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How Two Harvard Grads Made It Possible To Rent The Runway

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"Yes, You Can Make It In Fashion" is a HuffPost Style series that profiles men and women across every area of the fashion industry and explores how they rose to the top, how they thrive and practical advice they have for young people trying to break into their world.

 

Jennifer Hyman and Jennifer Fleiss share more than just a first name. They also share an alma mater (Harvard Business School), a company (Rent The Runway) and a drive to democratize the fashion industry. 

 

The pair met at business school in 2008, founded a company that rents out designer dresses in 2009, and have raised over $125 million in venture capital for Rent The Runway. 

 

We had the good fortune of chatting with the Jennifers, so we picked their brains on everything from what it took to get RTR off the ground, what advice they would give their younger selves, and how they dove head-first into the plus-size retail market. Here's what we learned:

 

On who should go to business school:

JF: I typically say, go to business school if you fall into one of two categories. One is if you want to change your career or something like that. Or maybe if you think you want to be an entrepreneur and you have skills to learn and you don't have your idea yet. Second is if you need a break. So I think a lot of people who work in finance, for example, they do investment banking for two or three years and they are going to go back into a senior role in investment banking, but they want some time to not be pulling all-nighters. 

 


On making a serious case for a fun business idea:

JH: We were one of the first businesses at Harvard Business School that got funded while we were in school, so we were at the beginning of this new generation of people who specifically go to business school with the intention of being entrepreneurs. I did not go to school with that intention, it happened and we started working on something that we loved and it turned into an entrepreneurial venture. But at no point did I feel like anyone was taking us less seriously because it was fashion. Fashion is the third largest industry on earth. It's a 1.7 trillion dollar global industry and I think that once we put it into that context, of this is a business, everyone was taking 1.7 trillion dollars very seriously.


Jennifer Hyman, CEO & Co-Founder (left) and  Jennifer Fleiss, Co-Founder, Head of Special Projects (right)


On how they welcome copy-cat companies:

JH: One of the biggest challenges we had with Rent The Runway is that we had to normalize the behavior of renting, in addition to promoting the brand Rent The Runway. So we had to create a category and promote us as the winner in that category. It's actually a lot easier to be the best in a category that already exists than it is to create the category and the rationale from the get-go. So we had to teach women that it was cool and smart to actually wear clothing that other women had worn before. The more people that enter into the rental space, the bigger [the market], and we welcome [that]. We believe that Rent The Runway is going to be the best choice of [all] the options because we have the widest selection, we have the most customer reviews. In some sense, I believe that Coke wouldn't be Coke unless Pepsi existed. So we don't have a Pepsi yet in the rental market, [but] we welcome other people to join the rodeo. 

 

On advice they would give to their younger selves: 


JF: I wish that I had learned to code or have technology or engineering be a bigger part my education. 

 

JH: I was going to say the exact same thing -- learn to code. I think if you're going to create or learn to build anything at this point, it's going to be through coding, so not knowing how to build something yourself puts you at an immediate disadvantage.

 

On the one thing all future entrepreneurs need to hear: 

JH: I think that entrepreneurship has become so sexy and glamorous that it has become misguided. You have people who are raising their hands saying, 'I want to be an entrepreneur,' as opposed to being passionate about an actual idea. That's where you're setting yourself up for failure, when all you want to do is start a company, but you haven't found the idea that's actually going to change the world. 

 

JF: One of our guiding principals in entrepreneurship is always listen to your

customers, and whenever we are talking to aspiring entrepreneurs we always say, 'Make sure you go to the customer first.' Don't write a business plan -- test your concept with a customer. And even still, as our business evolves, we create channels to listen to our customer.

 

 


 

 
On why they expanded into the plus-size market before many other companies:


JH: I would say that the predecessor to us launching into the plus-size market was a product we launched in 2012 called Our Runway, where the major component was allowing our customers to post photo reviews of themselves after their rental experience that detailed their night of celebration as well as how the dress fit. What we saw was that we had hundred of thousands of people uploading photos on Rent The Runway and we saw that the main tenet behind our brand was one of celebration. And then we were like, if our brand is about women who are happy and out celebrating their lives, then why is it limited to women who are size zero to 12? If we were out democratize the fashion industry, we weren't being authentic to ourselves if we weren't doing that in one half of the market.

