With the news that Playboy plans to stop publishing nude photos of women, the question of where celebrities will go to turn to bare it all has yet to be answered.

For decades, the men's magazine has provided a space for stars to strip down or pose in next to nothing -- often in an attempt to revive their careers (looking at you, Lindsay Lohan). 

Marilyn Monroe famously appeared on the magazine's first cover in 1953, which featured photos that were taken before she was even a star. Years later, dozens of celebrities would follow in her footsteps, either covering the magazine or appearing nude inside. And while the magazine's cover used to feature A-listers including Jessica Alba, Charlize Theron and Elle MacPherson, in recent years, B-listers like Tara Reid, Heidi Montag, and the aforementioned Lohan were far more likely to appear. 

In honor of Playboy's big announcement, lets take a look back at all the famous faces who have graced its cover. 

 
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LONDON, United Kingdom — Bethann Hardison remembers the days when, before every New York Fashion Week, “Casting directors would send out notices to all the modelling agencies in the city, saying 'no blacks, no ethnics' — we don’t want to see them.” Back then, the issue of diversity in the fashion industry had “got lost like a splinter,” says Hardison, a former model and founder of the Diversity Coalition, which works with industry bodies like the CFDA to raise awareness about racial diversity and discrimination in fashion.

In 2007, tired and frustrated, Hardison hosted a press conference in a New York hotel, where she publicly lambasted the industry’s lack of diversity. “From that moment on,” Hardison says, “No one has ever said that again.”

Since then, greater media coverage, the work of advocacy organisations such as the Diversity Coalition, and the willingness of high profile figures like Jourdan Dunn and Naomi Campbell to speak out about their experiences, has spotlighted the issue of diversity in the fashion industry. But this has not resulted in a significant rise in the number of models of colour walking the runways and gracing the covers of glossy magazines.

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What's the one clothing item Donna Karan likes to wear the most?

In an interview on NPR's "Fresh Air" on Monday to promote her new memoir, "My Journey," Karan shared a lot of wisdom, from how to design the perfect pair of jeans (it's all about the shape), to how she transitioned from running Anne Klein as a new mother to starting her eponymous label, and then DKNY after, taking it to such global heights.

But our favorite takeaway, seeing as how now is the perfect weather for wearing one, was her admission that, although she loves her bodysuits and thinks leather jackets are great, "My favorite piece of all is a scarf," she told host Terry Gross.

When Gross asked why, Karan replied, "'Cause a scarf is one thing that -- you can wrap it around, you can hide what you want to hide and show what you want to show and it's sort of like your partner in crime."

We totally agree.

Scarves are not only a great way to pull your entire look together, but they're pretty versatile, too. In fact, we've decided to show you just how easy it is to style your neck adornments in all types of ways.

So whether you're into big, drape-y blankets or small, silk neckties, the possibilities for scarf season are endless. We chose the scarves (and the dance moves) that fit each of our personalities to prove it.

 
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On weekends this autumn, we're looking forward to spending time at one of our favorite places outside of the mall: the farmers market. Packed with folks dressed in fall fashions, this outdoor scene is overflowing with colorful sights, sounds and foods.

While you're already in the habit of making a grocery list of fruits and veggies to stock up on, you should also consider learning which locally-grown goods have the best beauty benefits. So we asked Peggy Kotsopoulos, registered holistic nutritionist and author of "Kitchen Cures," to provide us with a fall foods guide to get us glowing from the inside out. Here's an infographic to download onto your phone or keep handy in your shopping tote!

 
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It seems like just about everyone has caught on to the smokey eye, but you'll be a trendsetter when if you become the first friend to rock the reverse smokey eye.

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Hey, just because you're an adult doesn't mean you have to grow up! 

Seriously, let's face it -- though many of us are attempting to adult, we all know that we're really just big kids at heart. So why not show off your fun and kooky side this Halloween with some costumes inspired by kids' shows, movies and books?

From "The Powerpuff Girls," to Darla from "Finding Nemo," these getups will make you feel like a kid all over again -- without the pain of braces or awkward school pictures. 

Check out the costumes below! 

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Last week, top bridal designers converged in New York City to debut their Fall/Winter 2016 wedding dress collections. We ooh-ed and ahh-ed from the front row with editors from around the globe, taking notes on the latest in bridal fashion. 

