held for six years.

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"Peruvian Rainforest" -- Designer Violeta Villacorta's friend and inspiration Atossa Soltani, founder and executive director of Amazon Watch, has been championing protection of the Amazon Basin and indigenous rights for two decades, leading successful campaigns to convince oil companies and international financial institutions to adopt stronger environmental and social standards. "Atossa Soltani's dedication to the protection of the Amazon and its peoples is inspiring, powerful and unwavering." - Violeta Villacorta

Villacorta spent most of 2009 looking inward for inspiration. "In the stillness, I listened for insights that would guide me to my true purpose and mission," she says. "At the United Nations International School and the Fashion Institute of Technology, I was immersed in a richness of cultures and global awareness. Although I adopted a green consciousness early in my personal and professional life, it was no longer enough to create earth-friendly goods or live 'green.' I was moved to incorporate my values and skills in work with indigenous Amazon communities -- especially women."

The 2009 Bagua massacre, in which 33 Peruvians were killed and hundreds injured while peacefully protesting to protect their tribal land resources, triggered Villacorta's calling. She transcribed "countless hours of footage that was so graphic and so painful to watch and hear for her friends at Amazon Watch and emerged even more determined to work directly with affected communities, "within my creative realm, rather than through political activism." ORG by vio was born.

"I knew I needed to use my skills and somehow work for the Amazon jungle and work with these talented women," she says. "The women are like family, like sisters. They have so much talent and so much to offer. To give them another alternative through the creative field was something that really interested me, and doing something creative with them that brings in money to the community is beautiful."

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"Violeta Villacorta with Amazon Women" -- Designer Violeta Villacorta works with Yanesha women of the Palcazú Valley, Perú, a place she describes as "a beautiful gem in the middle of the Peruvian rainforest," during the group's first workshop and the community's first bio jewelry collaboration. She describes the trip as a "wonder-filled journey into Yanesha Territory."

Through ORG by vio, Villacorta shares tools that allow women in indigenous communities to maintain their traditions while creating income and livelihoods. She works hand in hand with the artisans, in person on location and virtually, emailing sketches and designs for collaborative projects and featuring their original works on her website and others.

Her goal is to bring together communities that have been exploited. "Extractive industries send in people with talents of persuasion who tell convincing stories," Villacorta explains. "Some love the promises, and some don't want any part of it, and the friction can really tear the communities apart." Villacorta believes that "the creative force is a unifying energy."

In 2010, Villacorta began working on creative artisan projects with the Cofán or A'i people native to the Napo Province in northeast Ecuador and southern Colombia, whose ancestral land, community health and social cohesion have been severely damaged by several decades of oil drilling. In 2011, she visited the Awajún community in Peru and began collaborating with women artisans who create jewelry and accessories from seeds and other plant fiber materials.

Blending elements from multiple cultures to create a look she calls "bohemian chic," Villacorta loves the use of seeds from Amazonian jungle plants as well as plant fibers, managed wood and other plant materials. She is also looking forward to working with natural tree rubber.

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"Violeta Villacorta Working on Designs" -- Violeta Villacorta working on designs for Yanesha Bio Jewelry Project

The versatile ORG by vio collection can be worn with a wide variety of looks -- from jeans and a shoulder-baring top to simple, elegant ensembles by designers such as Eileen Fisher or edgy super-stylers such as Stella McCartney. Villacorta would love to see the collections, especially the higher-end jewelry, in stores such as Fred Segal, Anthropologie and Barney's.

"I'm a big-city girl," she says. "If I lived in the jungle, I would miss the city, but I also love the Amazon, which is true jungle heaven. So, in a way, my designs are also a blend of these two jungles."

The beads used to create ORG by vio wearable art are actually seeds from flowering plants, bushes, trees and vines native to the Amazon rainforest. "The plant world -- and jungles even more so -- is all about the spirit of abundance, so it is a designer's paradise," Villlacorta says. "When you're looking for colors and shapes and sizes to work with, there's never a lack of choices."

"The communities swap and buy beads from each other all the time," Villacorta adds. "Some beads have meanings, and others are just used because they are lovely to look at. The beautiful red bead with the little black dot is said to bring good luck, for instance. The one that looks like a deer's eye is given to people for protection."