  


JF: With plus-size, through our customer service team, there were so many women who would reach out and contact us and we weren't meeting their needs. And we would learn from them that designer brands just don't even cut in their sizes -- [they couldn't] find high-quality designer products in a way that [they] want and so we found there was a real hole in the market and a real opportunity. I think what we have done in the plus-size space is not just service the demand, but create all these additional opportunities for these women because we've gone to all these designers and said, you don't currently cut in a size 20, but we're going to buy enough quantity that you should. 



 

On what it's like being a female CEO:

JH: We have raised $126 million from the most sophisticated inventors in the world, and when you're raising that money in a market where [the male investors] are not the end consumer, you have to both show and tell. They need to understand who is the customer? Why is this emotionally resonant to her? How is this going to change the way she consumes? It doesn't make logical sense to a lot of male investors that the average woman buys 64 new articles of clothing per year in the United States -- that just seems like an extremely high quantity and rationally, why do you need that every single year? We now have a company [with] 850 people. There are not a lot of women who are both founders and CEOs of companies that have grown to the level that Rent The Runway has, and I think that we all have to usher in a new model of what it means to be a leader. There are qualities of being a woman that sometimes actually conflict with your expectations of what a CEO does and some of that is our own biases that we have about how women are supposed to act versus how men are supposed to act. I think that our goal is to have as many women go and found their own companies and become entrepreneurs, and the only way that is going to work is if all of us are more accepting of a diversity of leadership and a diversity of leadership styles at the top. 

 




This interview has been edited and condensed for clarity.


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Serena Williams Takes On Body-Shaming Haters In Powerful Speech

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Speaking at the Sports Illustrated "Sportsperson of the Year" ceremony held in her honor on Tuesday night, Serena Williams addressed the body-shaming that she has had to face and overcome throughout her career, emphasizing just how important internal acceptance is when seeking external success.


“I’ve had people look down on me, put me down because I didn’t look like them -- I look stronger,” she said in her acceptance speech. “I’ve had people look past me because the color of my skin, I’ve had people overlook me because I was a woman, I’ve had critics say I [would] never win another Grand Slam when I was only at number seven -- and here I stand today with 21 Grand Slam titles, and I’m still going.”


Williams continued, spending much of her time onstage addressing the difficult ride she’s had and the self-confidence that has been necessary to ignore the naysayers and achieve greatness.





The trek to get to this stage and this moment of her career was not easy. “I’ve lived through tragedies and controversies and horses,” she said, the latter being a not-so-subtle reference to the recent debate as to whether she or the Triple Crown winner American Pharoah was more deserving of the "Sportsperson of the Year" title. But now, looking back, Williams explained that each and every one of these emotional and physical hurdles, these internal and external struggles, led her to that podium in New York City on Tuesday night, making history as the first individual woman in more than three decades to earn the crown of "Sportsperson of the Year."


“For all the ladies out there, yes we can do it,” she said. “My hope by winning this award [is that I] can inspire many, many, many more women … to stand right here on this podium and accept another ‘Sportsperson of the Year,’ so yes ladies it can be done.


“In 1984 in Compton is where I began my journey of becoming a tennis player on beaten down courts," she said. "Now 30 years later, I still have goals and still have dreams of winning, and this award actually makes me want to work harder to reach more goals.”


 


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Men's Parkas That Won't Make You Look Like A Stay Puft Marshmallow

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There's no better coat than the time-proven parka. Used for generations by the Inuit people to protect themselves from the frigid arctic elements, parkas have since been translated by the U.S. military during the '50s and '60s and are now worn by many civilians around the world to get through the winter.


Parkas are coats that are usually filled with down (or an equivalent), either hit at the hip or the knee and often come with a fur-lined hood. And while many are nothing more than bulky, expensive puff balls with two places to put your arms, there are stylish, slim and affordable alternatives out there -- parkas that look just as good with sweatpants or a suit -- as long as you know where to look. (Hint: You don't need to heave over $700 for a Canada Goose).


After all, if a parka is good enough to keep an Inuit person warm, it should be good enough for your winter wear. Here's a list of our favorites (nary a Canada Goose to be found).



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Pregnant Chrissy Teigen Rocks Leather On A Date With John Legend

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Another day, another Chrissy Teigen maternity look to swoon over.


The 30-year-old stepped out in Los Angeles Tuesday night for a date with husband John Legend in a black form-fitting look complete with a chic leather jacket and a beachy ponytail.



Time and again, Teigen knocks pregnancy style out of the park, but she is still only human. The supermodel kicked her feet up to relax afterward, sharing a photo of the bottom half of her look -- and her dogs-- to Instagram.