Some trends we saw in recent seasons are here to stay. Plunging necklines reigned (take that, strapless), overskirts are still very much a thing and pearl embellishments remain popular. New for brides this fall are 3D floral details (which were everywhere), Watteau trains, fringe details and illusion bottoms -- yes, you read that correctly.

Read on for the latest in bridal fashion, but know this: trendy or not, brides should wear whatever makes them feel special on their wedding day. That's the truth of it!

1. 3D Floral Embellishments: 

Texture is as hot as ever -- but 3D floral details are the trendiest of all. Designers like Naeem Khan (above), Hayley Paige, Liancarlo, Marchesa and others used flower embellishments to add femininity and romance to their collections. See more examples in the slideshow below.

2. Overskirts:

Overskirts are a great way to take your look from ceremony to reception. The tulle skirt on the Monique Lhuillier gown above is the same length as the dress beneath it, but other designers including Ines Di Santo and Vera Wang utilized overskirts to add length to shorter looks. 

3. Illusion Bottoms:

Illusion tops aren't going anywhere; what's new to the runway this season is illusion bottoms. Gowns like the Inbal Dror number above feature peek-a-boo glimpses at the bride's legs, adding a sexy element to the wedding day look. Other designers embracing the trend include Alon Livné White, Theia and Jim Hjelm. 

4. Watteau Trains:

Watteau trains -- those that attach toward the top of a dress and extend the length of the gown or beyond -- make for a regal, dramatic wedding day look. The gown above is by Rivini; Claire Pettibone and Houghton also have their own versions.

5. Pearls: 

Who says pearls are just for accessorizing? More and more designers are incorporating the gemstone in their gowns, like the knockout above from Sabrina Dahan. Check out other pearly looks by Romona Keveza, Lela Rose and more in the slideshow below.

6. Fringe: 

Fringe lends a retro, flirty vibe to today's bridal gowns. And it's not just being used along the skirt, like the dress above by Theia. A short Naeem Khan number featured fringe around the torso, and an Alvina Valenta gown added some swing in the upper back area. 

8. Colorful Prints:

If you're a bride who wants to up the 'wow' factor, consider a wedding dress with a pop of color. The ballgown above by Romona Keveza features prints in a big way; other designers like Lazaro and Houghton included subtler patterns in their bridal looks. 

8. Plunging Necklines:

Plunging necklines are here to stay. We love the dramatic look paired with a full skirt, like the Hayley Paige gown above, or atop a slimmer silhouette like the Galia Lahav and Reem Acra dresses featured in the slideshow below.

 
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In Sofia Coppola's "Marie Antoinette," Kirsten Dunst played someone who allegedly said, "Let them eat cake." But when she was preparing for her role as Midwestern beautician Peggy Blumquist in "Fargo" Season 2, she let herself eat pretty much whatever she wanted. 

The actress appeared on "Jimmy Kimmel Live!" on Monday to talk about gaining weight for the FX show. She admitted she indulged in a lot of pizza and grilled cheese. 

"I just had different cheeses and breads together," Dunst explained. "And now I'm like, 'Yeah, I gained weight for this role.' But really, I just sat in my bed and watched 'Friday Night Lights' and like, ate." 

It's a tough life, being a famous actor, huh?

"Fargo" airs Mondays on FX at 10 p.m. EST.

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Makeup is a huge part of putting together a costume, and it's really not that expensive. You can always buy cheap zombie face paint or a fake blood kit at the drugstore or a pop-up Halloween shop, but when choosing makeup for Halloween you should probably pay less attention to the price and focus more on the ingredients label. 

According to Joel Schlessinger, a board-certified dermatologist and RealSelf.com adviser, costume makeup often contains artificial dyes, fragrances, waxes and oils, all of which can clog pores, cause breakouts and irritate skin. "You'll want to avoid the same ingredients you wouldn't want in your everyday makeup," he said. 

To ensure that your Halloween doesn't turn into a real fright night because of toxic makeup, read Schlessinger's tips below on which props and products to be cautious of. Plus, his recommendations for safer costume makeup alternatives.