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"Amazonian Seed Beads" -- The beads used to create ORG by vio wearable art are actually seeds from flowering plants, bushes, trees and vines native to the Amazon rainforest. "The plant world -- and jungles even more so -- is all about the spirit of abundance, so it is a designer's paradise. When you're looking for colors and shapes and sizes to work with, there's never a lack of choices." - Violeta Villacorta

Supporting women as they create something that brings respect and money to the community also helps create balance between genders. "In the past, in many of these cultures, men and women worked side by side," she says, "but once they were contacted by ministries, that really changed. Women were no longer respected and listened to."

During her meetings with the artisan communities, male leaders are still the most visible and vocal, Villacorta says, but women can attend, and when they do, they gravitate toward her. "The entire project really started because the women could relate to and trust another woman," she says.

As ORG by vio projects grow and thrive, Villacorta is witnessing something rare and remarkable. "The young people are hungry for their roots," she says. "They want to learn everything about their traditional artistry. They want to master the art and the craft of it. And while they learn they're also exposed to other precious traditional cultural concepts like shamanism and plant spirit, and they want to learn that too. More and more, they want to learn about the way of the jungle."

Elders, Villacorta says, are eager to pass on what they know. "The elders are very happy that young people are interested in what they have to offer again," she says. "They had been told that what they knew was not important any longer. No one wants or deserves to hear that." She feels "humbled and grateful" to be part of rekindling multi-generational reconnection.


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"Yanesha Artisans at workshop First Day, Yanesha Territory, Perú" -- Violeta Villacorta and many other established designers find inspiration in indigenous cultures all over the world, and she believes they should get more credit. "The cultures that conceived and developed these looks over hundreds, maybe thousands, of years seldom if ever receive any benefit from having inspired the designers. Many of these communities need our support." - Violeta Villacorta

Establishing sustainable chains of trade with indigenous women is an ambitious challenge to take on anywhere in the world. In the Amazon rainforest, it's more like an anthropological jungle adventure movie, with a femme power protagonist and a colorful cast of women and girls hoping to heal and protect the paradise they live in and steward. Though Peruvian-born, Villacorta is still considered "foreign" -- thus suspect -- and must rely on complex, convoluted channels of introduction when searching for ethnic tribal partners. Her big heart, intelligent sincerity, and focus on collaborative-based progress has opened many doors.

Despite the challenges, she remains passionate. "When we align ourselves with our true purpose, all the pieces fall into place effortlessly and the real work begins," she says. "I believe that the cooperation of people is an indispensable element of building sustainability and creating powerful opportunities and partnerships around the world."




ORG by vio stands for "Organic Rainforest Goods (ORG)" by "Violeta & Indigenous Organizations (vio)."

Lorde Opens Up About Hollywood Stereotypes, Pressures And Sniffing Out Bulls--t

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For a 17-year-old, Lorde's wisdom and sense of self never ceases to amaze.

In the May 2014 issue of Canada's FASHION magazine, the pop star opens up about how youth today should not be taken for granted.

“I think young people have changed the way we view pop culture … we now have this discerning power," she says. "We all have Tumblers, we curate imagery every day. We can sniff out bulls--t faster.”

As a youth herself, Lorde has proven time and again that she is acutely aware of the social paradigms constructed around her. On Sunday, she posted an edited photo alongside an original photo of her skin to point out that it's okay to have flaws. At one point during the FASHION interview, she looked down at the Saint Laurent biker jacket she was wearing and said: "I know who I am, and I'm not this."

The females she admires are unafraid to challenge societal norms.

“I’m drawn to women who aren’t painted in history as sweet figures,” she tells FASHION while discussing the stereotypes and pressures in the entertainment industry. “Patti Smith was prickly. She was frustrated. She didn’t take people’s s--t. There’s no better music idol for young women, because there is a lot of pressure for us to be really positive all the time. Every photo shoot I do, I get asked for big smiles, and I shouldn’t have to be that way.”

Read Lorde's full interview in the May 2014 issue of FASHION, on newsstands April 14.

lorde

lorde

Marie Claire Praises Kendall Jenner For Rocking 'New Epic' Cornrows, Incites Twitter Outrage

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Marie Claire found itself in the middle of a Twitter firestorm on Wednesday, after tweeting a picture of Kendall Jenner wearing her hair partially cornrowed and praising the style as being "bold" and "epic."