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26 Gifts For Anyone Who Loves Stationery

3 Key Ingredients to a Great Scarf for You

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Scarves are so fabulous! They are a great way to pull together and accessorize an outfit.

A scarf typically highlights and accents your face and you, overall, therefore, it is best to make sure your scarf choice is flattering on you.

Do you know how to select a scarf that gives off your best?

There are three key ingredients in every scarf to assess and match with you. If one or more of these ingredients does not align with you, your scarf choice could easily overpower and wear you.

1. Color
2. Weight of the scarf's fabric, print and detail
3. Length of the scarf

In the video below, I share how to assess the above three ingredients for you.

You can use these as guidelines -- there are always great reasons to "break" the guidelines, including weather and current fashion trends.

Subscribe to my YouTube channel at this link:

HERE.



Happy scarf shopping everybody!

I hope this blog post inspires you to wear your authenticity!

Carol Brailey is an Image Consultant, Color Analysis Professional and Hair Colorist based in Toronto, Canada. More of her blogs can be found at carolbrailey.com and virtualcoloranalysis.com. Carol is a member of the Studio Fontana team located in the Fashion District of downtown Toronto.

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Here Are 11 Ways A Guy Can Tie His Scarf

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When you really think about it, the standard scarf is just a long, skinny (very essential) strip of fabric that will protect you from winter's worst. But who knew there were so many ways to tie one?


The editors at Real Men Real Style knew it and designed a very illustrative infographic that shows 11 ways to tie your scarf, from "The Chest Warmer" (around the neck and down across the torso) to the six-step "Reverse Drape Cross."


Yes, it seems there's a knot for every neck.



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Watch Me: Keeping Time and Keeping Up

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From the dawn of civilization to the invention of the atomic clock, our lives have been governed by time. We've parsed our days and our activities with the seasons, with society, and with each other. Consciousness of time is so fundamental that it's hard to imagine how units of time, and the very process by which temporal progress is tracked, have greatly evolved over the centuries. The technology of timekeeping has changed the world and, in turn, has been changed by that new world, over and over again throughout history.

In the beginning, the only time that mattered was Father Time: the journey from birth to death, symbolized for millennia by the old man with the scythe. Of course, there was also Mother Earth, who dictated when to sleep, when to rise, when to reap, and when to sow. Minutes and hours were inconsequential. Our only clocks were the sun and the moon, and time was determined by need. The closest we came to modern clock-oriented time -- and it wasn't very close -- was in the broader sectioning of the day into rough ideas of morning, noon, and night, each demarcated by the sun's position in the sky.

Now let's press pause. For a moment, I want to take a leap from the dawn of timekeeping to a technological field of twenty-first-century interest: eye tracking. Eye tracking and its study are a modern innovation, an emergent field in our understanding of the psychology of attention. This will show us the role vanity, emulation, and most important, attention seeking, have played in the development of timekeeping technology.

The way eye tracking works is complicated. First, a small device is fitted to the face over the eyes. This device quite literally "tracks" in which direction a subject's eyes move, where they rest, and for how long. It's an indisputable record of what appeals to the eye and to what degree. It's far more accurate than simply asking a subject what interests him or her -- people lie, of course, and more important, people don't actually seem to know what they're looking at or why.

Eye tracking technology has been used in humans to inform advertising strategy and to understand how we interpret visual data on a page or screen. The results are often comically obvious. For example: When a mixed group of men and women were shown the same advertisement of a woman in a bikini, the women predictably looked the longest and most frequently at her face, whereas the men divided their time fairly evenly between her face, her breasts, and her other ... assets. (Don't misunderstand -- the women ogled the bikini-clad women too, but their attention was more predominantly focused on the face.) Interestingly, when men and women were shown a photo of an attractive man, the results were exactly the same, rather than reversed. The women still mostly looked at his face and marginally at his body, the men still primarily checked out their imaginary rival's physique and particularly his equipment.

What are we really looking for? It's not as simple as sex. Heterosexual men and women aren't primarily, let alone exclusively, focused on the bodies of the opposite sex. We can't reduce our looking patterns to envy either, or women would look longer and harder at the figures of their competition than they do at their faces.

What we're unconsciously looking for is the human equivalent of the peacock tail. What do they have that we don't? A more symmetrical (i.e., genetically "fit") face? A body that implies children? Perhaps the affluence to eat well, or maybe the genetics to outsize the competition? We're looking to place ourselves in some subjective rank, by making objective assessments of our peers. Eye tracking allows us to chart exactly what sort of assets we're comparing.