Cream Compacts/Shadows

"It's not unusual to see severe reactions to these cosmetics, specifically around the eyes, nose and mouth," said Schlessinger. "Additionally, some Halloween face paint could contain color additives that aren't FDA-approved, such as certain fluorescent or luminescent dyes." Before applying, the physician suggests checking to make sure your costume makeup doesn't contain any ingredients that aren't approved by the FDA.

"As with any unfamiliar makeup, you'll always want to perform a patch test on your neck or the underside of your arm to make sure you won't have a negative reaction," he added. "If you see signs of irritation, avoid putting the makeup on your face. Don't hesitate to see a doctor if the costume makeup gives your skin an itchy or blistering rash."

Adhesives/Glues

"The same glues you'd use for your everyday needs, including Super Glue, can damage your complexion,"said Schlessinger. "Look for glues and adhesives that are approved for stage or theater use. If you're planning on wearing fake eyelashes, make sure none of the eyelash glue gets into your eyes as this can glue the eyelid shut, requiring you to make a trip to the emergency room."

Fake Blood 

According to Schlessinger, fake blood is often made from a red dye that could cause irritation when it reacts with a petroleum base. Instead of buying fake blood from the Halloween store, he advises making your own with corn syrup, flour and food coloring.

Prosthetic Skin

"As for prosthetic skin, it's better to find something that is higher quality, which is less likely to cause skin irritation or inflammation," he said. "Look for theater props instead of something you can find in the Halloween aisle. Because these accessories are often made of latex, you'll also want to make sure you're not allergic first."

Colored/Costume Contact Lenses

Schlessinger said it's important to remember that contacts are a medical device and require a prescription from your eye doctor. "It's never a good idea to purchase contacts online or in a store, unless previously recommended by your ophthalmologist," he added.

Fake Nails

Certain false nails are more harmful than others, according to Schlessinger. "The chemicals used to apply acrylic nails, for example, include resins and formaldehyde, which are known to cause cancer. Over time, these chemicals can also damage the nail matrix, causing the entire nail to fall off," he said. "Glue-on nails pose less of a threat to your nail health, as long as you remove them properly. However, these are still hard on your natural nail and not recommended. It's better to paint your nails with regular nail polish."

Masks/Props/Wigs

Schlessinger points out that Halloween masks and props, especially the ones that are made from rubber and vinyl, could contain lead paint and chemical plasticizers. He explained, "Even if the props aren't constantly in contact with skin, there is still a risk of absorption. It's better to use makeup to create your desired look or make your own mask with papier-mâché."

Instead of using spray-on hair color that could also contain synthetic chemicals, the dermatologist recommends using wigs and hats. "Temporary hair color can be difficult to wash out, leaving your hair dry and brittle. Make sure any hats or wigs you decide to wear have never been worn by others. Sharing these items could lead to breakouts, lice, infection or irritation," he said. "Additionally, don't hesitate to take your hat or wig off if it becomes hot, itchy and uncomfortable. No one will blame you for breaking character!"

Safer Halloween Makeup Options

You may have noticed Schlessinger often recommends theater makeup over costume cosmetics. Here's why: "Theater makeup is made with higher quality ingredients and has less risk of skin irritation. Most theater makeup has the same high pigment payoff, but it's designed to sit on the skin for long periods of time and tends to be gentler on skin. These cosmetics are also FDA-approved and free of harmful ingredients like lead," he said.

For those who are especially prone to breakouts, Schlessinger believes mineral makeup is an excellent option because it sits on top of the skin rather than absorbing into the complexion. Our editors' picks for theater and mineral makeup include Mehron, Ricky's NYC, Jane Iredale and Alima Pure.

Schlessinger added, "If costume makeup is a must, look for products that are oil-free, alcohol-free and non-comedogenic with a water base. (These are the ones that are sold in cake pans and look like water color palettes.) Oil-based and ointment-based makeup is much more likely to clog pores."

 
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This is the saddest "Tyra Mail" we've ever received. 

After 22 cycles of "smizing," "tooching" and "booching" (boy "tooching" for the uninitiated), Tyra Banks and her made-up modeling dictionary have been given the boot by the CW. Banks took to Twitter to release the news herself. She included a heartfelt thank you to fans and credited the show for bringing "the intimidating modeling world to the masses."