Try, epic mistake. There is nothing "new" about the plaits or anything "epic" about the way Kendall is rocking them. Cornrows have been around for ages and are credited most to the black community, which explains the intense outrage and hilarious hashtag (#EpicBraidLevels) that went viral immediately following Marie Claire's tweet.

Let's just say, Black Twitter is not to be messed with...



















Marie Claire tweeted an apology two hours later, but the damage has already been done.





How Prom Dress Shopping Is Especially Difficult For Plus-Size Girls

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NEW YORK (AP) — Maria Giorno has nothing against long gowns with high waists and flowing fabric — dresses that are designed to camouflage curves on plus-size women.

But the New Jersey high school senior had no interest in buying a loose-fitting style for her senior prom, even though it was all she could find in a size 16 or so at nearby stores. So many stores, Giorno said, "never have anything that's a little more sexy or a little form-fitting, or anything like that for my age." Clothes shopping for plus-size teens can be frustrating in general, but shopping for a dream prom dress can be a tear-inducing, hair-pulling morass of bad design and few options — especially for girls who want a dress that hugs the body instead of tenting it.

"It's like people kind of assume that's what I want and that's what I like. I'm 18. I really like the way the tight dresses look," said Giorno, who plays roller derby and hopes to study music education in college.

She finally found one that didn't make her look like a bridesmaid — or worse, mother of the bride — at a boutique: a V-neck black lace "fit and flare" style with an open back and pleats above the knee for dancing ease on her big night.

Consignment shops and organizations that collect donated prom dresses for girls in need also say they can't get enough plus-size gowns. Shop owner Kristen Harris went on a mission to collect them after a teen left her store empty-handed and in tears. Harris was tagging stock at her just-opened Designer Diva Consignment Boutique in Abington, Mass., when a plus-size teen shyly approached the ball gowns.

"I said, 'Hey hon, what size are you looking for,' and she said 22, and that's when I felt like someone had just kicked me in the stomach, because I knew I didn't have anything that size," recalled Harris, who desperately pulled some smaller sizes in stretch fabrics for the girl. Moments later, the teen was crying in the dressing room.

So Harris began begging on social media for plus-size consignment and hunted down her young customer through Facebook, offering a private appointment and free dress from about 40 she'd collected. "She was so sweet," Harris said. "I just couldn't get her out of my head."

Operation Prom, which offers free donated dresses to girls in need in eight states, has also had to hunt for plus-size dresses. Noel D'Allacco, founder of the decade-old project, took in about 7,000 gently used dresses and new ones from corporate partners last year, but only about 700 were size 18 and up, she said. The shortage of donated plus-size garments forced her to purchase some.

"We are going crazy trying to get plus-size dresses," said D'Allacco, in Bronxville, N.Y. "We have this problem, unfortunately, every year. A lot of times we get plus-size donations and they're not appropriate for a 17-year-old. They're for your grandmother to wear. It's difficult."

Online options for plus-size prom dresses have proliferated in the past decade. But shopping that way for an already difficult fit, along with restrictive return policies, can feel risky. Giorno was not comfortable searching for her dress online, yet many retailers carry few to none in stores and on trend for teens. Many designers don't bother making them in larger sizes, prospective customers say.

Sixteen percent of women's clothing sold in the U.S. is size 14 and up, according to the market research group NPD. But the plus-size women's business has "pretty much been ignored by the big stores," said Marshal Cohen, NPD's chief retail analyst.

The shop in Pine Beach, N.J., where Giorno found her dress, called New York City Glitz, makes it a priority to stock trendy plus sizes. "There's not that much made," owner Cat Hutton said. "I have companies that I deal with that only carry up to a size 16."

David's Bridal, with about 300 stores around the country, estimates half of the company's prom-worthy choices come in sizes 16 to 22, with interest in those sizes growing every year, said Marissa Rubinetti, a senior buyer.

"They do struggle. They may fall in love with something they see online and they don't have the opportunity to try it on and buy it," she said.

A decade ago, the company carried a fraction of prom dresses up to size 22, Rubinetti said. Southern stores, particularly Texas, have a higher demand, she said. Stephanie Mekhjian, manager of David's Bridal in Fort Worth, Texas, estimated 20 to 25 percent of her prom customers wear sizes 18 to 22, including some who travel 100 miles or more to shop there.

J.C. Penney sells plus-size prom dresses online only and offers just three styles. Target does not sell, in its brick-and-mortar stores, dressier styles appropriate for prom in any size, but the company does sell them online. Other retailers restrict all plus-size clothing to websites.