We can observe a less obvious but more concrete display of this tendency when we take sex -- and bodies themselves -- out of the experiment. When both groups, male and female, are shown a picture of a man and woman from the shoulders up, the eye tracking results for both groups are nearly identical. Both genders spend an equal, and extraordinarily long, amount of time looking at each and every piece of jewelry the subject is wearing -- in most cases, far longer than they spend looking at the faces. They are unconsciously searching for assets, for signs of position and rank, for ways to compare.

People's need to assess the value of who and what is around them, and to place themselves in some positional context, is universal. It's in our animal nature to compete and to measure, compare, and rank. It's also a pretty standard instinct to want to be the most valued or the most desired. It's the basis of sexual selection and Darwinian evolution.

But to be desired, one must first be seen.

Like glittery blue butterflies or peacocks with giant fanning tails, the fastest way to grab attention is to have something special. When it comes down to it, that's really the primary function of jewelry -- to stand out, to sparkle, to catch and hold people's attention. Sometimes jewelry enhances beauty, while other times it telegraphs wealth and power. Either way, it's always an expression of advantages, either natural or procured.

Look at it this way. Genetic fitness, youth, and fertility are pretty hard to fake -- though in the twenty-first century, we do our best. But other material assets can convey other, more mate¬rial advantages, ones that either aren't physical, or don't fade with time -- or, possibly, both. Things like money, power, influence, or access. Maybe that's why, while women look more at the faces and men look more at the bodies, everybody looks most at the jewelry. The fastest way to get attention and communicate privilege is to possess a status symbol.

Preferably a very sparkly one.

Humans have few biological means at our disposal to communicate wealth or convey an advantage. Unlike our glittering and feathered friends, we have no tails or wings or scales. So we look to our one unique competitive advantage over the rest of the animal kingdom: mechanical ingenuity.

Let's go back a few hundred years, to the emergent technology of the day: pocket watches.
Sometime in the fifteenth century, well before the development of the balance wheel and spring in 1657, the earliest proto-pocket watches emerged, barely different from earlier portable spring-loaded clocks. They were remarkably large and barrel shaped in order to accommodate the spring inside. They had to be wound repeatedly throughout the day, only had an hour hand, and kept terrible time -- they often lost several hours of time a day.

Despite their cumbersome nature and questionable utility, they were designed to be worn. They were so desperately expensive and so hard to find that their scarcity made them an immediate and ostentatious display of wealth and privilege. By the sixteenth century they had become a favorite form of ornamentation among the elite.

Eventually, having just a single pocket watch wasn't enough, and in a classic expenditure cascade, the wealthy of Europe demanded increasingly complicated, and therefore increasingly expensive designs. Within a century, the fad was for small clocks in whimsical shapes that could be worn fastened to one's clothing or on a chain around the neck. They ranged from iconic items, like stars and crosses, to more elaborate decorative themes, like flowers and animals. They were even crafted in the form of skulls. The so-called Death's Head watches were a poetic, if morose, reminder that Father Time was coming for all of us.

By the seventeenth century, the artistic demand for smaller portable clocks in interesting shapes gave rise to more advanced timekeeping technology, like the balance spring. Charles II of England had just introduced waistcoats, a fashionable garment with side pockets, and so it became trendy to keep a relatively accurate, small, flat clock in one's pocket. The "pocket watch" was born.
Until the early twentieth century, functioning clocks were the epitome and apex of modern technology. Then, just as now, the smaller the technology was, the newer and more expensive it became. Watches were, traditionally, the specific purview of the extremely wealthy. Even when they didn't work well, which was pretty much from the time of their inception until about one hundred years ago, they were still priced like rare jewels and were just as difficult to come by.

Henry VIII, never shy about showing off, was the first to demand a "pocket clock": a salad plate-sized clock that he could wear on a chain around his neck. Predictably classy. His daughter, Elizabeth I, wore one around her upper arm. A round pocket watch encircled by diamonds and attached to an "armlet," the watch was a gift from her favorite admirer and alleged lover, the earl of Leicester, Robert Dudley. Even Marie Antoinette got in on the action, having supposedly commissioned a diamond bracelet involving some sort of a timekeeping mechanism.