The series finale of "America's Next Top Model"  airs on Dec. 4 -- Banks' birthday, coincidentally.

We have only one thing to say to the CW: 

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These men are helping to shape the dialogue around what it means to be black with a bold new statement. 

Photographer Justin Fulton, 28, and artist-educator André D. Singleton, 29, are the creators of The Very Black Project. It's a celebratory pro-black initiative that they started nearly a year ago which celebrates the beauty and diversity of blackness through social activism and selling T-shirts with the project's name. 

The Brooklyn-based duo said that the initiative started with "kitchen talks," conversations between the two, where they would reflect on their own personal experiences of growing up black and gay in America. Fulton and Singleton told the Huffington Post in an email interview that Very Black was born in 2014 when they began to include others in those conversations as a way to encourage people to share their stories and learn from other's unique experiences. 

As artists by trade, in March 2015, Fulton and Singleton started selling T-shirts with the words "Very Black" largely printed on the front at black venues and community events such as the MoCADA Soul of Brooklyn Festival and AFROPUNK Music Festival. At these events, they would also ask people what being "very black" meant to them while also spreading awareness about their cause.

"We ask people how they experience the statement. The T-shirt. Us. Their experiences. Their non-experiences. That's if they care, comment or inquire. It's really engaging and no pressure," Singleton said.

For both men, there's no single definition for the phrase "Very Black."

"It is for sure empowering, relatable, vast, inclusive and real," Singleton said. "It means a lot of things to a lot of people. We are learning as we go just as we have our entire lives."

Since their start, they've gained a huge following online with more than 15,000 followers on Instagram and are active on Tumblr and Twitter. The hashtag #veryblack has also picked up steam. According to Fulton and Singleton, the response has been mostly positive. "Nothing but love," Singleton said.

Even though their initiative promotes social awareness about the various representations of black culture, Fulton and Singleton are reluctant to call themselves activists. They said they simply want to use their experiences as black gay men to inspire others and each other.

"It's funny that because we talk about black topics we're automatically considered activists," Fulton said. "I actually never viewed myself as so in the past, but recently realized that what I'm doing creatively in and of itself is activism at its core."

Singleton, who is also a cancer survivor, echoed Fulton's sentiments. "I feel like before I had the language to identify as an activist I was already doing it simply by asking questions, supporting groups and movements that interested me," Singleton said. "I think my diagnosis and battle really fleshed a lot of things out for me."

The shirts, which now come in a variety of colors, and other products are available for purchase online. Very Black recently partnered with 14+, a New York City based non-profit that builds and operates schools in Africa, to use proceeds from a special edition T-shirt and tote bag to build a school in Zambia.

 
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This article first appeared on QuietRev.com

At what point did kid birthday parties become bacchanals of sugary treats and synthetic pop music, requiring the rental of rubber-floored play spaces bedecked with a dayglo rainbow of streamers, peopled with every child the birthday boy or girl has ever known in his or her short life? For an introverted child, and especially an introverted parent, these events can be an exhausting, nerve-wracking few hours of noise, chaos, and small-talk.

In the eighth grade, my parents threw me the biggest birthday party I ever had. Four of my closest friends came. We played mini-golf, ate pizza and cake, then unrolled sleeping bags and slept on the living room floor. My wife reports something similar. To determine the number of kids she was allowed to invite, her parents would take her age and subtract one.

But times have changed, and so, when our son Felix turned 2, my wife and I cleaned our house, ordered food, and invited all of our neighbors and friends to wish him a happy birthday. We knew some of these folks from the local playground, and suddenly, the jungle gym was in our living room with toddlers climbing over everything, scrambling for toys, failing to share, and crying. In between breaking up 2-year-olds’ wrestling matches, the adults dished about developmental milestones, the stress of juggling work and family, and the soaring real estate prices.

It was exhausting. Felix careened around the house, hands sticky with chocolate cake, picking fights with his guests. My wife and I plastered smiles on our faces and did our best to carry on our half of the conversation. “Say that again?” I remember repeating, unable to focus on a single damn thing—there was just too much happening in a too-small apartment.