"Manufacturers are starting to create more plus-size prom dresses but they are just not as readily available as traditional size prom dresses," said a Penney spokeswoman, Sarah Holland.

Phyllis Librach in St. Louis, Mo., knows the heartache of the dress search as both a mother and a dress designer who specializes in plus sizes for special occasions. She started her business 10 years ago after her daughter, now 29, was that curvy girl in tears in search of the perfect prom dress. They finally had one custom-made after the teen refused to buy a white wedding gown and dye it for prom.

Librach now designs and manufactures her own styles, including prom dresses sizes 14 to 40, which she sells on her site, Sydneyscloset.com, and through about 125 boutiques. She started out in the business buying inventory from others, but switched to producing her own after contacting a company that planned to knock off a gown worn by Queen Latifah at an awards show.

"I wanted to place an order, a very nice order, and they said, 'We're not making the dress in any size larger than 14,'" Librach recalled. "I said, 'Let me understand this, you're going to knock off an evening gown worn by a plus-size celebrity and you're not going to make it for plus-size women?' So I got angry, I got frustrated and I said, 'Damn it, I'll make it myself.' That dress sold out."

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Follow Leanne Italie on Twitter at http://twitter.com/litalie

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AP Retail Writer Anne D'Innocenzio contributed to this story.

Conan Continues His Campaign Of Terror Against Jordan Schlansky With A Cowboy Makeover

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Conan loves to harass his Associate Producer Jordan Schlansky, and since the show traveled to Texas this week, it was the perfect opportunity to inflict a cowboy makeover.

In the clip above, Conan and Schlansky visit Chick Elms' Western Store, and get the "metrosexual" producer a whole new, bulkier look.

Marc Jacobs Takes To Twitter To Cast His New Ad, The Internet Explodes With Selfies

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Move over, Miley Cyrus. Marc Jacobs is on a mission to find his next model -- and it could be you.

That's right, Jacobs took to Twitter Thursday to announce the "#CastMeMarc" casting call, calling on fans, aspiring models and even babies to submit their best photos in hopes of being the brands newest face. Participants are automatically entered to win by uploading a photo of themselves along with the hashtag #CastMeMarc to Twitter and/or Instagram, and unsurprisingly, the entries came pouring in immediately.




Here are just a few of the many Marc By Marc Jacobs hopefuls:
















And, of course, one just for fun:




Could you be the next face of Marc By Marc Jacobs? See all the rules here, and tweet at us @huffpoststyle with your best photos!

'Monstrous Feminine' Photos Remind Us That Beauty Standards Are More Than Unnatural

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Being a presentable, well-groomed woman involves shaving your legs, painting your nails, and performing other regular beauty rituals. These tasks have become so normalized that many women don't think twice about them -- something Jessica Ledwich hopes to change.

The Melbourne-based photographer's photo series, "Monstrous Feminine," depicts beauty rituals as acts of mutilation, making viewers re-think the standards of femininity and what some women undergo in order to meet them.

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"Like most women, I spent a lot of time reading fashion magazines as a young girl," Ledwich told The Huffington Post in an email. "I didn't think much about the messages that were constantly being pushed but I was aware of this sense of women's sexuality being something that was scary, uncomfortable and somewhat threatening and this strong sense of fear surrounding the idea of aging."

Ledwich also told HuffPost that she hopes her images will make viewers question the increasing normalization of beauty treatments that once seemed extreme.
I personally think what is really disturbing now is the way that the expectation of a women to engage in beauty treatments, procedures and cosmetic surgery, is so ingrained in our culture that we don't even think twice about it. These procedures are almost so mainstream now that you book them to fit between your grocery shopping and your laundry. There are a whole generation of young women who not only think it is normal to do this but that its desirable and worse, expected.


Some of her most arresting images are available below. Check out more of Ledwich's work (some of it NSFW) on her website.


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*NSYNC's Throwback Thursday Photo Surpasses All Throwback Thursday Photos

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Joey Fatone absolutely crushed Throwback Thursday with an equal parts adorable and awkward NSYNC photo from 1996.

Fatone shared the photo via Twitter, writing, "#TBT The men that started it all with "I Want U Back" Denniz Pop and Max Martin:"

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Pop and Martin wrote and produced, "I Want You Back," which was the group's first single.