Ring watches, which were also quite popular, date back to at least the Renaissance. These watches, which substituted a time¬keeper for a gemstone, were primarily ornamental and had only an hour hand to indicate the general time, one that often got stuck or skipped ahead. They were utterly useless, but still a favored form of showing off for centuries. A diamond tiara doesn't keep your head dry either.

By the eighteenth and nineteenth century, pocket watches, though still fragile and susceptible to every kind of damage, were finally accurate enough to be valued for their utility alone. Even so, they were still regarded, to a great degree, as jewelry. The watches themselves were dressed up in cases of gold, enamel, diamonds, and other gems, meant to catch the eye like jewelry.

But like the jeweled reliquaries that hold the bones of saints or the shroud of Turin, those precious glittering cases were really just a tribute to what was inside, something beyond common value: time.

While it takes extraordinary skill for a diamond cutter to cut a diamond, or a goldsmith to fashion a ring or a chain, piecing together a clock takes even more skill. Mechanics needed to match the extraordinary precision necessary to create such tiny, intricate moving parts with an understanding of the mechanics of time and space. People needed a solid understanding of day and night cycles and of the movements of the planets and stars in order to build a functioning sundial. Add to that a substantial grasp of metallurgy and mechanical engineering, and you could make yourself a clock. With the greatest and rarest skill, along with a decent grasp of harmonics, a watchmaker could miniaturize that technology and create a pocket watch.

What better way to convey your wealth and privilege to those around you than by wearing the very workings of the cosmos on the end of a gold chain?


Excerpted from Stoned: Jewelry, Obsession, and How Desire Shapes the World by Aja Raden courtesy of Ecco, an imprint of HarperCollins Publishers, copyright 2015.

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Check Out Kris Jenner's Christmas Decorations At Your Own Risk

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In a family known for their truly outrageous Christmas Cards, it only makes sense that Kris Jenner would go over-the-top with holiday decorations, as well. 


Kim Kardashian posted a photo on Instagram of her mother's crazy Christmas tree(s) and staircase that are overflowing with garnish, oversized candy canes and ornaments and strings of bright lights.  



Candy Cane Lane Kris Jenner Style

A photo posted by Kim Kardashian West (@kimkardashian) on




We bet her electricity bill looks something like the Griswolds'. 


Jenner loves Christmas and spilled her holiday party secrets to Oprah last year. 


"Every year, we try to have a theme," said Jenner. "And a very important element to any time I give a party of any kind is a party favor." 


The momager used world-renowned celebrity florist Jeff Leatham last year to help map out her house and organize where those 15-foot Christmas trees go. Leatham helped Khloe Kardashian organize her Thanksgiving dinner just a month ago, where Koko inadvertently got involved in one of the greatest controversies of this decade: Piegate. 


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4 Last-Minute Gifts to Feed Your Spa Addict's Habit

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Hi, I'm Janna. I'm a spa addict. I'm not just saying this to be cute. I would give up sugar if I had to choose between sugar and spas. And I have a huge sweet tooth. Why am I disclosing my dirty secret (which so happens to smell of a relaxing blend of lavender and neroli)? Because I want to assure you that this isn't just some cutesy, themed gift guide - I mean serious business when it comes to acting as an enabler to my fellow spa addicts.

Laurel Whole Plant Organics Full Gift Set

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This curated ritual from Sausalito, CA-based plant whisperer Laurel Shaffer is the pièce de résistance of at-home spa sets. Your gift recipient will feel truly pampered when she recreates a 5-star destination spa facial with products from this flower and herb-based skincare line. Featuring a cleanser, elixir, serum, mask, and balm, the beautifully packaged (read: you won't have to wrap it) gift set also includes a fan brush and handcrafted bowl for mixing and applying masks. Fancy. I don't play. $228. Available at Laurelskin.com.


SkinOwl Beauty Steam
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Think of this organic blend of flora as tea for her skin. She will add two scoops (with the included adorable wooden spoon) of the dried blend of flowers and herbs to boiling water, drape a towel over her head, and buh-bye. Not only will she lose herself in the deliciously scented steam, but she will love her skin looks afterwards. $48. Available at Skinowl.com.

Juara Coffee and Crème Skin Smoothing Body Ritual
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Not only will she feel transported to a tropical destination spa when she smells the potent coffee-scented body scrub and sweet nutty crème, this limited-edition holiday gift set will leave her skin bikini-ready. Does she tend to be a little sluggish in the morning before her cup of Joe? Expect her to become a morning person after she starts her day with this skin-softening one-two punch. $58. Available at Credobeauty.com.