Afterward, we wanted to collapse, but Felix was hyped on sugar and wired from all the company. We needed to expend a lot of energy and attention to keep him from falling into the abyss of a tantrum. It took the family days to clean the house, to catch up on sleep, to shake our funky moods—to fully recover. It’s as if we all continued to thrum from the party like a bell echoing with reverberations post-clap.

And then the next year we did it all again! Only this time, it was worse. At 3, Felix remembered that his birthday meant a house full of people, excitement, and confections. He had more trouble than usual sleeping in the weeks leading to the event and required constant monitoring during the shindig itself. Just like in the previous year, the party itself was a blur, and the days after found us mired in a household-wide funk.

By the time Felix turned 4, we had learned our lesson. We invited a handful of kids to meet us at the park, all with grown-ups we felt comfortable hanging out with for an hour or two. The kids kicked balls and dug in the dirt, while the adults stretched out and soaked up the sun. We didn’t even pack a cake! We snacked and actually carried on conversations while our children played.

Last year, we went even lower-key. Felix had a pizza party with two friends and a birthday brunch with his grandparents. These were both lovely, relaxed celebrations, which we all look back on with fondness.

It’s not rocket science, right? Introverts do better in intimate settings and at smaller parties with a handful of friends as opposed to rooms crowded with acquaintances. And yet this flies against what we see on Pinterest or Facebook or read in lifestyle blogs or magazines. So we feel guilty.

Don’t!

We have to do not just what’s best for our kids—but for us too. It’s like using the oxygen mask on an airplane. You can’t help your child if you don’t help yourself first.

Navdeep Singh Dhillon, who blogs at The Storytelling Papa and Ishq In a Backpack and identifies as an introvert, learned this the hard way as well. “My daughter’s first birthday was the most fun,” he told me. “We took her for barbecue and let her splatter sauce and eat ribs—we had come armed with a change of clothes. Then she started school and made friends. This year, she turned 5 and wanted a capoeira-pirate themed birthday. We stupidly had no ground rules about who she could invite, so she invited over 20 kids! All of them came, with parents. Chaos ensued.”

Neal Call, who blogs at Raised By My Daughter, told me that while he’s an introvert, his daughter is not. She loves parties! “I always try to get my wife to take our daughter to parties, but when she can’t, I go. I lurk awkwardly on the sidelines and just hope people don’t peg me for a creep.” (This is my coping mechanism too.)

Call said that despite his daughter’s outgoing nature, he feels that any big production “turns a ‘celebration’ into an ordeal,” and so he insists on throwing her small birthday parties. As parents, we are not obligated to give our kids huge birthday parties, no matter what we might see other people doing. “However,” Call said, “I do feel the obligation to give her frequent opportunities to interact with others at school, at the park, and in extra activities of her choosing, whether dance class or soccer practice. I’m pretty sure there will always be a tension between our two opposing proclivities, but we still like each other.”

I think Call’s comment gets to the heart of it. We do owe our kids social experiences, but that doesn’t mean we have to conform to society’s expectations by throwing huge birthday parties for our children just like we don’t have to buy them a million presents at Christmas or Hanukkah. These deals are only as big as you make them, and as an introvert, you will likely want to make some of them quite small. Go right ahead and do so. A family is composed of individuals, and we all have a right to feel comfortable and happy together. Setting limits based on what feels good for you is actually an important behavior to model for your child. One day, I hope that my son will not succumb to peer pressure and that he’ll know himself and avoid situations that cause him distress. For me, that distress comes with big parties and, to a lesser extent, more than thirty minutes or so on the playground after school. So I insist that we avoid those things.

And kids adapt to their parents’ needs. My son is on the verge of turning 6, and this year he wants nothing more than a little brunch with his grandparents. He’s not pining because we’re not renting out Chuck E Cheese. After two years of small celebrations that emphasize close, minute, warm moments of connection with true friends, that’s what he wants too. Which is great, because it’s about all his introverted mom and dad can handle.

This article originally appeared on QuietRev.com.

You can find more insights from Quiet Revolution on work, life, and parenting as an introvert at QuietRev.com.