The song's music video is even more '90s and hilarious than the adorable snapshot, in case you really want to get into the #TBT spirit. Only in 1997 would the concept of a boy band being trapped on a spaceship fly:



Ah, the good old days.


Emma Watson Reveals She's A Certified Yoga Teacher

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In addition to being a successful actress, Ivy League student and the face of various beauty and fashion brands, Emma Watson somehow found time to become a certified yoga instructor.

The 23-year-old graces the February/March 2014 cover of Wonderland and revealed to the magazine that once she graduates from Brown University she'll have a lot more time on her hands to pursue other interests -- acting is just one of them.

"I feel like I have so much more to accomplish as an actress. I’d love to try theater and that’s a whole other thing. But when I finish my degree, I will have a lot more time to pursue other passions, and I want to figure out what those will be. I love having something completely unrelated to the film industry. I want to find something that will let me use my brain in another way. I like connecting people who aren’t part of that world too," she told Wonderland. "I love painting. So maybe I hone in on that and do more art classes? Or maybe something different."

When the interviewer chimed in to say Watson was great at yoga, the actress agreed. "Then, there you go. I can be a full-time actress and a personal part-time yoga teacher?" she said.

According to Elle Australia, the "Noah" star is actually a certified yoga teacher, and her hectic schedule and jet-setting life is the very reason she decided to take up yoga. "I was like ‘I need to find a way to always feel safe and at home within myself. Because I can never rely on a physical place," she said.

Coachella 2014: Simple Fashion Rules

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It's April. If you're a lover of all things music, all things fashion AND happen to live in L.A. (but definitely not only L.A.), April means one thing... IT'S COACHELLA TIME. That's right, it is the second week of April when Angelenos and fellow nomads from lands far away congregate in the desert to celebrate perhaps the most highly anticipated festival of music, art and fashion. Everybody who's anybody, and everybody who is nobody, grabs their best rags and transforms into a hippie for a weekend.

I think by this point I can safely call myself a Coachella veteran -- 6 years on and still going strong. Of course I love Coachella primarily because of the music, a wonderful sampling of both the known and the unknown. However, it's really hard not to also love Coachella because it truly is a festival of style. People and thus style watching at Coachella is so much fun, with the best part being that there really isn't one conclusive type of style dominating the scene. The festival spawns a maceration of styles from all walks of life.

I myself haven't really decided exactly what I will wear yet, but I do have some simple rules that I follow every time I pack. For any newbies out there, I think you will come up with your own set of rules after the first time, but feel free to borrow these for time being. Here we go... take notes.

1) Be comfortable! Style is one thing, but style shouldn't mean that you are required to be miserable while standing in front of stages for 5-8 hours a day in the heat. Make sure that whatever you wear is comfortable enough for either walking or sitting, while enabling you to combat both the daytime heat and temperature drop at night. Comfort at Coachella is key.

2) No Heels! Yes, I am talking to you ladies. There is no need whatsoever to wear heels on a polo field. Festivals are all about having fun, being casual and feeling comfortable. Unless you plan on sporting a wedge sneaker, leave the heels at home and grab a pair of chucks or comfortable flat boots instead. I promise you will not be sorry. Save your heels for more appropriate places.

3) Makeup? What? Personally, I do not wear any makeup to the desert. I put some sunscreen on my face and allow the sun to paint, not burn, it bronze. If you simply cannot leave your home without even an ounce of make-up, go light as there is no need for your face to melt off in the heat. Allow your natural beauty to dominate your look.

4) WEAR SUNSCREEN! All I'm going to say is that Baz Luhrmann was right. Sunscreen has been my best friend since becoming an Angeleno. You will be able to show your bare face without makeup for eternity if you take care of it and wear sunscreen. It's a must. Don't forget it.

And now on to the fashion... My Coachella must-haves alternate every year depending on my general worldview, my musical obsession at the time, my mood and my mantra. It also depends largely on who is currently my favorite designer and what budget I have allocated for any new purchases. Here is my must list for this year. Replicate, imitate or personalize... and see you in T-8 days in the desert.

Peace, Love & COACHELLA

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Ray Bans - Rock Tee - Helena Quinn Dress - Zara Top - Jeffrey Campbell Sandals - Tie Dye Shorts - Nivea Sun Screen - Karina Hobo - Zara Denim Shorts - Lovely Bird Hat - Zara Suede Bag - Vans - Tom Ford Aviators
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