Lake & Skye Jasmine Floral Water

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I know. I know... $69 seems steep for floral water, but that's just because you haven't experienced this one. Known as a natural anti-depressant and anti-anxiety, the jasmine flower used in the Lake & Skye Jasmine Floral Water is sourced from the Madurai region of India also known as "The Nectar City." Want to know if it works? Let's put it this way... Every time my husband smells the sweet scent of jasmine he knows it's safe to enter the room. $69. Available at Lakeandskye.com.

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Dad Makes Awesome Star Wars-Themed Lunches For His Kids

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Every Sunday night, Beau Coffron aka "Lunchbox Dad" makes fun bento box lunches for his kids to take to school the next day. Lately, he's tried to incorporate a special theme into his edible art: Star Wars.



"My family loves Star Wars," Coffron told The Huffington Post, adding that they've dressed as characters from the franchise for Halloween multiple times.


"My kids cannot wait to see the new movie," the father of three continued. "They have been talking about it ever since the teaser trailer last year. Every day they ask to go see it." 


Coffron's creative Star Wars lunches feature delicious delicacies in the form of Stormtroopers, R2-D2, Chewbacca and more. He posts photos of the meal and instructions on his blog at lunchboxdad.com.



This particular theme is one of the kids' favorites, Coffron told HuffPost. "I make these lunches first and foremost for my kids," he said. "I want them to know that their dad is thinking about them as they begin their week at school. All of the lunches I make are eaten by my kids and are also inspired by them."


Coffron plans to make more Star Wars-themed lunches after the movie is released, and in the meantime, he hopes his lunches can inspire other parents who want to foster their kids' love of the franchise. 


"The important thing is not to make perfect lunches," he said. "It's about letting your kids know you are thinking about them and having fun with it. It doesn't have to be a burden but it can be a great bonding experience between you and children." 



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Celebrity Style Evolution: Leonardo DiCaprio

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By Matthew Sebra for GQ.

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(photos via Getty Images)

We look back at the leading man's stylish progression from kid actor to A-lister.

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1989
Despite looking damn sharp in a suit, at heart DiCaprio is an American kid who prefers the basics when off duty. Of course, even as a kid TV actor, his basics were anything but that, like this Nike varsity jacket that predates menswear's collective obsession with the outerwear piece by about twenty years.

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1989
Another look Leo anticipated at an early age? The Chandler Bing/Charlie Sheen bowling shirt. For the record, we're less enthusiastic about this one.

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1993
The '90s played host to countless bad trends, and not even DiCaprio could escape the prevalence of shallow knit skullcaps. Because why wouldn't a guy want to wear a hacky sack on his head?

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1993
DiCaprio turned Hollywood's heads with his performance in What's Eating Gilbert Grape?, but at the film's premiere, he's making us scratch ours as we try to figure out this layered mash-up.

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1994
Yet another instance of DiCaprio as a menswear prophet, wearing a getup remarkably similar those just shown at Prada's Fall 2013 runway. Mark Wahlberg, on the other hand, is clearly regressing to a Fat Albert phase.

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1994
Leo wears what basically every '90s teen did to his prom to his first Golden Globes, at a time when black tie meant no tie at all.

Read more: David Beckham's 25 Most Stylish Looks

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1994
Every man must find his stylish path in life and that usually involves some unfortunate detours. In DiCaprio's case, it's this velvet shirt.

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1996
Believe it or not, in 1996 this look at the Romeo & Juliet premiere was about as of the moment as you could be, four-button front jacket included.

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1997
For the premiere of DiCaprio's career-changing Titanic, the actor suits up and basically lays the sartorial groundwork for the next fifteen years of red carpet appearances, including that over-buttoned-up jacket front.

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1998
DiCaprio' second Globes appearance was an improvement over his first outing (note an actual bow tie), but the actor still had yet to learn what a real formalwear lapel looks like.

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2002
At the Gangs of New York world premiere we get our first glimpse of adult Leo. Notice the gelled spikes and hanging tendrils of his youth are slicked back for a leading man look that aligns with his more mature movie roles.

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2002
Later that year the actor tries his hand with some rare (for him) bold blue color at the Catch Me If You Can premiere.

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2004
As an adult, DiCaprio has a uniform off the red carpet, and to this day the actor sticks to it: backwards ball cap, button-down, and dad jeans.