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Artists often need to inhabit a dual personality in order to succeed. They need to be comfortable spending time in an inner, introspective space, but they also need to be willing to go out in the world and promote their art. I was really curious about how artists manage these often antithetical roles and the different skills that come with them. How can the introvert—to put it crassly—become more comfortable being the salesman without feeling inauthentic? I talked to artist Michael De Feo to get his perspective and advice.

I first met Michael at the end of January 2015. It was one of those winter days that was neither cold enough for snow nor warm enough for rain. The sky was a dishwater grey. I was wet and cold and over it. And then I walked into Michael’s studio, and the day instantly changed. It was like spring had arrived early, and there was real beauty in the world even if I couldn’t see it outside.

For those who aren’t familiar with Michael’s work, he’s best known for his iconic flower image and his bright, blooming colors. The flower is such a versatile symbol. We use it in our culture to express almost every emotion at almost every occasion. Some of Michael’s work is inherently cheerful, but other pieces have a more poignant, contemplative quality. For Michael as an artist, it’s important to have an image or an idea to focus on. “I find when you have something you can focus on and repeat, it helps you grow because you keep making variations on the same theme.”

One thing that is clear when looking at Michael’s work is that he’s making art for himself first. “Some artists, they think about their audience and even what might sell, which is such a bad thing to do. You might as well go into advertising…I honestly believe that if I focus on making what I love to make, other people will see that too.” He believes that one of the most destructive things an artist can do is worry about people’s reactions to their work when they’re making it. “Being true to yourself and being true to your heart and not letting any of the other bullshit get in the way. We live in a time where we have so many distractions and so many things begging for our attention, which can unfortunately steer your work one way or another.” In his work, Michael will give himself a problem to solve and then see where it goes. “I sometimes start by creating a problem that has to be solved. I make myself uncomfortable and have to find my way out via my own path in paint.”

Over 20 years ago, Michael started his career as a street artist. One of the uniquely wonderful things about street art is that the work evolves as the city changes. There’s a cycle of life with street art: it’s created and gradually, over time, destroyed, which so beautifully mirrors the lifespan of the flower. “In fact,” he tells me, “the most important part for me [is] that the work disappears.”

For Michael, there’s a difference between making art for the street and making art for a gallery. Many street artists enjoy a degree of anonymity that artists can’t get in a gallery space. Street artists can create and share their work with the public without necessarily having their name attached to it. “What’s hard is that I’m pretty private. When I do art in the street, I get to put up my work and run away. When you have a show, the feeling is exhilarating, but it’s also nerve-racking.”

But the more exposure Michael got, the more comfortable he became with the art scene. “Years ago, at the very beginning of my career, I became more comfortable showing and selling my work by doing it as often as possible. The more frequently I exposed and discussed my art with others, the more confident I became. I’ve always been proud of my work, and that made it easier.”

Michael has always wanted to share his work with a wide audience. “I’ve found that I’m constantly forced to learn new skills and get into experiences that take me out of my comfort zone.” He believes that in order for artists to feel comfortable sharing their work with others, they first need to learn to trust themselves and have faith in their own work.

If this is true—and I really do think it is—it means that the strength to share your work has to come from an inner source rather than something external. Which means that anyone can have the courage to put their work out there once they have faith in themselves and in their work. And once one’s trust is built and fortified, it means that rejection, though painful, shouldn’t cause that trust to crumble.

That doesn’t mean making art gets easier. “I’ll always be struggling—it will always be a challenge,” says Michael. “It’s not an easy thing to make art, especially art that I’m happy with. More times than not, I’m totally dissatisfied with what I make, which I think is a good thing because if I was always pleased, that would be a terrible position to be in. I wouldn’t grow as an artist.”

To learn more about Michael and his work, check out his website and follow him on Instagram.

This article originally appeared on QuietRev.com.

You can find more insights from Quiet Revolution on work, life, and parenting as an introvert at QuietRev.com.

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If you're anything like us, you've been waiting with bated breath for the Balmain x H&M lookbook, ever since the European retailer announced the collaboration back in May. For months we've been teased with campaign images and leaked product shots. But now, the time has finally come and we can ogle the goods. 

Unfortunately we don't have a price list yet, but we have a feeling these pieces might break the bank. Check out the lookbook below and start planning your shopping list for when the collection hits store on Nov. 5. 

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