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2005
Back at the Golden Globes, the actor finally nails eveningwear in one sharp peak-lapel jacket, but pairs it with a bib-sized silk tie. His Aviator nomination ticks off a series of red carpet appearances for which the actor gets schooled in the ways of black tie dressing...

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Last-Minute Stocking Stuffers for Your Beauty Maven

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Don't fill her stocking again this year with candy and worthless gifts from the checkout aisle at Bed Bath and Beyond. That keychain flashlight is like a lump of coal for your beauty product fanatic. Show her she was a good girl this year by putting one of these small yet useful treasures in her stocking this year:

Stila Sealed with a Kiss Gift Set

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If your lovely gift recipient is known for constantly slicking on lip gloss, she will love stashing these bestselling mini glosses in her handbags and pockets. These click pens are surprisingly highly pigmented, which means she will be delighted by the color pay-off as well as how the hydrating formula leaves her pucker even more kissable. Usually $28 - on sale for $20 at stilacosmetics.com.


WEI Rice Sprout Express Glow Illuminating Mask

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When she pulls this little single use mask from her stocking, she may drop everything and apply it immediately to rid her face from the previous night's eggnog overload. This single-use silk sheet mask "floats in the essence of rice at point of germination to even and brighten skin tone and texture." After ten minutes, her skin will be brighter than the Christmas tree. $12 for single. Available at Sephora.com.

EOS Holiday 2015 Limited Edition Decorative Lip Balm Collection
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She will have endless fun decorating these three 100 percent natural and organic lip balms in Pomegranate Raspberry, Sweet Mint and limited edition Vanilla bean. This gift set comes with appliqué jeweled stickers to adorn the little spheres of lip love. My selfish advice? Pocket the Sweet Mint when she's not looking. $9.99. Available at major drugstores nationwide and Evolutionofsmooth.com.

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19 Gifts Anyone Who Wears Glasses Will Appreciate

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This Clairol Hair-Dye Model Has An Incredible Story. 40 Years Later It's Finally Being Told.

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Roughly forty years before Laverne Cox appeared twice on the cover of Essence magazine and Caitlyn Jenner was named Glamour's Woman of the Year, Tracey “Africa” Norman was the world's fist black transgender model -- but few have heard her story until now.


In an in-depth interview published in the Dec. 14 issue of New York Magazine, Norman, most famous for appearing on one of Clairol's best-selling boxes of hair-dye in the mid-1970s, recounted a successful modeling career spent hiding her transgender status from editors and casting agents. At a time when Caitlyn Jenner can introduce herself to the world on the cover of Vanity Fair, Norman, now 63, believes people are ready to hear her story.



“I was reminded that I made history and I deserve to have it printed,” she told the magazine. “And I’m still here.” 


Norman broke into the modeling world shortly after transitioning when she spotted a group of black models on the New York subway and followed them into a casting call for what turned out to be Italian Vogue. Norman landed the job, signed with an agency and spent the next years of her life posing in magazines and advertisements while keeping her trans identity concealed. 


Keeping that secret wasn't just about protecting her career; she regularly saw police accosting and arresting people they recognized as transgender.


Around 1980, an assistant on a shoot Norman was doing for Essence recognized her from their hometown and outed her, and she suddenly stopped getting work. It was a painful end to her career, but she takes pride in paving the way for today's transgender icons.






“I’ve always said that the person that walks through the door first leaves the door cracked," she said. "There was a perception that a transgender woman couldn’t be passable and work in fashion magazines and land contracts. I proved that wrong. I left the door cracked for other [transgender people] to walk through.”


Her story has already had a huge impact on Laverne Cox, who told the magazine that she first heard about Norman five years ago on a blog about history's little-known transgender heroes.


“I can’t tell you how many hours I stared at that photo of her on that Clairol bottle and that caption, ‘Born Beautiful,’” Cox said. “Yeah, we are born beautiful.”


Read the whole story on New York Magazine's The Cut


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HuffPosters Around The World 'Sleep Their Way To The Top' In Holiday PJs!

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Last year marked the first time Huffington Post employees were gifted pajamas in lieu of the sweaters they'd long received to celebrate the holiday season.


This year, as HuffPost's ongoing mission to spread awareness about the health benefits of getting enough sleep continued, so did the new tradition of giving teams around the world something to sleep in! 


While a good set of pajamas is helpful in procuring a good night's sleep, the New York team wasted no time wearing theirs out to a swanky nightclub, Provocateur -- proving sleep (and sleepwear!) is always in style.


The HuffPost family raised a glass to another wonderful year of sleeping their way to the top, looking forward to a great 2016 in pajamas from J. Crew, Lands' End, Calvin Klein, Joe Fresh, Pour Les Femmes, Coyuchi, Bedhead Pajamas, Vermont Country Store, Alas and Peach. They chowed down on sweets from Fatty Sundays, Dominique Ansel, Magnolia Bakery and Insomnia Cookies, washed them down with beverages from Barefoot Wines and Blue Moon and partied in a GIF-tastic photo booth from The Bosco.


Check out photos from the party -- which provided some fabulous #huffpostpjparty Instagram opportunities -- and from HuffPosters around the world below.



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Selena Gomez Shares Sexy Bikini Snap Before Confusing Fans With Photo Of Mystery Man

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It may be December, but that's not keeping Selena Gomez out of her bikini. 


The 23-year-old, who has been on the road as part of iHeart Radio's Jingle Ball tour, shared a photo of herself in a tiny two-piece and teased that there was more to come.



A photo posted by Selena Gomez (@selenagomez) on




Gomez also tagged photographer Steven Klein, who recently made headlines for taking those controversial photos of Kylie Jenner in a wheelchair. While it seems unlikely that Gomez's project with Klein would produce such provocative shots, we're still interested to see what they might have planned.


And if her mystery project doesn't make you curious, perhaps this photo of a blonde mystery man drinking orange soda will pique your interest. The former Disney star, who recently denied rumors she's dating One Direction's Niall Horan, posted the pic on Thursday morning, leaving fans asking, "WHAT DO YOU MEAN??"



A photo posted by Selena Gomez (@selenagomez) on




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39 Hidden Treasures Of Course We Found On Etsy

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Plus-Size Model Tess Holliday Has Some Choice Words For Victoria's Secret

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Tess Holliday isn't afraid to speak her mind. After all, she's responsible for the #effyourbeautystandards movement that took social media by storm


It's no real surprise, then, to learn she takes issue with Victoria's Secret, a brand that's arguably more famous for unrealistic beauty standards (hello, Angels!) than its actual retail offerings. 


 



If you got it, post it on the Internet to piss people off

A photo posted by ➕Size Model | Mom | Feminist♋️ (@tessholliday) on




In an interview with Yahoo Style, the 30-year-old said the mega-popular lingerie brand is sending women the wrong message about what is and is not beautiful. 


"They are kind of perpetuating the image of what’s wrong with America and with society, in general, that you have to look like  a certain way, like a Victoria’s Secret Angel, to feel beautiful and be sexy," she said. 



Holliday joins a long list of people and brands to speak out about VS. Plus-size retailer Lane Bryant fired shots with its "I'm No Angel" campaign, which featured a range of women of different shapes, sizes and races, and more than 33,000 people petitioned VS after it released the badly-worded "Perfect Body" campaign in 2014.


It's these folks, along with Holliday, who are working to change the scope of what "beauty" looks like, but there's still a long way to go. As Holliday joked, Victoria's Secret probably "didn't look up from their glitter and angel body spray -- or money" to listen to the grievances.


We've reached out to Victoria's Secret and may update this post. For Holliday's entire interview, head to Yahoo Style.


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A Bittersweet Look Back As One Direction Goes Its Separate Directions

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The band One Direction came a long way since they were new kids on the block back in 2010. While their vocals and lyrics have changed, their outfits and overall style transformed them from boys to men. 


At the start of the band's quest for world domination, the boys dressed like the people they truly were: fresh-faced teens who dug comfy hoodies and loose-fitting jeans. As they continued to rack up appearances, the band often followed color schemes, so they could be in sync without compromising their individual personalties. 


In fact, they kind of resembled The Beatles for a time. 







Over time, however, a new edition of the band's look was born -- eventually sans beloved ex-member Zayn Malik. Silhouettes became tailored, necklines lowered and the boys no longer looked like a group of prep-school kids. Rather, they became beacons of the refreshing non-matching boyband -- with the exception of their penchant for mostly wearing black. 


Nowadays, for example, Harry Styles struts in his rock and roll vibe with Saint Laurent and Gucci while Niall Horan adopted an elevated approach to his athletic, boyish charm with printed tops and overall dapper digs.







In honor of the band's upcoming hiatus, we take a look back at how the five boys' style matured from their "X Factor" experience to present day. Take a look at the fashion evolution below and try not to cry too much over their absence. 



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